|
Michael Althen
FAZ |
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Cristina Nord
|
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
Toni Erdmann
(Maren Ade, 2016)
|
|
|
|
91
|
99
|
87
|
|
|
92
|
90
|
91,8
|
Vortex
(Gaspar Noë, 2021)
|
|
88
|
92
|
|
90
|
|
|
90
|
90
|
|
90
|
Home Sweet Home – Wo das Böse wohnt
(Thomas Sieben, 2023)
|
|
|
|
|
|
|
|
|
89
|
|
89
|
Stop Making Sense
(Jonathan Demme, 1984)
|
|
87
|
|
|
84
|
|
|
93
|
89
|
|
88,3
|
Queer Exile Berlin
(Jochen Hick, 2024)
|
|
|
|
|
|
|
|
|
88
|
|
88
|
Pacifiction
(Albert Serra, 2022)
|
|
89
|
86
|
|
85
|
|
|
90
|
84
|
90
|
87,3
|
Was sehen wir, wenn wir zum Himmel schauen?
(Alexandre Koberidze, 2021)
|
|
87
|
90
|
|
90
|
90
|
|
90
|
92
|
72
|
87,3
|
Bildbuch (Le livre d’image)
(Jean-Luc Godard, 2018)
|
|
|
|
|
95
|
85
|
|
86
|
98
|
72
|
87,2
|
Martin Eden
(Pietro Marcello, 2019)
|
|
93
|
88
|
|
92
|
69
|
|
95
|
90
|
82
|
87
|
Mi país imaginario – Das Land meiner Träume
(Patricio Guzmán, 2022)
|
|
|
|
|
|
|
|
|
87
|
|
87
|
Boyhood
(Richard Linklater, 2014)
|
|
|
|
87
|
93
|
84
|
85
|
|
88
|
82
|
86,5
|
Zama
(Lucrecia Martel, 2017)
|
|
89
|
|
|
80
|
90
|
|
91
|
91
|
78
|
86,5
|
The Potemkinists
(Radu Jude, 2022)*
|
|
|
|
|
|
|
|
|
95
|
78
|
86,5
|
A Most Violent Year
(J. C. Chandor, 2014)
|
|
|
|
84
|
79
|
85
|
|
|
94
|
90
|
86,4
|
The Woman Who Left
(Lav Diaz, 2016)
|
|
86
|
|
|
94
|
|
|
|
85
|
80
|
86,3
|
Unruh (Unrueh)
(Cyril Schäublin, 2022)
|
|
84
|
90
|
90
|
84
|
75
|
|
85
|
97
|
84
|
86,1
|
Norte, the End of History (Norte, hangganan ng kasyaysayan)
(Lav Diaz, 2013)
|
|
|
|
|
82
|
85
|
95
|
|
78
|
90
|
86
|
Schlamassel
(Sylke Enders, 2023)
|
|
|
|
|
|
|
|
|
86
|
|
86
|
Speak No Evil
(Christian Tafdrup, 2022)
|
|
|
|
|
|
|
|
|
86
|
|
86
|
A Night of Knowing Nothing
(Payal Kapadia, 2021)*
|
|
88
|
87
|
|
84
|
|
|
88
|
|
82
|
85,8
|
Small Axe
(Steve McQueen, 2020)*
|
|
92
|
77
|
|
|
|
|
93
|
86
|
80
|
85,6
|
La Flor
(Mariano Llinas, 2018)
|
|
92
|
85
|
|
|
|
|
84
|
88
|
78
|
85,4
|
Heimat ist ein Raum aus Zeit
(Thomas Heise, 2019)
|
|
82
|
92
|
90
|
85
|
67
|
|
90
|
93
|
84
|
85,4
|
Balikbayan #1. Memories of Overdevelopment. Redux III
(Kidlat Tahimik, 2015)
|
|
|
|
|
|
80
|
|
|
96
|
80
|
85,3
|
Bella e perduta
(Pietro Marcello, 2015)
|
|
|
|
|
89
|
|
|
|
92
|
75
|
85,3
|
Cemetery of Splendour
(Apichatpong Weerasethakul, 2015)
|
|
|
|
75
|
85
|
93
|
|
|
93
|
80
|
85,2
|
Uncle Boonmee erinnert sich an seine früheren Leben
(Apichatpong Weerasethakul, 2010)
|
82
|
|
|
74
|
88
|
92
|
100
|
|
90
|
70
|
85,1
|
Moonrise Kingdom
(Wes Anderson, 2012)
|
|
|
|
85
|
84
|
78
|
80
|
|
93
|
90
|
85
|
Stop-Zemlia
(Kateryna Gornostai, 2021)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Mavka – Hüterin des Waldes
(Oleh Malamuzh, Oleksandra Ruban, 2023)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Geister – Exodus
(Lars von Trier, 2023)
|
|
|
|
|
|
|
|
85
|
|
|
85
|
The Queen Mary
(Gary Shore, 2023)
|
|
|
|
|
|
|
|
|
85
|
|
85
|
Landshaft
(Daniel Kötter, 2023)
|
|
|
82
|
|
|
|
|
|
88
|
|
85
|
Dunkirk
(Christopher Nolan, 2017)
|
|
|
|
84
|
82
|
83
|
|
82
|
87
|
90
|
84,7
|
Der Letzte der Ungerechten (Le dernier des injustes)
(Claude Lanzmann, 2013)
|
|
|
|
|
80
|
90
|
79
|
|
|
89
|
84,5
|
Holy Motors
(Leos Carax, 2012)
|
|
|
|
|
84
|
72
|
90
|
|
96
|
80
|
84,4
|
Maidan
(Sergej Loznitsa, 2014)
|
|
|
|
85
|
78
|
|
83
|
|
86
|
90
|
84,4
|
Saint Omer
(Alice Diop, 2022)
|
|
88
|
91
|
87
|
78
|
75
|
|
82
|
90
|
84
|
84,4
|
The Zone of Interest
(Jonathan Glazer, 2023)
|
|
89
|
50
|
92
|
90
|
74
|
|
94
|
96
|
90
|
84,4
|
Sieniawka
(Marcin Malaszczak, 2013)
|
|
|
|
81
|
|
|
90
|
|
86
|
80
|
84,3
|
Once Upon a Time in Anatolya
(Nuri Bilge Ceylan, 2011)
|
|
|
|
|
|
|
78
|
|
91
|
83
|
84
|
The Assassin
(Hou Hsiao-Hsien, 2015)
|
|
|
|
85
|
90
|
65
|
|
|
90
|
90
|
84
|
Scarred Hearts (Inimi cicatrizate)
(Radu Jude, 2016)
|
|
|
|
|
|
|
|
90
|
78
|
|
84
|
Neruda
(Pablo Larraín, 2016)
|
|
73
|
|
|
89
|
|
|
90
|
|
|
84
|
Call Me By Your Name
(Luca Guadagnino, 2017)
|
|
88
|
|
85
|
80
|
|
|
95
|
|
72
|
84
|
Suspiria
(Luca Guadagnino, 2018)
|
|
80
|
|
|
84
|
|
|
85
|
86
|
85
|
84
|
Apollo 10 1/2
(Richard Linklater, 2022)*
|
|
|
|
|
84
|
|
|
|
|
|
84
|
Elaha
(Milena Aboyan, 2023)
|
|
|
|
|
|
|
|
|
84
|
|
84
|
Alles Fifty Fifty
(Alireza Golafshan, 2024)
|
|
|
|
|
|
|
|
|
84
|
|
84
|
Pol Pot Dancing
(Enrique Sánchez Lansch, 2024)
|
|
|
|
|
|
|
|
|
84
|
|
84
|
Liebe, D-Mark und Tod
(Cem Kaya, 2022)
|
|
84
|
79
|
90
|
78
|
|
|
86
|
|
85
|
83,7
|
Western
(Valeska Grisebach, 2017)
|
|
|
|
64
|
90
|
87
|
|
89
|
92
|
79
|
83,5
|
Ray & Liz
(Richard Billingham, 2018)
|
|
|
|
|
84
|
77
|
|
87
|
86
|
|
83,5
|
Drei Gesichter
(Jafar Panahi, 2018)
|
|
86
|
|
|
80
|
|
|
83
|
90
|
78
|
83,4
|
The Innocents
(Eskil Vogt, 2021)
|
|
80
|
|
|
|
|
|
84
|
86
|
|
83,3
|
Fallende Blätter (Kuolleet Lehdet)
(Aki Kaurismäki, 2023)
|
|
82
|
84
|
|
92
|
75
|
|
83
|
84
|
|
83,3
|
Anatomie eines Falls (Anatomie d’une chute)
(Justine Triet, 2023)
|
|
88
|
80
|
87
|
83
|
78
|
|
89
|
77
|
84
|
83,3
|
Vitalina Varela
(Pedro Costa, 2019)
|
|
|
84
|
|
92
|
|
|
81
|
85
|
74
|
83,2
|
Ema
(Pablo Larraín, 2019)
|
|
86
|
78
|
|
80
|
|
|
87
|
85
|
|
83,2
|
Tabu
(Miguel Gomes, 2012)
|
|
|
|
68
|
90
|
|
95
|
|
80
|
82
|
83
|
Jackie
(Pablo Larraín, 2016)
|
|
83
|
|
|
79
|
|
|
94
|
81
|
78
|
83
|
Phantom Thread (Der seidene Faden)
(Paul Thomas Anderson, 2017)
|
|
72
|
|
|
94
|
65
|
|
89
|
88
|
90
|
83
|
Ex Libris
(Frederick Wiseman, 2017)
|
|
93
|
|
|
74
|
|
|
|
|
82
|
83
|
Inside
(Vasilis Katsoupis, 2023)
|
|
|
|
|
|
|
|
|
83
|
|
83
|
Olaf Jagger
(Heike Fink, 2023)
|
|
|
|
|
|
|
|
|
83
|
|
83
|
Die Katzen vom Gokogu-Schrein
(Kazuhiro Soda, 2024)
|
|
|
83
|
|
|
|
|
|
|
|
83
|
Get Out
(Jordan Peele, 2017)
|
|
84
|
|
89
|
78
|
70
|
|
84
|
90
|
85
|
82,9
|
The Master
(Paul Thomas Anderson, 2012)
|
|
|
|
86
|
90
|
75
|
76
|
|
84
|
86
|
82,8
|
La chimera
(Alice Rohrwacher, 2023)
|
|
83
|
80
|
|
86
|
|
|
81
|
89
|
78
|
82,8
|
Police, adjective
(Corneliu Porumboiu, 2009)
|
|
|
|
85
|
70
|
|
|
|
93
|
83
|
82,8
|
Zum Tod meiner Mutter
(Jessica Krummacher, 2022)
|
|
82
|
85
|
|
|
|
|
|
81
|
|
82,7
|
Vorsicht Sehnsucht (Les herbes folles)
(Alain Resnais, 2009)
|
77
|
|
|
81
|
91
|
91
|
76
|
|
82
|
80
|
82,6
|
The Belladonna of Sadness
(Eiichi Yamamoto, 1973)
|
|
|
|
|
|
77
|
|
|
88
|
|
82,5
|
Glücklich wie Lazzaro (Lazzaro Felice)
(Alice Rohrwacher, 2018)
|
|
87
|
|
|
95
|
59
|
|
90
|
86
|
78
|
82,5
|
Bones and All
(Luca Guadagnino, 2022)
|
|
84
|
|
|
82
|
|
|
84
|
80
|
|
82,5
|
Parasite
(Bong Joon-Ho, 2019)
|
|
72
|
84
|
|
82
|
80
|
|
89
|
92
|
76
|
82,1
|
Revision
(Philip Scheffner, 2012)
|
|
|
|
87
|
80
|
78
|
90
|
|
82
|
75
|
82
|
Marketa Lazarová
(Frantisek Vlacil, 1967)
|
|
|
|
|
|
81
|
|
|
83
|
|
82
|
I am Not Your Negro
(Raoul Peck, 2016)
|
|
88
|
|
85
|
72
|
|
|
85
|
82
|
80
|
82
|
Victoria (2021)
(Sofie Benoot, Liesbeth de Ceulaer, Isabelle Tollenaere, 2020)
|
|
|
78
|
|
|
|
|
|
86
|
|
82
|
The Case You
(Alison Kuhn, 2022)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
The Story of Looking
(Mark Cousins, 2021)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Return to Dust
(Li Ruijun, 2022)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Monster im Kopf
(Christina Ebelt, 2023)
|
|
|
|
|
|
|
|
|
82
|
|
82
|
Godzilla Minus One
(Takashi Yamazaki, 2023)
|
|
|
82
|
|
|
|
|
|
|
|
82
|
Die Missetäter (Los delincuentos)
(Rodrigo Moreno, 2023)
|
|
|
79
|
|
83
|
|
|
|
86
|
80
|
82
|
Challengers
(Luca Guadagnino, 2024)
|
|
88
|
|
68
|
76
|
75
|
|
87
|
90
|
90
|
82
|
Ein Höhlengleichnis (Il buco)
(Michelangelo Frammartino, 2021)
|
|
85
|
82
|
|
77
|
82
|
|
84
|
85
|
78
|
81,9
|
Félicité
(Alain Gomis, 2017)
|
|
78
|
|
86
|
79
|
|
|
|
84
|
|
81,8
|
Bohnenstange
(Kantemir Balagov, 2019)
|
|
82
|
85
|
|
92
|
75
|
|
83
|
93
|
62
|
81,7
|
Wettbewerb: Bad Luck Banging or Loony Porn
(Radu Jude, 2021)**
|
|
84
|
77
|
|
79
|
86
|
|
83
|
83
|
80
|
81,7
|
Memoria
(Apichatpong Weerasethakul, 2021)
|
|
85
|
83
|
|
94
|
74
|
|
84
|
83
|
69
|
81,7
|
Trenque Lauquen
(Laura Citarella, 2022)
|
|
80
|
80
|
|
84
|
81
|
|
|
83
|
82
|
81,7
|
Die geliebten Schwestern
(Dominik Graf, 2013)
|
|
|
|
82
|
79
|
82
|
74
|
|
92
|
80
|
81,5
|
Waldheims Walzer
(Ruth Beckermann, 2018)
|
|
72
|
|
89
|
82
|
|
|
76
|
88
|
82
|
81,5
|
Burning Days
(Emin Alper, 2022)
|
|
82
|
77
|
|
|
|
|
84
|
83
|
|
81,5
|
No Other Land
(Basel Adra, Yuval Abraham u.a., 2024)
|
|
83
|
|
|
|
|
|
80
|
88
|
75
|
81,5
|
Green Border
(Agnieszka Holland, 2023)
|
|
75
|
74
|
|
84
|
|
|
84
|
90
|
|
81,4
|
Verbrannte Erde
(Thomas Arslan, 2024)
|
|
83
|
89
|
75
|
78
|
82
|
|
78
|
87
|
79
|
81,4
|
Jaurès
(Vincent Dieutre, 2012)
|
|
|
|
|
|
80
|
80
|
|
84
|
|
81,3
|
Der Gymnasiast (Le lycéen)
(Christophe Honoré, 2022)
|
|
82
|
80
|
|
|
|
|
82
|
|
|
81,3
|
Die Purpursegel (L’envol)
(Pietro Marcello, 2022)
|
|
80
|
83
|
|
84
|
73
|
|
81
|
88
|
80
|
81,3
|
Die Lebenden reparieren
(Katell Quillévéré, 2016)
|
|
|
|
|
79
|
85
|
|
|
80
|
81
|
81,3
|
Moonlight
(Barry Jenkins, 2016)
|
|
92
|
|
78
|
76
|
|
|
84
|
88
|
69
|
81,2
|
Mit siebzehn (Quand on a 17 ans)
(André Techiné, 2016)
|
|
84
|
|
86
|
82
|
83
|
|
86
|
72
|
75
|
81,1
|
Wettbewerb: Herr Bachmann und seine Klasse
(Maria Speth, 2021)**
|
|
85
|
76
|
77
|
88
|
78
|
|
83
|
84
|
78
|
81,1
|
Le Havre
(Aki Kaurismäki, 2011)
|
|
|
|
83
|
90
|
71
|
78
|
|
94
|
70
|
81
|
Im Nebel
(Sergej Loznitsa, 2012)
|
|
|
|
83
|
79
|
|
|
|
|
|
81
|
Unsere kleine Schwester (Umimachi Diary)
(Hirokazu Koreeda, 2015)
|
|
|
|
|
70
|
|
|
|
92
|
|
81
|
The Event (Sobytie)
(Sergej Loznitsa, 2015)
|
|
|
|
85
|
72
|
73
|
|
|
90
|
85
|
81
|
Salt and Fire
(Werner Herzog, 2916)
|
|
|
|
90
|
|
83
|
|
68
|
83
|
|
81
|
Cold War – Der Breitengrad der Liebe
(Pawel Pawlikowski, 2018)
|
|
82
|
|
70
|
88
|
|
|
89
|
76
|
|
81
|
Asche ist reines Weiß
(Jia Zhang-Ke, 2018)
|
|
83
|
|
|
85
|
76
|
|
83
|
82
|
77
|
81
|
Passion Simple
(Danielle Arbid, 2020)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Hive
(Blerta Basholli, 2021)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Infinity Pool
(Brandon Cronenberg, 2023)
|
|
73
|
|
|
|
|
|
80
|
90
|
|
81
|
Chevalier Noir
(Emad Aleebrahim-Dehkordi, 2022)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Thanksgiving
(Eli Roth, 2023)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Animalia (La règne animal)
(Thomas Cailley, 2023)
|
|
83
|
|
|
|
|
|
82
|
84
|
75
|
81
|
Auf trockenen Gräsern
(Nuri Bilge Ceylan, 2023)
|
|
85
|
80
|
|
83
|
|
|
83
|
86
|
69
|
81
|
Watching You – Die Welt von Palantir und Alex Karp
(Klaus Stern, 2024)
|
|
|
|
|
|
|
|
|
81
|
|
81
|
Axiom
(Jöns Jönsson, 2022)
|
|
82
|
76
|
|
|
73
|
|
79
|
90
|
85
|
80,8
|
Der Funktionär
(Andreas Goldstein, 2018)
|
|
|
|
84
|
73
|
|
|
85
|
85
|
77
|
80,8
|
Der Fremde am See (L’inconnu du lac)
(Alain Guiraudie, 2013)
|
|
|
|
|
82
|
82
|
85
|
|
74
|
|
80,8
|
The Look of Silence
(Joshua Oppenheimer, 2014)
|
|
|
|
85
|
84
|
|
|
|
84
|
70
|
80,8
|
Vier Leben (Le quattro volte)
(Michelangelo Frammartino, 2010)
|
|
|
|
78
|
78
|
82
|
85
|
|
77
|
84
|
80,7
|
Der Glanz des Tages
(Tizza Covi & Rainer Frimmel, 2012)
|
|
|
|
|
82
|
|
|
|
90
|
70
|
80,7
|
Havarie
(Philip Scheffner, 2016)
|
|
93
|
|
89
|
43
|
|
|
85
|
84
|
90
|
80,7
|
Forum: The Inheritance
(Ephraim Asili, 2021)**
|
|
|
76
|
|
80
|
|
|
|
86
|
|
80,7
|
Orlando, meine politische Biografie (Orlando, ma biographie politique)
(Paul B. Preciado, 2023)
|
|
86
|
76
|
|
|
75
|
|
86
|
83
|
78
|
80,7
|
Drive My Car
(Ryusuke Hamaguchi, 2021)
|
|
75
|
80
|
|
85
|
|
|
78
|
85
|
|
80,6
|
Leave No Trace
(Debra Granik, 2018)
|
|
90
|
|
|
78
|
|
|
86
|
|
68
|
80,5
|
White Angel – Das Ende von Marinka
(Arndt Ginzel, 2023)
|
|
|
|
|
|
|
|
75
|
86
|
|
80,5
|
Tödliches Kommando (The Hurt Locker)
(Kathryn Bigelow, 2008)
|
80
|
|
|
77
|
83
|
82
|
77
|
|
80
|
84
|
80,4
|
Evil Does not Exist
(Ryusuke Hamaguchi, 2023)
|
|
84
|
87
|
|
80
|
70
|
|
77
|
85
|
80
|
80,4
|
The Florida Project
(Sean Baker, 2017)
|
|
92
|
|
|
78
|
|
|
85
|
77
|
70
|
80,4
|
The Card Counter
(Paul Schrader, 2021)
|
|
|
|
|
85
|
|
|
|
95
|
61
|
80,3
|
Nachtkatzen (De noche los gatos son pardos)
(Valentin Merz, 2022)
|
|
|
80
|
|
|
|
|
73
|
88
|
|
80,3
|
Drifter (2023)
(Hannes Hirsch, 2023)
|
|
80
|
78
|
|
|
|
|
|
83
|
|
80,3
|
Isadoras Kinder
(Damien Manivel, 2019)
|
|
|
87
|
|
73
|
|
|
80
|
81
|
|
80,3
|
In der Nacht des 12. (La Nuit du 12)
(Dominik Moll, 2022)
|
|
|
|
82
|
77
|
|
|
|
82
|
80
|
80,3
|
Critical Zone
(Ali Ahmadzadeh, 2023)
|
|
78
|
73
|
|
|
|
|
|
88
|
82
|
80,3
|
Our Beloved Month of August
(Miguel Gomes, 2008)
|
|
|
|
|
82
|
80
|
78
|
|
81
|
80
|
80,2
|
Wettbewerb: Wheel of Fortune and Fantasy
(Ryusuke Hamaguchi, 2021)**
|
|
72
|
84
|
|
84
|
81
|
|
78
|
82
|
|
80,2
|
Elle
(Paul Verhoeven, 2016)
|
|
92
|
|
86
|
85
|
45
|
|
93
|
90
|
70
|
80,1
|
Stille Seelen
(Alexei Fedorchenko, 2010)
|
|
|
|
|
89
|
|
|
|
86
|
65
|
80
|
Taxi Teheran
(Jafar Panahi, 2015)
|
|
|
|
84
|
80
|
82
|
79
|
|
85
|
70
|
80
|
Comoara (Der Schatz)
(Corneliu Porumboiu, 2015)
|
|
|
|
|
68
|
|
|
|
92
|
|
80
|
Untitled
(Michael Glawogger & Monica Willi, 2017)
|
|
|
|
|
80
|
|
|
|
80
|
|
80
|
Boys State
(Amanda McBaine, Jesse Moss, 2020)*
|
|
|
|
|
|
|
|
|
|
80
|
80
|
Zombi Child
(Bertrand Bonello, 2019)
|
|
|
79
|
|
80
|
75
|
|
76
|
93
|
77
|
80
|
Encounters: Azor
(Andreas Fontana, 2021)**
|
|
|
|
|
76
|
|
|
78
|
86
|
|
80
|
Sarah joue un loup-garou
(Katharina Wyss, 2017)*
|
|
|
78
|
|
|
|
|
80
|
82
|
|
80
|
JGA. Jasmin, Gina, Anna
(Alireza Golafshan, 2022)
|
|
|
|
|
|
|
|
|
80
|
|
80
|
A Hero
(Asghar Farhadi, 2021)
|
|
85
|
|
|
73
|
|
|
80
|
82
|
|
80
|
Erhebe dich, du Schöne
(Heidi Specogna, 2021)
|
|
|
|
|
|
|
|
|
80
|
|
80
|
Die Schriftstellerin, ihr Film und ein glücklicher Zufall
(Hong Sangsoo, 2022)
|
|
79
|
80
|
|
83
|
75
|
|
|
83
|
|
80
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
|
82
|
77
|
|
81
|
|
|
83
|
77
|
|
80
|
Fluchtburg
(Bernhard Sallmann, 2023)
|
|
|
|
|
80
|
|
|
|
|
|
80
|
Late Night with the Devil
(Colin Cairnes & Cameron Cairnes, 2023)
|
|
|
|
|
80
|
|
|
|
|
|
80
|
Vaters Garten – Die Liebe meiner Eltern
(Peter Liechti, 2013)
|
|
|
|
83
|
80
|
77
|
79
|
|
82
|
78
|
79,8
|
Favoriten
(Ruth Beckermann, 2024)
|
|
82
|
72
|
80
|
84
|
|
|
|
86
|
75
|
79,8
|
Computer Chess
(Andrew Bujalski, 2012)
|
|
|
|
|
82
|
76
|
79
|
|
82
|
80
|
79,8
|
The Grand Budapest Hotel
(Wes Anderson, 2013)
|
|
|
|
72
|
79
|
78
|
|
|
88
|
82
|
79,8
|
What You Gonna Do When the World’s On Fire?
(Roberto Minervini, 2018)
|
|
84
|
87
|
|
78
|
71
|
|
83
|
85
|
70
|
79,7
|
Von Menschen und Göttern (Des hommes et des dieux)
(Xavier Beauvois, 2010)
|
|
|
|
69
|
84
|
80
|
78
|
|
94
|
73
|
79,7
|
Schlafkrankheit
(Ulrich Köhler, 2011)
|
|
|
|
85
|
79
|
76
|
79
|
|
80
|
79
|
79,7
|
Elfriede Jelinek – Die Sprache von der Leine lassen
(Claudia Müller, 2022)
|
|
|
76
|
|
79
|
|
|
|
84
|
|
79,7
|
Spider-Man: Across the Spider-Verse
(Kemp Powers, Joaquim Dos Santos, Justin K. Thompson, 2023)
|
|
78
|
|
|
79
|
|
|
|
82
|
|
79,7
|
Shoplifters – Familienbande
(Hirokazu Kore-eda, 2018)
|
|
82
|
|
|
84
|
65
|
|
80
|
87
|
|
79,6
|
Der fantastische Mr. Fox
(Wes Anderson, 2009)
|
78
|
|
|
79
|
84
|
77
|
75
|
|
84
|
80
|
79,6
|
Arrival
(Denis Villeneuve, 2016)
|
|
90
|
|
89
|
55
|
76
|
|
77
|
80
|
90
|
79,6
|
La Danse
(Frederick Wiseman, 2009)
|
|
|
|
|
77
|
82
|
75
|
|
84
|
|
79,5
|
The Tribe (Plemya)
(Miroslav Slaboshpitsky, 2014)
|
|
|
|
|
|
75
|
|
|
84
|
|
79,5
|
RRR
(S.S. Rajamouli, 2022)*
|
|
|
|
|
|
78
|
|
|
81
|
|
79,5
|
Nope
(Jordan Peele, 2022)
|
|
82
|
78
|
68
|
79
|
78
|
|
86
|
94
|
71
|
79,5
|
Ein Leben (Une vie)
(Stéphane Brizé, 2016)
|
|
84
|
|
|
84
|
75
|
|
77
|
77
|
|
79,4
|
The Sisters Brothers
(Jacques Audiard, 2018)
|
|
80
|
|
|
83
|
|
|
87
|
77
|
70
|
79,4
|
The Trouble with Being Born
(Sandra Wollner, 2020)
|
|
85
|
82
|
|
64
|
|
|
82
|
84
|
|
79,4
|
Ivo
(Eva Trobisch, 2024)
|
|
83
|
80
|
|
74
|
|
|
76
|
84
|
|
79,4
|
First Cow
(Kelly Reichardt, 2019)
|
|
75
|
81
|
|
84
|
|
|
77
|
87
|
72
|
79,3
|
Die Bologna-Entführung (Rapito)
(Marco Bellocchio, 2023)
|
|
78
|
80
|
|
|
|
|
80
|
|
|
79,3
|
Aurora
(Cristi Puiu, 2010)
|
|
|
|
|
78
|
|
70
|
|
89
|
80
|
79,3
|
Rachel
(Simone Bitton, 2009)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
To Die Like a Man
(Joao Pedro Rodrigues, 2009)
|
|
|
|
|
81
|
85
|
80
|
|
|
70
|
79
|
Die Jungs vom Bahnhof Zoo
(Rosa von Praunheim, 2011)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Barbara
(Christian Petzold, 2012)
|
|
|
|
74
|
80
|
81
|
86
|
|
83
|
70
|
79
|
Das merkwürdige Kätzchen
(Ramon Zürcher, 2012)
|
|
|
|
86
|
72
|
78
|
82
|
|
85
|
71
|
79
|
Wo ist Rocky II?
(Pierre Bismuth, 2016)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Proxima
(Alice Winocur, 2019)
|
|
82
|
|
|
72
|
78
|
|
83
|
|
80
|
79
|
Lamb
(Valdimar Johannson, 2021)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Lars Eidinger – Sein oder Nicht Sein
(Reiner Holzemer, 2022)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Die drei Musketiere: D'Artagnan
(Martin Bourboulon, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Deep Sea
(Tian Xiaopeng, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Joy Ride – The Trip
(Adele Lim, 2023)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Wie wilde Tiere (As bestas)
(Rodrigo Sorogoyen, 2022)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Union – Die besten aller Tage
(Annekatrin Hendel, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Teaches of Peaches
(Judy Landkammer & Philipp Fussenegger, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
They See You
(Ishana Shyamalan, 2024)
|
|
|
|
|
|
|
|
|
79
|
|
79
|
Casting
(Nicolas Wackerbarth, 2017)
|
|
82
|
|
74
|
90
|
66
|
|
82
|
86
|
72
|
78,9
|
Das Turiner Pferd
(Béla Tarr, 2011)
|
|
|
|
72
|
|
80
|
80
|
|
83
|
|
78,8
|
Das Hamlet Syndrom
(Elwira Niewra, Piotr Rosolowski, 2022)
|
|
79
|
76
|
|
|
|
|
80
|
80
|
|
78,8
|
Die Unschuld
(Hirokazu Koreeda, 2023)
|
|
82
|
|
|
74
|
|
|
73
|
86
|
|
78,8
|
SPK Komplex
(Gerd Kroske, 2018)
|
|
67
|
|
85
|
78
|
75
|
|
78
|
84
|
84
|
78,7
|
Portrait de la jeune fille en feu
(Céline Sciamma, 2019)
|
|
92
|
71
|
|
48
|
84
|
|
91
|
83
|
82
|
78,7
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
|
75
|
|
82
|
73
|
|
|
83
|
80
|
|
78,6
|
Aftersun
(Charlotte Wells, 2022)
|
|
79
|
74
|
|
82
|
80
|
|
78
|
|
|
78,6
|
Motherland
(Alexander Mihalkovich & Hanna Badziaka, 2023)
|
|
|
72
|
|
|
|
|
|
85
|
|
78,5
|
Bottoms
(Emma Seligman, 2023)*
|
|
77
|
|
80
|
|
|
|
|
|
|
78,5
|
Right Now, Wrong Then
(Hong Sang-soo, 2015)
|
|
|
|
|
82
|
79
|
|
77
|
79
|
75
|
78,4
|
The Wild Pear Tree
(Nuri Bilge Ceylan, 2018)
|
|
|
78
|
|
79
|
79
|
|
80
|
86
|
68
|
78,3
|
Colectiv
(Alexander Nanau, 2019)*
|
|
82
|
78
|
77
|
75
|
|
|
80
|
|
78
|
78,3
|
Wild
(Nicolette Krebitz, 2016)
|
|
|
|
78
|
|
76
|
|
|
84
|
75
|
78,3
|
All of Us Strangers
(Andrew Haigh, 2023)
|
|
82
|
|
|
59
|
|
|
82
|
90
|
|
78,3
|
One Way Boogie Woogie / 27 Years Later
(James Benning, 2005)
|
|
|
|
|
78
|
78
|
80
|
|
80
|
75
|
78,2
|
Alles was kommt (L’avenir)
(Mia Hansen-Löve, 2016)
|
|
|
|
72
|
89
|
80
|
|
|
83
|
67
|
78,2
|
Wir (Us)
(Jordan Peele, 2019)
|
|
|
|
|
80
|
|
|
75
|
83
|
74
|
78
|
The Drop – Bargeld
(Michael R. Roskam, 2014)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
National Gallery
(Frederick Wiseman, 2014)
|
|
|
|
75
|
73
|
81
|
79
|
|
82
|
|
78
|
Alles steht Kopf (Inside Out)
(Pete Doctor, 2015)
|
|
|
|
80
|
80
|
74
|
|
|
|
78
|
78
|
Auf einmal
(Asli Özge, 2016)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Leto
(Kiril Serebrennikov, 2018)
|
|
78
|
|
|
73
|
|
|
82
|
82
|
75
|
78
|
Jeanne d’Arc
(Bruno Dumont, 2019)
|
|
72
|
87
|
|
|
|
|
69
|
84
|
|
78
|
Forum: The First 54 Years – An Abbreviated Manual for Military Occupation
(Avi Mograbi, 2021)**
|
|
|
|
|
81
|
75
|
|
|
|
|
78
|
Die letzte Stadt
(Heinz Emigholz, 2020)
|
|
74
|
|
|
|
|
|
82
|
|
|
78
|
Nico
(Eline Gehring, 2021)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Mit zwanzig wirst du sterben
(Amjad Abu Alala, 2019)
|
|
|
74
|
|
|
|
|
|
82
|
|
78
|
Menschliche Dinge
(Yavn Attal, 2021)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Berlin JWD
(Bernhard Sallmann, 2022)
|
|
|
|
74
|
79
|
|
|
|
81
|
78
|
78
|
Sonne und Beton
(David Wnendt, 2023)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
Mediterranean Fever
(Maha Haj, 2022)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
There Is a Stone (Ishi ga aru)
(Tasunari Ota, 2022)
|
|
74
|
82
|
|
|
|
|
|
|
|
78
|
Rickerl – Musik ist höchstens a Hobby
(Adrian Goiginger, 2023)
|
|
|
|
|
65
|
|
|
|
91
|
|
78
|
Goodbye Julia
(Mohamed Kordofani, 2023)
|
|
|
|
|
|
|
|
|
78
|
|
78
|
All We Imagine As Light
(Payal Kapadia, 2024)
|
|
84
|
|
|
80
|
68
|
|
84
|
82
|
70
|
78
|
Zero Dark Thirty
(Kathryn Bigelow, 2012)
|
|
|
|
75
|
82
|
78
|
67
|
|
85
|
80
|
77,8
|
Aggregat
(Marie Wilke, 2018)
|
|
82
|
|
75
|
80
|
|
|
|
82
|
70
|
77,8
|
Der Junge und der Reiher
(Hayao Miyazaki, 2023)
|
|
|
74
|
|
71
|
80
|
|
78
|
86
|
|
77,8
|
Hail, Caesar!
(Joel Coen, 2016)
|
|
|
|
70
|
80
|
|
|
|
91
|
70
|
77,8
|
Love & Friendship
(Whit Stillman, 2016)
|
|
85
|
|
|
74
|
|
|
72
|
|
80
|
77,8
|
Forum: Juste un mouvement
(Vincent Meessen, 2021)**
|
|
|
77
|
|
71
|
78
|
|
|
85
|
|
77,8
|
Jahrhundertfrauen (20th Century Women)
(Mike Mills, 2016)
|
|
|
|
|
89
|
|
|
72
|
|
72
|
77,7
|
Freiheit
(Jan Speckenbach, 2017)
|
|
73
|
|
78
|
|
|
|
|
82
|
|
77,7
|
Große Freiheit
(Sebastian Meise, 2021)
|
|
80
|
76
|
62
|
79
|
|
|
85
|
84
|
|
77,7
|
Spencer
(Pablo Larrain, 2021)
|
|
86
|
77
|
|
80
|
|
|
85
|
80
|
58
|
77,7
|
De Humani Corporis Fabrica
(Verena Paravel, Lucien Castaing-Taylor, 2022)*
|
|
77
|
77
|
|
79
|
|
|
|
|
|
77,7
|
Meine schöne innere Sonne (Un beau soleil intérieur)
(Claire Denis, 2017)
|
|
78
|
|
|
83
|
64
|
|
80
|
83
|
|
77,6
|
The Favourite
(Yorgos Lanthimos, 2018)
|
|
83
|
|
72
|
85
|
|
|
70
|
|
78
|
77,6
|
Reality
(Tina Sattler, 2023)
|
|
84
|
78
|
|
78
|
|
|
78
|
|
70
|
77,6
|
May December
(Todd Haynes, 2023)
|
|
70
|
78
|
|
89
|
|
|
77
|
|
74
|
77,6
|
Carlos – Der Schakal
(Olivier Assayas, 2010)
|
84
|
|
|
65
|
80
|
70
|
84
|
|
|
82
|
77,5
|
Der Junge mit dem Fahrrad
(Jean-Pierre und Luc Dardenne, 2011)
|
|
|
|
75
|
80
|
83
|
80
|
|
80
|
67
|
77,5
|
Fast verheiratet (The Five-Year Engagement)
(Nicholas Stoller, 2012)
|
|
|
|
74
|
|
79
|
|
|
85
|
72
|
77,5
|
Mein liebster Stoff (Mon tissu préferé)
(Gaya Jiji, 2018)
|
|
78
|
|
|
|
|
|
|
77
|
|
77,5
|
Burning
(Lee Chang-dong, 2018)
|
|
|
|
|
75
|
73
|
|
82
|
80
|
|
77,5
|
Oray
(Mehmet Akif Büyükatalay, 2019)
|
|
|
|
|
|
|
|
73
|
82
|
|
77,5
|
Wettbewerb: Petite Maman
(Céline Sciamma, 2020)**
|
|
82
|
71
|
|
78
|
70
|
|
85
|
|
79
|
77,5
|
Forum Expanded: Zahlvaterschaft
(Moritz Siebert, 2021)**
|
|
|
77
|
|
|
|
|
|
|
78
|
77,5
|
Human Flowers of Flesh
(Helena Wittmann, 2022)
|
|
72
|
86
|
|
|
|
|
68
|
84
|
|
77,5
|
Tagebuch einer Pariser Affäre (Chronique d’une liaison passagère)
(Emmanuel Mouret, 2022)
|
|
|
|
|
78
|
|
|
|
77
|
|
77,5
|
Vergiss Meyn Nicht
(Fabiana Fragale, Kilian Kuhlendahl, Jens Mühlhoff, 2023)
|
|
|
|
80
|
|
|
|
|
|
75
|
77,5
|
The Holdovers
(Alexander Payne, 2023)
|
|
77
|
|
|
65
|
|
|
|
89
|
79
|
77,5
|
Music
(Angela Schanelec, 2023)
|
|
84
|
90
|
|
52
|
90
|
|
84
|
62
|
80
|
77,4
|
Heino Jaeger – look before you kuck
(Gerd Kroske, 2012)
|
|
|
|
79
|
|
70
|
83
|
|
80
|
75
|
77,4
|
Silver Linings Playbook
(David O. Russell, 2012)
|
|
|
|
83
|
65
|
71
|
|
|
88
|
80
|
77,4
|
Olfas Töchter
(Kaouther Ben Hania, 2023)
|
|
76
|
75
|
|
69
|
|
|
77
|
90
|
|
77,4
|
Candyman
(Nia DaCosta, 2021)
|
|
70
|
|
|
74
|
|
|
|
88
|
|
77,3
|
Mit Liebe und Entschlossenheit (Avec amour et acharnement)
(Claire Denis, 2022)
|
|
72
|
78
|
|
84
|
76
|
|
79
|
75
|
|
77,3
|
The Interview
(Seth Rogen, Evan Goldberg, 2014)
|
|
|
|
81
|
72
|
|
|
|
84
|
72
|
77,3
|
Border (Gräns)
(Ali Abbasi, 2018)
|
|
|
|
|
80
|
63
|
|
85
|
81
|
|
77,3
|
Omen
(Baloji, 2023)
|
|
84
|
79
|
|
61
|
|
|
|
85
|
|
77,3
|
Eureka
(Lisandro Alonso, 2023)
|
|
76
|
85
|
|
80
|
|
|
68
|
|
|
77,3
|
Mission: Impossible 6 – Fallout
(Christopher McQuarrie, 2018)
|
|
72
|
|
|
78
|
|
|
80
|
76
|
80
|
77,2
|
Abteil Nr. 6
(Juho Kuosmanen, 2021)
|
|
70
|
77
|
|
83
|
|
|
78
|
78
|
|
77,2
|
Amsterdam
(David O. Russell, 2022)
|
|
82
|
|
|
|
78
|
|
74
|
83
|
69
|
77,2
|
Meek’s Cutoff
(Kelly Reichardt, 2010)
|
|
|
|
84
|
80
|
64
|
75
|
|
86
|
74
|
77,2
|
Work Hard Play Hard
(Carmen Losmann, 2011)
|
|
|
|
85
|
78
|
72
|
74
|
|
76
|
78
|
77,2
|
Sonne
(Kurdwin Ayub, 2022)
|
|
78
|
78
|
|
74
|
67
|
|
79
|
87
|
|
77,2
|
Material
(Thomas Heise, 2009)
|
49
|
|
|
87
|
83
|
73
|
80
|
|
80
|
87
|
77
|
Sweetgrass
(Lucien Castaing-Taylor, Ilisa Barbash, 2009)
|
|
|
|
|
74
|
|
80
|
|
|
|
77
|
Atlas
(David Nawrath, 2018)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
The Whispering Star (Hiso hiso boshi)
(Sion Sono, 2015)
|
|
|
|
|
|
64
|
|
|
90
|
|
77
|
Die Geträumten
(Ruth Beckermann, 2016)
|
|
|
|
70
|
86
|
65
|
|
85
|
84
|
72
|
77
|
Augenblicke: Gesichter einer Reise (Visages, villages)
(Agnès Varda & JR, 2017)
|
|
92
|
|
|
78
|
|
|
|
|
61
|
77
|
Guardians of the Earth
(Filip Antoni Malinowski, 2017)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Beale Street (If Beale Street Could Talk)
(Barry Jenkins, 2018)
|
|
84
|
|
60
|
64
|
|
|
86
|
91
|
|
77
|
Forum: A River Runs, Turns, Erases, Replaces
(Shengze Zhu, 2021)**
|
|
|
78
|
|
68
|
78
|
|
|
84
|
|
77
|
Mittagsstunde
(Lars Jessen, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Halloween Ends
(David Gordon Green, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
M3GAN
(Gerard Johnstone, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Talk to Me
(Danny & Michael Philippou, 2022)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Joyland
(Saim Sadiqu, 2022)
|
|
|
|
|
|
|
|
77
|
|
|
77
|
Sieger sein
(Soleen Yusef, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Niemals allein, immer zusammen
(Joana Georgi, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
Touch
(Baltasar Kormakur, 2024)
|
|
|
|
|
|
|
|
|
77
|
|
77
|
I Used to Be Darker
(Matt Porterfield, 2012)
|
|
|
|
72
|
78
|
75
|
78
|
|
78
|
80
|
76,8
|
Selbstkritik eines bürgerlichen Hundes
(Julian Radlmaier, 2016)
|
|
78
|
|
76
|
76
|
|
|
83
|
78
|
70
|
76,8
|
Kunst kommt aus dem Schnabel wie er gewachsen ist
(Sabine Herpich, 2020)
|
|
72
|
80
|
82
|
|
75
|
|
|
|
75
|
76,8
|
Horse Money (Cavalo Dinheiro)
(Pedro Costa, 2014)
|
|
|
|
72
|
|
75
|
|
|
90
|
70
|
76,8
|
Denk ich an Deutschland in der Nacht
(Romuald Karmakar, 2017)
|
|
|
|
77
|
|
|
|
70
|
82
|
78
|
76,8
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
|
67
|
76
|
|
83
|
|
|
81
|
|
|
76,8
|
Dumm und dümmehr (Dumb and dumber to)
(Peter and Bobby Farrelly, 2014)
|
|
|
|
|
90
|
55
|
|
|
|
85
|
76,7
|
Inherent Vice
(Paul Thomas Anderson, 2014)
|
|
|
|
67
|
87
|
79
|
80
|
|
77
|
70
|
76,7
|
Der Wald ist wie die Berge (Padurea e ca muntele, vezi?)
(Christiane Schmidt & Didier Guillain, 2014)
|
|
|
|
|
|
63
|
|
|
92
|
75
|
76,7
|
No Sudden Move
(Steven Soderbergh, 2021)
|
|
68
|
|
|
|
|
|
|
85
|
77
|
76,7
|
Forever Young (Les amandiers)
(Valeria Bruni-Tedeschi, 2022)
|
|
|
75
|
|
84
|
|
|
71
|
|
|
76,7
|
Irdische Verse
(Alireza Khatami & Ali Asgari, 2023)
|
|
79
|
|
|
65
|
|
|
|
86
|
|
76,7
|
Parallele Mütter
(Pedro Almodovar, 2021)
|
|
82
|
|
|
78
|
59
|
|
79
|
85
|
|
76,6
|
Life
(Daniel Espinosa, 2017)
|
|
|
|
|
|
|
|
|
78
|
75
|
76,5
|
Can You Ever Forgive Me?
(Marielle Heller, 2018)
|
|
|
|
|
78
|
|
|
75
|
|
|
76,5
|
Walchensee forever
(Janna Ji Wonders, 2020)
|
|
|
|
83
|
|
|
|
78
|
75
|
70
|
76,5
|
Licorice Pizza
(Paul Thomas Anderson, 2021)
|
|
72
|
78
|
|
83
|
|
|
68
|
79
|
79
|
76,5
|
To the Ends of the Earth
(Kiyoshi Kurosawa, 2019)
|
|
72
|
|
|
|
|
|
|
81
|
|
76,5
|
Feminism WTF
(Katharina Mückstein, 2023)
|
|
|
69
|
|
|
|
|
|
84
|
|
76,5
|
Shambhala
(Min Badhur Bham, 2024)
|
|
|
|
|
|
|
|
75
|
78
|
|
76,5
|
Lola
(Brillante Mendoza, 2009)
|
74
|
|
|
85
|
66
|
75
|
76
|
|
87
|
72
|
76,4
|
Al doilea joc – The Second Game
(Corneliu Porumboiu, 2014)
|
|
|
|
|
71
|
60
|
79
|
|
90
|
82
|
76,4
|
Der Ornithologe
(Joao Pedro Rodrigues, 2016)
|
|
|
|
|
74
|
85
|
|
74
|
77
|
72
|
76,4
|
Villa Amalia
(Benoit Jacquot, 2009)
|
|
|
|
|
|
86
|
77
|
|
|
66
|
76,3
|
Nightmare Alley
(Guillermo del Toro, 2021)
|
|
67
|
|
|
80
|
|
|
|
82
|
|
76,3
|
Massive Talent
(Tom Gormican, 2022)
|
|
69
|
|
|
72
|
|
|
|
88
|
|
76,3
|
Verlorene Illusionen (Illusions perdues)
(Xavier Giannoli, 2021)
|
|
82
|
|
|
90
|
64
|
|
82
|
70
|
70
|
76,3
|
Piaffe
(Ann Oren, 2022)
|
|
|
74
|
|
|
|
|
73
|
82
|
|
76,3
|
Ruhr
(James Benning, 2009)
|
|
|
|
|
80
|
66
|
79
|
|
80
|
|
76,3
|
Still Walking (Aruitemo aruitemo)
(Hirokazu Kore-eda, 2008)
|
|
|
|
68
|
87
|
62
|
|
|
88
|
|
76,3
|
Quo Vadis, Aida?
(Jasmila Zbanic, 2020)
|
|
65
|
|
|
79
|
|
|
80
|
81
|
|
76,3
|
How to Have Sex
(Molly Manning Walker, 2023)
|
|
76
|
|
|
|
|
|
85
|
82
|
62
|
76,3
|
Anhell69
(Theo Montoya, 2022)
|
|
82
|
73
|
72
|
74
|
|
|
80
|
|
|
76,2
|
The Fabelmans
(Steven Spielberg, 2022)
|
|
68
|
|
|
78
|
87
|
|
80
|
86
|
58
|
76,2
|
Korankinder
(Shaheen Dill-Riaz, 2008)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Im Bazar der Geschlechter
(Sudabeh Mortezai, 2009)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Stories We Tell
(Sarah Polley, 2012)
|
|
|
|
|
77
|
|
|
|
75
|
|
76
|
Sausage Party
(Conrad Vernon & Greg Tiernan, 2016)
|
|
|
|
|
77
|
|
|
70
|
|
81
|
76
|
Certain Women
(Kelly Reichardt, 2016)
|
|
74
|
|
78
|
80
|
68
|
|
87
|
75
|
70
|
76
|
Dil Leyla
(Asli Özarslan, 2017)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Die Welt sehen (Voir du pays)
(Delphine & Muriel Coulin, 2016)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
120BPM
(Robin Campillo, 2017)
|
|
|
|
|
70
|
|
|
78
|
80
|
|
76
|
Licht
(Barbara Albert, 2017)
|
|
|
|
|
80
|
|
|
|
72
|
|
76
|
Directions (Posoki)
(Stephan Komandarev, 2017)
|
|
|
|
|
|
|
|
75
|
77
|
|
76
|
Mandy
(Panos Cosmatos, 2018)
|
|
65
|
|
|
80
|
|
|
|
83
|
|
76
|
The Farewell
(Lulu Wang, 2019)
|
|
|
|
|
|
|
|
74
|
78
|
|
76
|
Spuren – Die Opfer des NSU
(Aysun Bademsoy, 2019)
|
|
|
|
77
|
|
|
|
|
79
|
72
|
76
|
Disclosure
(Sam Feder, 2020)*
|
|
|
74
|
82
|
|
80
|
|
74
|
|
70
|
76
|
Forum: Garderie nocturne
(Moumouni Sanou, 2021)**
|
|
|
|
|
71
|
80
|
|
|
77
|
|
76
|
Forum: Qué será del verano
(Ignacio Ceroi, 2021)**
|
|
|
|
|
79
|
|
|
73
|
|
|
76
|
The Green Knight
(David Lowery, 2020)
|
|
67
|
|
|
|
|
|
|
85
|
|
76
|
Die Königin des Nordens
(Charlotte Sieling, 2021)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Niemand ist bei den Kälbern
(Sabrina Sarabi, 2021)
|
|
79
|
|
|
|
|
|
73
|
|
|
76
|
Ballade von der weißen Kuh
(Maryam Moghadam & Behtash Saneeha, 2020)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Shazam! Fury of the Gods
(David F. Sandberg, 2023)
|
|
67
|
|
|
|
|
|
|
85
|
|
76
|
Suzume
(Makoto Shinkai, 2022)
|
|
76
|
79
|
|
|
73
|
|
76
|
|
|
76
|
Elemental
(Peter Sohn, 2023)
|
|
76
|
|
|
|
|
|
|
|
|
76
|
Tótem
(Lila Avilés, 2023)
|
|
69
|
70
|
|
82
|
|
|
69
|
90
|
|
76
|
The Quiet Girl
(Colm Bairéad, 2022)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Colonos
(Felipe Gálvez, 2023)
|
|
73
|
75
|
|
68
|
|
|
|
88
|
|
76
|
Vom Ende eines Zeitalters
(Christoph Hübner & Gabriele Voss, 2023)
|
|
|
|
70
|
|
|
|
|
88
|
70
|
76
|
Sleep With Your Eyes Open
(Nele Wohlatz, 2024)
|
|
79
|
78
|
|
|
|
|
71
|
|
|
76
|
Alles steht Kopf 2 (Inside Out 2)
(Kelsey Mann, 2024)
|
|
83
|
|
80
|
72
|
|
|
|
|
69
|
76
|
Was will der Lama mit dem Gewehr?
(Pawo Chyoning Dorji, 2023)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Krieg oder Frieden
(Elfi Mikesch, 2023)
|
|
|
69
|
|
|
|
|
|
83
|
|
76
|
The Room Next Door
(Pedro Almodóvar, 2024)
|
|
69
|
|
|
79
|
|
|
73
|
83
|
|
76
|
Der Herr der Ringe: Die Schlacht der Rohirrim (The Lord of the Rings: The War of the Rohirrim)
(Kenji Kamiyama, 2024)
|
|
|
|
|
|
|
|
|
76
|
|
76
|
Jerichow
(Christian Petzold, 2009)
|
66
|
|
|
76
|
77
|
80
|
79
|
|
|
77
|
75,8
|
Brautalarm (Bridesmaids)
(Paul Feig, 2011)
|
|
|
|
70
|
70
|
71
|
69
|
|
88
|
87
|
75,8
|
Der Aufsteiger (L’exercice de l’état)
(Pierre Schoeller, 2011)
|
|
|
|
74
|
79
|
70
|
70
|
|
83
|
79
|
75,8
|
Putty Hill
(Matthew Porterfield, 2010)
|
|
|
|
60
|
84
|
|
76
|
|
83
|
76
|
75,8
|
Inside Llewyn Davis
(Ethan & Joel Coen, 2013)
|
|
|
|
82
|
78
|
|
80
|
|
77
|
62
|
75,8
|
Wie der Vater, so der Sohn (Soshite chichi ni naru)
(Hirokazu Koreeda, 2013)
|
|
|
|
|
80
|
72
|
73
|
|
78
|
|
75,8
|
Asteroid City
(Wes Anderson, 2023)
|
|
|
|
|
69
|
|
|
78
|
88
|
68
|
75,8
|
Policeman (Ha-shoter)
(Nadav Lapid, 2011)
|
|
|
|
|
80
|
78
|
|
|
|
69
|
75,7
|
Leviathan
(Andrey Zvyagintsev, 2014)
|
|
|
|
|
84
|
|
68
|
|
75
|
|
75,7
|
Morgen ist auch noch ein Tag (C’e ancora domani)
(Paola Cortellesi, 2023)
|
|
|
|
|
73
|
|
|
72
|
82
|
|
75,7
|
Do Not Expect Too Much from the End of the World
(Radu Jude, 2023)*
|
|
79
|
70
|
80
|
90
|
|
|
43
|
92
|
|
75,7
|
Futur drei
(Faraz Shariat, 2020)
|
|
82
|
70
|
80
|
|
70
|
|
76
|
|
|
75,6
|
Spring Breakers
(Harmony Korine, 2012)
|
|
|
|
83
|
33
|
84
|
75
|
|
92
|
86
|
75,5
|
It Follows
(David Robert Mitchell, 2014)
|
|
|
|
|
|
|
|
|
81
|
70
|
75,5
|
Manuscripts Don’t Burn
(Mohammad Rasoulof, 2013)
|
|
|
|
|
|
|
74
|
|
77
|
|
75,5
|
Promising Young Woman
(Emerald Fennell, 2020)
|
|
81
|
|
|
64
|
|
|
82
|
|
75
|
75,5
|
This Rain Will Never Stop
(Alina Gorlova, 2020)
|
|
74
|
|
|
|
|
|
|
77
|
|
75,5
|
Guardians of the Galaxy Vol. 3
(James Gunn, 2023)
|
|
|
|
|
79
|
|
|
|
72
|
|
75,5
|
Der Exorzist: Bekenntnis
(David Gordon Green, 2023)
|
|
72
|
|
|
|
|
|
|
79
|
|
75,5
|
In mir tanze ich – Das Klezmer-Projekt
(Leandro Koch & Paloma Schlachmann, 2023)
|
|
|
|
|
60
|
|
|
|
91
|
|
75,5
|
The Social Network
(David Fincher, 2010)
|
86
|
|
|
59
|
79
|
70
|
|
|
88
|
70
|
75,3
|
Grenzland
(Andreas Voigt, 2020)
|
|
|
|
72
|
|
|
|
|
79
|
75
|
75,3
|
Zwischen uns der Fluss
(Michael Klier, 2023)
|
|
71
|
73
|
|
|
|
|
|
82
|
|
75,3
|
Sad Jokes
(Fabian Stumm, 2024)
|
|
|
69
|
|
|
|
|
72
|
85
|
|
75,3
|
Unter Kontrolle
(Volker Sattel, 2011)
|
|
|
|
82
|
|
|
77
|
|
72
|
70
|
75,3
|
Yuki & Nina
(Nobuhiro Suwa Hippolyte Girardot, 2009)
|
|
|
|
|
70
|
80
|
72
|
|
|
79
|
75,3
|
Gute Manieren (As boas maneiras)
(Marco Dutra & Juliana Rojas, 2017)
|
|
79
|
|
|
65
|
|
|
82
|
75
|
|
75,3
|
All the Beauty and the Bloodshed
(Nan Goldin, 2022)
|
|
84
|
72
|
65
|
78
|
|
|
77
|
|
|
75,2
|
Köy
(Serpil Turhan, 2021)
|
|
79
|
71
|
70
|
|
|
|
70
|
86
|
75
|
75,2
|
Atmen
(Karl Markovics, 2011)
|
|
|
|
|
78
|
|
66
|
|
81
|
|
75
|
The Act of Killing
(Joshua Oppenheimer & Christine Cynn e.a., 2012)
|
|
|
|
85
|
79
|
80
|
72
|
|
84
|
50
|
75
|
Shirley
(Gustav Deutsch, 2013)
|
|
|
|
|
62
|
|
|
|
88
|
|
75
|
Anomalisa
(Duke Johnson & Charlie Kaufman, 2015)
|
|
|
|
|
85
|
|
|
|
89
|
51
|
75
|
Chevalier
(Athina Rachel Tsangaris, 2015)
|
|
|
|
|
70
|
|
|
|
80
|
|
75
|
Tschick
(Fatih Akin, 2016)
|
|
|
|
|
75
|
|
|
|
80
|
70
|
75
|
Deportation Class
(Carsten Rau & Hauke Wendler, 2016)
|
|
|
|
|
|
|
|
|
82
|
68
|
75
|
The Square
(Ruben Östlund, 2017)
|
|
76
|
|
62
|
52
|
78
|
|
84
|
88
|
85
|
75
|
Battle of the Sexes
(Jonathan Dayton & Valerie Faris, 2017)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Transit
(Christian Petzold, 2018)
|
|
83
|
|
68
|
84
|
59
|
|
80
|
86
|
65
|
75
|
Wildes Herz
(Charly Hübner, 2017)
|
|
|
|
75
|
|
|
|
75
|
|
|
75
|
Hans Blumenberg – Der unsichtbare Philosoph
(Christoph Rüters, 2018)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Il Traditore
(Marco Bellocchio, 2019)
|
|
76
|
73
|
|
82
|
72
|
|
68
|
76
|
78
|
75
|
Dark Waters
(Todd Haynes, 2019)
|
|
|
|
|
80
|
|
|
75
|
|
70
|
75
|
Wanda, mein Wunder
(Bettina Oberli, 2020)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Master
(Mariama Diallo, 2022)*
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Die Odyssee
(Florence Miailhe, 2021)
|
|
78
|
72
|
|
|
|
|
|
|
|
75
|
Into the Ice
(Lars Henrik Ostenfeld, 2022)
|
|
|
|
|
|
|
|
|
|
75
|
75
|
Echo
(Mareike Wegener, 2022)
|
|
|
69
|
|
|
|
|
|
81
|
|
75
|
Empire of Light
(Sam Mendes, 2022)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Living
(Oliver Hermanus, 2022)
|
|
|
|
|
|
|
|
|
75
|
|
75
|
Dream Scenario
(Kristoffer Borgli, 2023)
|
|
75
|
|
64
|
80
|
|
|
|
89
|
67
|
75
|
The Bikeriders
(Jeff Nichols, 2023)
|
|
70
|
|
|
70
|
|
|
|
85
|
|
75
|
Für die Vielen – Die Arbeiterkammer Wien
(Constantin Wulff, 2022)
|
|
78
|
76
|
72
|
78
|
73
|
|
74
|
79
|
69
|
74,9
|
A Killer Romance (Hit Man)
(Richard Linklater, 2023)
|
|
74
|
|
61
|
84
|
74
|
|
75
|
82
|
74
|
74,9
|
Liebe (Amour)
(Michael Haneke, 2012)
|
|
|
|
65
|
93
|
70
|
88
|
|
75
|
58
|
74,8
|
Never Rarely Sometimes Always
(Eliza Hittman, 2020)
|
|
82
|
68
|
|
74
|
|
|
81
|
84
|
60
|
74,8
|
Dinner für Spinner (Dinner for Schmucks)
(Jay Roach, 2010)
|
67
|
|
|
82
|
60
|
|
|
|
87
|
78
|
74,8
|
Manchester by the Sea
(Kenneth Lonergan, 2016)
|
|
66
|
|
|
80
|
|
|
62
|
82
|
84
|
74,8
|
Lady Bird
(Greta Gerwig, 2017)
|
|
85
|
|
|
78
|
61
|
|
80
|
|
70
|
74,8
|
Adam und Evelyn
(Andreas Goldstein, 2018)
|
|
83
|
|
75
|
|
69
|
|
|
87
|
60
|
74,8
|
Regeln am Band, bei hoher Geschwindigkeit
(Yulia Lokshina, 2020)
|
|
76
|
70
|
|
|
|
|
82
|
78
|
68
|
74,8
|
Secret Sunshine – Milyang
(Lee Chang-dong, 2007)
|
72
|
|
|
|
|
78
|
68
|
|
81
|
|
74,8
|
Toy Story 3
(Lee Unkrich, 2010)
|
74
|
|
|
75
|
80
|
|
|
|
|
70
|
74,8
|
Magic Mike
(Steven Soderbergh, 2012)
|
|
|
|
68
|
|
81
|
70
|
|
|
80
|
74,8
|
Foxcatcher
(Bennett Miller, 2014)
|
|
|
|
|
74
|
|
78
|
|
84
|
63
|
74,8
|
Le Prince
(Lisa Bierwirth, 2021)
|
|
72
|
78
|
|
|
|
|
67
|
82
|
|
74,8
|
Rudolf Thome – Überall Blumen
(Serpil Turhan, 2016)
|
|
|
|
70
|
|
75
|
|
|
79
|
|
74,7
|
Little Women
(Greta Gerwig, 2019)
|
|
82
|
64
|
|
80
|
|
|
78
|
79
|
65
|
74,7
|
Bernadette
(Richard Linklater, 2019)
|
|
|
|
|
78
|
72
|
|
|
74
|
|
74,7
|
Die Dohnal
(Sabine Derflinger, 2019)
|
|
|
75
|
|
|
|
|
|
78
|
71
|
74,7
|
Lingui
(Mahamat-Saleh Haroun, 2021)
|
|
71
|
|
|
|
|
|
70
|
83
|
|
74,7
|
Passagiere der Nacht (Les passagers de la nuit)
(Mikhaël Hers, 2022)
|
|
68
|
76
|
75
|
79
|
80
|
|
70
|
|
|
74,7
|
Mein Glück (Schastye moe)
(Sergei Loznitsa, 2010)
|
|
|
|
72
|
78
|
70
|
60
|
|
93
|
|
74,6
|
Der Name der Leute (Le nom des gens)
(Michel Leclerc, 2010)
|
70
|
|
|
85
|
|
78
|
|
|
75
|
65
|
74,6
|
Höhle der vergessenen Träume
(Werner Herzog, 2010)
|
|
|
|
|
38
|
84
|
85
|
|
86
|
80
|
74,6
|
Kid-thing
(David Zellner, 2012)
|
|
|
|
77
|
70
|
|
82
|
|
78
|
66
|
74,6
|
Der Räuber
(Benjamin Heisenberg, 2010)
|
70
|
|
|
78
|
82
|
82
|
63
|
|
80
|
67
|
74,6
|
Revanche
(Götz Spielmann, 2008)
|
79
|
|
|
78
|
|
81
|
69
|
|
78
|
62
|
74,5
|
Roma
(Alfonso Cuarón, 2018)
|
|
80
|
|
|
77
|
69
|
|
73
|
88
|
60
|
74,5
|
Sorry We Missed You
(Ken Loach, 2019)
|
|
|
|
|
72
|
|
|
77
|
|
|
74,5
|
Ein Prophet (Un prophète)
(Jacques Audiard, 2009)
|
88
|
|
|
75
|
88
|
46
|
62
|
|
86
|
76
|
74,4
|
Die Frau im Nebel (Decision to Leave)
(Park Chan-wook, 2022)
|
|
70
|
72
|
|
75
|
|
|
78
|
77
|
|
74,4
|
Shopping-Center King (Observe and Report)
(Jody Hill, 2009)
|
|
|
|
|
|
75
|
|
|
68
|
80
|
74,3
|
Im Schatten
(Thomas Arslan, 2010)
|
|
|
|
71
|
80
|
67
|
74
|
|
74
|
80
|
74,3
|
Die Liebesfälscher (Copie conforme)
(Abbas Kiarostami, 2010)
|
|
|
|
60
|
49
|
91
|
74
|
|
92
|
80
|
74,3
|
Haus der Sünde (L’Apollonide)
(Bertrand Bonello, 2011)
|
|
|
|
59
|
77
|
77
|
86
|
|
77
|
70
|
74,3
|
Nymph()maniac 1
(Lars von Trier, 2013)
|
|
|
|
76
|
54
|
80
|
80
|
|
77
|
79
|
74,3
|
Amour fou
(Jessica Hausner, 2014)
|
|
|
|
|
79
|
69
|
75
|
|
|
|
74,3
|
Ich seh Ich seh
(Severin Fiala & Veronika Franz, 2014)
|
|
|
|
77
|
70
|
63
|
68
|
|
88
|
80
|
74,3
|
Landstück
(Volker Koepp, 2016)
|
|
|
|
81
|
|
|
|
|
82
|
60
|
74,3
|
And-Ek Ghes...
(Philip Scheffner, 2016)
|
|
|
|
70
|
|
|
|
|
83
|
70
|
74,3
|
Diamantino
(Gabriel Abrantes & Daniel Schmidt, 2018)
|
|
|
|
|
72
|
|
|
74
|
77
|
|
74,3
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
|
71
|
|
79
|
|
|
73
|
|
|
74,3
|
Gehen und Bleiben
(Volker Koepp, 2023)
|
|
|
|
70
|
|
|
|
|
84
|
69
|
74,3
|
Land der Wunder (Le meraviglie)
(Alice Rohrwacher, 2014)
|
|
|
|
|
84
|
|
75
|
|
78
|
60
|
74,3
|
Das große Museum
(Johannes Holzhausen, 2014)
|
|
|
|
|
78
|
|
70
|
|
81
|
68
|
74,3
|
Striche ziehen
(Gerd Kroske, 2014)
|
|
|
|
77
|
|
73
|
75
|
|
|
72
|
74,3
|
The Five Devils (Les cinq diables)
(Léa Mysius, 2022)
|
|
78
|
67
|
|
|
|
|
75
|
77
|
|
74,3
|
Sonnensystem
(Thomas Heise, 2011)
|
|
|
|
75
|
80
|
59
|
|
|
84
|
73
|
74,2
|
Passing
(Rebecca Hall, 2021)*
|
|
72
|
71
|
72
|
|
74
|
|
|
82
|
|
74,2
|
Chiara
(Jonas Carpignano, 2021)
|
|
76
|
71
|
|
69
|
|
|
73
|
82
|
|
74,2
|
Der Spatz im Kamin
(Ramon Zürcher, 2024)
|
|
76
|
62
|
|
|
82
|
|
83
|
|
68
|
74,2
|
35 Rum
(Claire Denis, 2008)
|
77
|
|
|
62
|
|
74
|
79
|
|
81
|
72
|
74,2
|
Die andere Seite der Hoffnung
(Aki Kaurismäki, 2017)
|
|
58
|
|
58
|
85
|
82
|
|
78
|
84
|
|
74,2
|
EO
(Jerzy Skolimowski, 2022)
|
|
78
|
70
|
51
|
83
|
|
|
81
|
82
|
|
74,2
|
Tulpan
(Sergei Dvortsevoy, 2009)
|
|
|
|
|
|
74
|
|
|
74
|
|
74
|
Der Schnee am Kilimandscharo
(Robert Guédiguian, 2011)
|
|
|
|
|
79
|
|
69
|
|
|
|
74
|
Os Residentes
(Tiago Mato Machado, 2010)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Mia Madre
(Nanni Moretti, 2015)
|
|
|
|
|
74
|
|
|
|
|
|
74
|
Sully
(Clint Eastwood, 2016)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Vice – Der zweite Mann
(Adam McKay, 2018)
|
|
82
|
|
|
82
|
|
|
72
|
55
|
79
|
74
|
Ein königlicher Tausch (L’échange des princesses)
(Marc Dugain, 2017)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Liebesfilm
(Robert Bohrer & Emma Rosa Simon, 2018)
|
|
|
|
|
|
|
|
74
|
|
|
74
|
La vérité
(Hirokazu Koreeda, 2019)
|
|
69
|
|
|
79
|
|
|
|
74
|
|
74
|
Als wir tanzten
(Levan Akin, 2019)
|
|
|
74
|
|
|
|
|
|
|
|
74
|
The Last Duel
(Ridley Scott, 2021)
|
|
58
|
|
|
|
|
|
|
90
|
|
74
|
Wettermacher
(Stanislaw Mucha, 2022)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Auf der Adamant (Sur l’Adamant)
(Nicolas Philibert, 2023)
|
|
69
|
68
|
|
|
|
|
|
85
|
|
74
|
Die Mittagsfrau
(Barbara Albert, 2023)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Im toten Winkel
(Ayse Polat, 2023)
|
|
72
|
64
|
|
|
|
|
|
86
|
|
74
|
Andrea lässt sich scheiden
(Josef Hader, 2024)
|
|
|
|
|
71
|
|
|
|
77
|
|
74
|
King’s Land
(Nikolaj Arcel, 2023)
|
|
71
|
|
|
|
|
|
72
|
79
|
|
74
|
Der Sohn des Mullahs
(Nahid Persson Sarvestani, 2023)
|
|
|
|
|
|
|
|
|
74
|
|
74
|
Ein kleines Stück vom Kuchen
(Maryam Moghaddam & Behtash Sanaeeha, 2024)
|
|
|
|
|
|
|
|
70
|
78
|
|
74
|
Waltz with Bashir
(Ari Folman, 2008)
|
81
|
|
|
82
|
|
67
|
79
|
|
64
|
70
|
73,8
|
Machete
(Ethan Maniquis Robert Rodriguez, 2010)
|
71
|
|
|
84
|
68
|
|
75
|
|
|
71
|
73,8
|
Mutter und Sohn (Pozitia copilului)
(Calin Peter Netzer, 2013)
|
|
|
|
73
|
79
|
|
69
|
|
78
|
70
|
73,8
|
Uncut Gems
(Benny & Josh Safdie, 2019)*
|
|
84
|
|
|
90
|
38
|
|
|
87
|
70
|
73,8
|
Murer – Anatomie eines Prozesses
(Christian Frosch, 2018)
|
|
|
|
72
|
75
|
|
|
72
|
76
|
|
73,8
|
Eine Sekunde
(Zhang Yimou, 2020)
|
|
79
|
68
|
|
66
|
|
|
|
82
|
|
73,8
|
Martha Marcy May Marlene
(Sean Durkin, 2011)
|
|
|
|
|
79
|
|
|
|
74
|
68
|
73,7
|
Francofonia
(Alexander Sokurow, 2015)
|
|
|
|
|
68
|
68
|
|
|
85
|
|
73,7
|
Ant-Man and the Wasp
(Peyton Reed, 2018)
|
|
73
|
|
|
80
|
|
|
|
68
|
|
73,7
|
Space Dogs
(Elsa Kremser & Levin Peter, 2019)
|
|
|
|
65
|
79
|
|
|
|
77
|
|
73,7
|
Volksvertreter
(Andreas Wilcke, 2021)
|
|
74
|
|
72
|
|
|
|
|
|
75
|
73,7
|
Der Vater meiner Kinder
(Mia Hansen-Löve, 2009)
|
70
|
|
|
|
81
|
71
|
67
|
|
|
79
|
73,6
|
Ihr werdet euch noch wundern (Vous n’avez encore rien vu)
(Alain Resnais, 2012)
|
|
|
|
56
|
76
|
84
|
78
|
|
74
|
|
73,6
|
Eine Perle Ewigkeit (La teta asustada)
(Claudia Llosa, 2009)
|
|
|
|
74
|
|
75
|
71
|
|
74
|
|
73,5
|
Funny People (Wie das Leben so spielt)
(Judd Apatow, 2009)
|
80
|
|
|
|
52
|
78
|
70
|
|
81
|
80
|
73,5
|
Blau ist eine warme Farbe (La vie d’Ádele)
(Abdellatif Kechiche, 2013)
|
|
|
|
81
|
65
|
72
|
73
|
|
80
|
70
|
73,5
|
00 Schneider – Im Wendekreis der Eidechse
(Helge Schneider, 2013)
|
|
|
|
70
|
|
|
|
|
77
|
|
73,5
|
Tao Jie – Ein einfaches Leben
(Ann Hui, 2011)
|
|
|
|
|
65
|
82
|
|
|
|
|
73,5
|
Im Schatten der Frauen (L’ombre des femmes)
(Philippe Garrel, 2015)
|
|
|
|
|
78
|
|
|
|
69
|
|
73,5
|
Fences
(Denzel Washington, 2016)
|
|
87
|
|
|
|
|
|
60
|
|
|
73,5
|
Planet der Affen: Survival
(Matt Reeves, 2017)
|
|
|
|
|
80
|
|
|
|
67
|
|
73,5
|
Logan Lucky
(Steven Soderbergh, 2017)
|
|
|
|
69
|
79
|
|
|
74
|
|
72
|
73,5
|
The Mule
(Clint Eastwood, 2018)
|
|
72
|
|
|
|
|
|
|
75
|
|
73,5
|
Mid90s
(Jonah Hill, 2018)
|
|
72
|
|
77
|
78
|
|
|
67
|
|
|
73,5
|
Corsage
(Marie Kreutzer, 2022)
|
|
80
|
61
|
69
|
72
|
|
|
79
|
80
|
|
73,5
|
Catherine Called Birdy
(Lena Dunham, 2022)*
|
|
74
|
|
|
|
|
|
73
|
|
|
73,5
|
Amsel im Brombeerstrauch
(Elene Naveriani, 2023)
|
|
|
70
|
|
|
|
|
77
|
|
|
73,5
|
Citizenfour
(Laura Poitras, 2014)
|
|
|
|
70
|
|
75
|
65
|
|
86
|
71
|
73,4
|
Weißes Rauschen (White Noise)
(Noah Baumbach, 2022)
|
|
62
|
|
|
83
|
|
|
77
|
77
|
68
|
73,4
|
Mad Max: Fury Road
(George Miller, 2015)
|
|
|
|
72
|
80
|
76
|
68
|
|
83
|
61
|
73,3
|
Zentralflughafen THF
(Karim Ainouz, 2018)
|
|
70
|
|
|
|
|
|
69
|
81
|
|
73,3
|
Girl
(Lukas Dhont, 2018)
|
|
78
|
|
|
66
|
|
|
76
|
|
|
73,3
|
In My Room
(Ulrich Köhler, 2018)
|
|
|
|
73
|
70
|
72
|
|
77
|
78
|
70
|
73,3
|
Jeannette, l’enfance de Jeanne d’Arc
(Bruno Dumont, 2017)
|
|
86
|
86
|
|
42
|
74
|
|
|
82
|
70
|
73,3
|
Exil
(Visar Morina, 2020)
|
|
82
|
67
|
54
|
70
|
|
|
81
|
86
|
|
73,3
|
Zustand und Gelände
(Ute Adamczewski, 2020)
|
|
|
72
|
79
|
65
|
|
|
81
|
81
|
62
|
73,3
|
Broker – Familie gesucht
(Hirokazu Kore-eda, 2022)
|
|
65
|
|
|
85
|
|
|
70
|
|
|
73,3
|
Wendy & Lucy
(Kelly Reichardt, 2008)
|
|
|
|
|
|
75
|
75
|
|
78
|
65
|
73,3
|
Rango
(Gore Verbinski, 2011)
|
|
|
|
69
|
74
|
80
|
|
|
|
70
|
73,3
|
The Place Beyond the Pines
(Derek Cianfrance, 2012)
|
|
|
|
62
|
78
|
|
|
|
82
|
71
|
73,3
|
Oben ist es still
(Nanouk Leopold, 2013)
|
|
|
|
70
|
70
|
76
|
77
|
|
|
|
73,3
|
Carol
(Todd Haynes, 2015)
|
|
|
|
77
|
|
70
|
|
|
77
|
69
|
73,3
|
Special: Per Lucio
(Pietro Marcello, 2021)**
|
|
|
64
|
|
80
|
|
|
74
|
|
75
|
73,3
|
Bergman Island
(Mia Hansen-L⌀ve, 2021)
|
|
71
|
70
|
|
80
|
|
|
72
|
|
|
73,3
|
Un amour de jeunesse
(Mia Hansen-Löve, 2011)
|
|
|
|
74
|
80
|
67
|
67
|
|
78
|
|
73,2
|
Personal Shopper
(Olivier Assayas, 2016)
|
|
78
|
|
|
72
|
68
|
|
73
|
|
75
|
73,2
|
Nader und Simin – Eine Trennung
(Asghar Farhadi, 2011)
|
|
|
|
70
|
80
|
62
|
61
|
|
95
|
71
|
73,2
|
A Touch of Sin (Tian Zhu Ding)
(Jia Zhangke, 2013)
|
|
|
|
76
|
70
|
62
|
83
|
|
79
|
69
|
73,2
|
Garage
(Lenny Abrahamson, 2007)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Ajami
(Scandar Copti, Yaron Shani, 2009)
|
79
|
|
|
|
63
|
|
|
|
77
|
|
73
|
Faster
(George Tillman Jr. , 2010)
|
|
|
|
|
|
73
|
|
|
|
|
73
|
Mondo Lux – Die Bilderwelten des Werner Schroeter
(Elfi Mikesch, 2011)
|
|
|
|
72
|
74
|
|
69
|
|
77
|
|
73
|
Samson & Delilah
(Thornton Warwick, 2009)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Vivan las Antipodas!
(Viktor Kossakovsky, 2011)
|
|
|
|
|
|
|
59
|
|
87
|
|
73
|
Oktober November
(Götz Spielmann, 2013)
|
|
|
|
68
|
70
|
|
|
|
81
|
|
73
|
Verführt und verlassen (Seduced and abandoned)
(James Toback, 2013)
|
|
|
|
|
|
|
|
|
76
|
70
|
73
|
Timbuktu
(Abderrahmane Sissako, 2014)
|
|
|
|
|
78
|
58
|
80
|
|
79
|
70
|
73
|
Birdman oder die unverhoffte Macht der Ahnungslosigkeit
(Alejandro Gonzalez-Inarritu, 2014)
|
|
|
|
71
|
88
|
49
|
|
|
85
|
72
|
73
|
Valley of Love
(Guillaume Nicloux, 2015)
|
|
|
|
65
|
77
|
|
|
|
77
|
|
73
|
Captain Fantastic
(Matt Ross, 2016)
|
|
|
|
|
74
|
|
|
|
72
|
|
73
|
Magical Mystery
(Arne Feldhusen, 2017)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
David Lynch – The Art Life
(Jon Nguyen, 2016)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Clair Obscur
(Yesim Ustaoglu, 2016)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Eldorado
(Markus Imhoof, 2018)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Die Frau, die vorausgeht (Woman Walks Ahead)
(Susanna White, 2017)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Tommaso
(Abel Ferrara, 2019)
|
|
70
|
74
|
|
79
|
|
|
|
69
|
|
73
|
Die Kordillere der Träume
(Patricio Guzmán, 2019)
|
|
75
|
76
|
|
|
60
|
|
|
81
|
73
|
73
|
Forum: Jack’s Ride
(Susana Nobre, 2021)**
|
|
|
77
|
72
|
81
|
|
|
55
|
80
|
|
73
|
Wettbewerb: Fabian
(Dominik Graf, 2021)**
|
|
78
|
77
|
60
|
79
|
|
|
61
|
83
|
73
|
73
|
Bis an die Grenze (Police)
(Anne Fontaine, 2020)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Rhino
(Oleh Senzow, 2021)
|
|
73
|
|
|
|
|
|
|
|
|
73
|
Mami Wata
(C. J. Obasi, 2023)
|
|
71
|
75
|
|
|
|
|
|
|
|
73
|
Gondola
(Veit Helmer, 2024)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Ich Capitano
(Matteo Garrone, 2023)
|
|
72
|
|
|
69
|
|
|
78
|
|
|
73
|
Das leere Grab
(Agnes Lisa Wegner & Cece Mlay, 2024)
|
|
72
|
|
|
|
|
|
|
74
|
|
73
|
Fossil
(Henning Beckhoff, 2023)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Smile 2
(Parker Finn, 2024)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Emilia Perez
(Jacques Audiard, 2024)
|
|
81
|
|
70
|
65
|
|
|
82
|
72
|
68
|
73
|
Toni und Helene
(Sabine Hiebler & Gerhard Ertl, 2024)
|
|
|
|
|
|
|
|
|
73
|
|
73
|
Austerlitz
(Sergej Loznitsa, 2016)
|
|
77
|
|
81
|
38
|
54
|
|
85
|
90
|
85
|
72,9
|
Annette
(Leos Carax, 2021)
|
|
84
|
87
|
40
|
64
|
|
|
81
|
81
|
|
72,8
|
Berlin-Stettin
(Volker Koepp, 2009)
|
|
|
|
81
|
59
|
76
|
|
|
80
|
68
|
72,8
|
Phoenix
(Christian Petzold, 2014)
|
|
|
|
63
|
94
|
58
|
58
|
|
91
|
|
72,8
|
The Shape of Water
(Guillermo del Toro, 2017)
|
|
71
|
|
|
85
|
|
|
57
|
78
|
|
72,8
|
Der schlimmste Mensch der Welt
(Joachim Trier, 2021)
|
|
66
|
|
|
80
|
|
|
65
|
80
|
|
72,8
|
Eine Taube sitzt auf einem Zweig und denkt über das Leben nach
(Roy Andersson, 2014)
|
|
|
|
|
|
73
|
57
|
|
88
|
|
72,7
|
A Quiet Place
(John Krasinski, 2018)
|
|
78
|
|
|
55
|
|
|
|
85
|
|
72,7
|
Wettbewerb: Albatros
(Xavier Beauvois, 2021)**
|
|
|
70
|
|
79
|
69
|
|
|
|
|
72,7
|
Bros
(Nicholas Stoller, 2022)
|
|
76
|
|
|
|
|
|
69
|
73
|
|
72,7
|
Myama, Kyoto Prefecture
(Rainer Komers, 2022)
|
|
|
64
|
68
|
|
|
|
|
86
|
|
72,7
|
Zwischen uns das Leben (Hors-saison)
(Stephane Brizé, 2024)
|
|
83
|
69
|
|
66
|
|
|
|
|
|
72,7
|
Bad Lieutenant – Cop ohne Gewissen
(Werner Herzog, 2009)
|
48
|
|
|
70
|
70
|
84
|
79
|
|
86
|
71
|
72,6
|
Bibliothèque Pascal
(Szabolcs Hajdu, 2010)
|
|
|
|
|
|
|
66
|
|
79
|
|
72,5
|
Snowpiercer
(Bong Joon-ho, 2013)
|
|
|
|
76
|
62
|
74
|
71
|
|
90
|
62
|
72,5
|
Selma
(Ava DuVernay, 2015)
|
|
|
|
82
|
55
|
|
73
|
|
80
|
|
72,5
|
Encounters: The Scary of Sixty-First
(Dasha Nekrasova, 2020)**
|
|
|
|
|
|
|
|
73
|
72
|
|
72,5
|
Nawalny
(Daniel Roher, 2022)
|
|
|
|
|
|
|
|
60
|
85
|
|
72,5
|
Skinamarink
(Kyle Edward Ball, 2022)
|
|
|
|
|
73
|
72
|
|
|
|
|
72,5
|
Mein Falke
(Dominik Graf, 2023)*
|
|
|
|
|
|
75
|
|
|
|
70
|
72,5
|
A Different Man
(Aaron Schimberg, 2024)
|
|
69
|
|
|
70
|
|
|
64
|
87
|
|
72,5
|
The Many Saints of Newark
(Alan Taylor, 2021)
|
|
67
|
|
|
|
|
|
|
78
|
72
|
72,3
|
Mehr denn je (Plus que jamais)
(Emily Atef, 2022)
|
|
70
|
|
|
|
|
|
69
|
78
|
|
72,3
|
Das freiwillige Jahr
(Ulrich Köhler und Henner Winckler, 2019)
|
|
70
|
68
|
|
75
|
70
|
|
68
|
85
|
70
|
72,3
|
Robe of Gems
(Natalia López Gallardo, 2022)*
|
|
74
|
63
|
|
|
|
|
66
|
86
|
|
72,3
|
Nymph()maniac 2
(Lars von Trier, 2013)
|
|
|
|
|
57
|
73
|
80
|
|
81
|
70
|
72,2
|
The Big Short
(Adam McKay, 2015)
|
|
|
|
57
|
80
|
67
|
|
|
75
|
82
|
72,2
|
Trauzeuge gesucht! (I Love You, Man)
(John Hamburg, 2009)
|
|
|
|
|
|
|
|
|
|
72
|
72
|
Nostalgia de la Luz
(Patricio Guzmán, 2010)
|
|
|
|
|
65
|
|
75
|
|
76
|
|
72
|
Insidious
(James Wan, 2010)
|
|
|
|
|
|
72
|
|
|
|
|
72
|
Sleep Tight
(Jaume Balagueró, 2011)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Jeff, der noch zu Hause lebt (Jeff, Who Lives at Home
(Jay & Mark Duplass, 2011)
|
|
|
|
|
|
|
|
|
73
|
71
|
72
|
Frances Ha
(Noah Baumbach, 2012)
|
|
|
|
86
|
79
|
47
|
76
|
|
77
|
67
|
72
|
Pfarrer
(Stefan Kolbe & Chris Wright, 2014)
|
|
|
|
73
|
|
|
70
|
|
77
|
68
|
72
|
Night Moves
(Kelly Reichardt, 2013)
|
|
|
|
70
|
82
|
59
|
65
|
|
86
|
70
|
72
|
Interstellar
(Christopher Nolan, 2014)
|
|
|
|
69
|
50
|
89
|
|
|
73
|
79
|
72
|
Iraqi Odyssey
(Samir, 2015)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Die Taschendiebin (Handmaid)
(Park Chan-wook, 2016)
|
|
72
|
|
|
|
|
|
73
|
71
|
|
72
|
Lommbock
(Christian Zübert, 2017)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Atomic Blonde
(David Leitch, 2017)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Es
(Andy Muschietti, 2017)
|
|
|
|
|
66
|
|
|
|
|
78
|
72
|
Swimming with Men
(Oliver Parker, 2018)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
The Poetess
(Stefanie Brockhaus & Andreas Wolff, 2017)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Kolyma
(Stanislaw Mucha, 2018)
|
|
|
|
61
|
|
|
|
72
|
83
|
|
72
|
All My Loving
(Edward Berger, 2019)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Kokon
(Leonie Krippendorff, 2019)
|
|
70
|
74
|
|
|
70
|
|
77
|
82
|
59
|
72
|
Die obskuren Geschichten eines Zugreisenden
(Aritz Moreno, 2019)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Adam
(Maryam Touzani, 2019)
|
|
|
63
|
|
|
|
|
|
81
|
|
72
|
The Divide (La fracture)
(Catherine Corsini, 2021)
|
|
|
|
|
|
|
|
72
|
|
|
72
|
Das Ereignis (L’évènement)
(Audrey Diwan, 2021)
|
|
72
|
67
|
74
|
|
|
|
75
|
72
|
|
72
|
Alles ist gutgegangen (Tout s’est bien passé)
(Francois Ozon, 2021)
|
|
70
|
|
|
|
|
|
74
|
|
|
72
|
Bettina
(Lutz Pehnert, 2022)
|
|
|
|
72
|
|
|
|
|
|
|
72
|
Guglhupfgeschwader
(Ed Herzog, 2022)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Alle reden übers Wetter
(Annika Pinske, 2022)
|
|
70
|
73
|
|
72
|
|
|
63
|
82
|
|
72
|
Moonage Daydream
(Brett Morgan, 2022)
|
|
|
|
|
59
|
|
|
74
|
83
|
|
72
|
Der Passfälscher
(Maggie Peren, 2022)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Bodies Bodies Bodies
(Halina Reijn, 2022)
|
|
72
|
|
|
|
|
|
|
|
|
72
|
Plan 75
(Chie Hayakawa, 2022)
|
|
|
72
|
|
|
|
|
|
|
|
72
|
Maestro
(Bradley Cooper, 2023)
|
|
64
|
|
|
80
|
|
|
71
|
73
|
|
72
|
Arthur & Diana
(Sara Summa, 2023)
|
|
|
72
|
|
|
|
|
|
|
|
72
|
Vaiana 2
(David G. Derrick Jr., 2024)
|
|
74
|
|
|
|
|
|
70
|
|
|
72
|
The Visitor
(Bruce LaBruce, 2024)
|
|
|
|
|
|
|
|
|
72
|
|
72
|
Where the Wild Things Are
(Spike Jonze, 2009)
|
|
|
|
72
|
70
|
65
|
73
|
|
80
|
71
|
71,8
|
Film Socialisme
(Jean-Luc Godard, 2010)
|
|
|
|
43
|
79
|
80
|
77
|
|
83
|
69
|
71,8
|
Dahomey
(Mati Diop, 2024)
|
|
81
|
77
|
|
38
|
|
|
82
|
78
|
75
|
71,8
|
Le premier venu
(Jacques Doillon, 2008)
|
|
|
|
57
|
70
|
84
|
78
|
|
|
70
|
71,8
|
Like Someone in Love
(Abbas Kiarostami, 2012)
|
|
|
|
73
|
40
|
82
|
|
|
86
|
78
|
71,8
|
Mission: Impossible – Dead Reckoning Part One
(Christopher McQuarrie, 2023)
|
|
68
|
|
80
|
64
|
|
|
67
|
|
80
|
71,8
|
Rachels Hochzeit (Rachel Getting Married)
(Jonathan Demme, 2008)
|
84
|
|
|
|
|
76
|
55
|
|
|
72
|
71,8
|
Queen of Earth
(Alex Ross Perry, 2015)
|
|
|
|
83
|
|
55
|
|
|
67
|
82
|
71,8
|
Wicked
(Jon M. Chu, 2024)
|
|
69
|
|
|
80
|
|
|
59
|
79
|
|
71,8
|
Undine
(Christian Petzold, 2020)
|
|
67
|
70
|
75
|
79
|
72
|
|
59
|
|
80
|
71,7
|
Wara no tate – Die Gejagten
(Takashi Miike, 2013)
|
|
|
|
|
75
|
|
65
|
|
75
|
|
71,7
|
Capernaum (Capharnaum)
(Nadine Labaki, 2018)
|
|
68
|
|
|
|
|
|
73
|
74
|
|
71,7
|
Soul
(Pete Docter, 2020)*
|
|
70
|
|
|
75
|
|
|
|
|
70
|
71,7
|
Gunda
(Victor Kossakovsky, 2020)
|
|
75
|
70
|
|
65
|
67
|
|
|
85
|
68
|
71,7
|
Sundown
(Michel Franco, 2021)
|
|
69
|
|
|
65
|
|
|
|
81
|
|
71,7
|
Der beste Film aller Zeiten
(Gaston Duprat, Mariano Cohn, 2021)
|
|
65
|
|
|
74
|
|
|
|
76
|
|
71,7
|
The Creator
(Gareth Edwards, 2023)
|
|
65
|
|
|
71
|
|
|
|
79
|
|
71,7
|
Rückkehr nach Korsika (Le retour)
(Catherine Corsini, 2023)
|
|
72
|
68
|
|
|
|
|
75
|
|
|
71,7
|
Eine Erklärung für Alles
(Gabor Reisz, 2023)
|
|
78
|
|
|
67
|
|
|
|
|
70
|
71,7
|
The Apprentice
(Ali Abbasi, 2024)
|
|
69
|
|
70
|
77
|
62
|
|
69
|
79
|
75
|
71,6
|
Trash Humpers
(Harmony Korine, 2009)
|
|
|
|
71
|
74
|
74
|
67
|
|
|
|
71,5
|
Habemus Papam
(Nanni Moretti, 2011)
|
|
|
|
67
|
72
|
83
|
68
|
|
82
|
57
|
71,5
|
Workers
(José Luis Valle, 2012)
|
|
|
|
62
|
|
|
|
|
81
|
|
71,5
|
Um jeden Preis (At any Price)
(Ramin Bahrani, 2012)
|
|
|
|
|
55
|
|
|
|
88
|
|
71,5
|
American Ultra
(Nima Nourizadeh, 2015)
|
|
|
|
|
|
|
|
|
80
|
63
|
71,5
|
Wiener-Dog
(Todd Solondz, 2016)
|
|
|
|
60
|
|
|
|
|
83
|
|
71,5
|
Loving
(Jeff Nichols, 2017)
|
|
|
|
68
|
76
|
|
|
70
|
72
|
|
71,5
|
BlackKKlansman
(Spike Lee, 2018)
|
|
68
|
|
69
|
71
|
|
|
66
|
87
|
68
|
71,5
|
The Hate U Give
(George Tillman Jr., 2018)
|
|
76
|
|
|
|
|
|
67
|
|
|
71,5
|
Vamos a la playa
(Bettina Blümner, 2022)
|
|
|
61
|
|
|
|
|
|
82
|
|
71,5
|
Tori & Lokita
(Jean-Luc & Pierre Dardenne, 2022)
|
|
67
|
74
|
|
73
|
|
|
72
|
|
|
71,5
|
Leere Netze
(Behrooz Karamizade, 2023)
|
|
|
61
|
|
|
|
|
|
82
|
|
71,5
|
The Dead Don’t Hurt
(Viggo Mortensen, 2023)
|
|
70
|
|
|
|
|
|
|
73
|
|
71,5
|
Never Let Go
(Alexandre Aja, 2024)
|
|
66
|
|
|
|
|
|
|
77
|
|
71,5
|
American Fiction
(Cord Jefferson, 2023)*
|
|
82
|
|
72
|
38
|
|
|
|
85
|
80
|
71,4
|
Hunger
(Steve McQueen, 2008)
|
79
|
|
|
77
|
|
65
|
72
|
|
66
|
69
|
71,3
|
Die Strände von Agnès (Les Plages d’Agnès)
(Agnès Varda, 2008)
|
79
|
|
|
70
|
|
73
|
72
|
|
76
|
58
|
71,3
|
Attenberg
(Athinas Rachel Tsangari, 2010)
|
|
|
|
70
|
80
|
59
|
77
|
|
84
|
58
|
71,3
|
She Said
(Maria Schrader, 2022)
|
|
73
|
|
72
|
70
|
|
|
72
|
71
|
70
|
71,3
|
Petra Kelly – Act Now!
(Doris Metz, 2024)
|
|
|
71
|
75
|
|
|
|
|
|
68
|
71,3
|
Top Gun: Maverick
(Joseph Kosinski, 2022)
|
|
70
|
73
|
|
60
|
74
|
|
75
|
69
|
78
|
71,3
|
Die Klasse (Entre les murs)
(Laurent Cantet, 2008)
|
|
|
|
71
|
|
|
80
|
|
69
|
65
|
71,3
|
Die versunkene Stadt Z
(James Gray, 2016)
|
|
77
|
|
|
|
70
|
|
|
68
|
70
|
71,3
|
Beeswax
(Andrew Bujalski, 2009)
|
|
|
|
70
|
72
|
72
|
76
|
|
|
66
|
71,2
|
Eine deutsche Partei
(Simon Brückner, 2022)
|
|
72
|
64
|
68
|
|
|
|
|
82
|
70
|
71,2
|
Old Joy
(Kelly Reichardt, 2005)
|
|
|
|
|
|
71
|
79
|
|
58
|
76
|
71
|
Willkommen in Cedar Rapids
(Miguel Arteta, 2011)
|
|
|
|
|
|
|
|
|
75
|
67
|
71
|
Beziehungsweisen
(Calle Oberweg, 2012)
|
|
|
|
72
|
70
|
|
|
|
|
|
71
|
Die Stooges (The Three Stooges)
(Peter & Bobby Farrelly, 2012)
|
|
|
|
|
|
|
|
|
|
71
|
71
|
Frantz
(Francois Ozon, 2016)
|
|
|
|
71
|
72
|
72
|
|
74
|
66
|
|
71
|
Familie Brasch
(Annekatrin Hendel, 2018)
|
|
65
|
|
67
|
|
67
|
|
|
84
|
72
|
71
|
Mary, Queen of Scots
(Josie Rourke, 2018)
|
|
69
|
|
|
|
|
|
68
|
76
|
|
71
|
Richard Jewell
(Cint Eastwood, 2019)
|
|
73
|
|
|
|
|
|
|
|
69
|
71
|
Kajillionaire
(Miranda July, 2020)
|
|
68
|
|
|
82
|
|
|
|
76
|
58
|
71
|
Judas and the Black Messiah
(Shaka King, 2021)
|
|
74
|
|
64
|
70
|
|
|
75
|
73
|
70
|
71
|
Zimmer 212 - In einer magischen Nacht
(Christophe Honoré, 2019)
|
|
69
|
|
|
|
71
|
|
|
73
|
|
71
|
Earwig
(Lucile Hadzihalilovic, 2021)*
|
|
70
|
|
|
|
|
|
72
|
|
|
71
|
Aus meiner Haut
(Alex Schaad, 2022)
|
|
69
|
|
|
|
|
|
|
73
|
|
71
|
Medusa Deluxe
(Thomas Hardiman, 2022)
|
|
|
70
|
|
|
|
|
70
|
73
|
|
71
|
Averroes & Rosa Parks
(Nicolas Philibert, 2024)
|
|
|
71
|
|
|
|
|
|
|
|
71
|
Des Teufels Bad
(Severin Fiala & Veronika Franz, 2024)
|
|
77
|
59
|
|
|
|
|
70
|
89
|
60
|
71
|
Unter dir die Stadt
(Christoph Hochhäusler, 2010)
|
56
|
|
|
79
|
|
82
|
66
|
|
74
|
68
|
70,8
|
Red Rocket
(Sean Baker, 2021)
|
|
67
|
64
|
62
|
82
|
|
|
72
|
78
|
|
70,8
|
Leviathan
(Lucien Castaing-Taylor, Verena Paravel, 2012)
|
|
|
|
65
|
87
|
|
55
|
|
77
|
70
|
70,8
|
Captain Phillips
(Paul Greengrass, 2013)
|
|
|
|
82
|
65
|
55
|
|
|
77
|
75
|
70,8
|
Blade Runner 2049
(Denis Villeneuve, 2017)
|
|
70
|
|
|
49
|
|
|
70
|
84
|
81
|
70,8
|
Wasp Network
(Olivier Assayas, 2019)*
|
|
70
|
71
|
|
70
|
71
|
|
|
|
72
|
70,8
|
Woher weißt du, dass es Liebe ist? (How Do You Know?)
(James L. Brooks, 2010)
|
|
|
|
|
55
|
74
|
|
|
74
|
80
|
70,8
|
Triangle of Sadness
(Ruben Östlund, 2022)
|
|
67
|
63
|
72
|
74
|
|
|
69
|
85
|
65
|
70,7
|
Topjob – Showdown im Supermarkt
(Steve Conrad, 2008)
|
|
|
|
|
|
75
|
|
|
76
|
61
|
70,7
|
American Honey
(Andrea Arnold, 2016)
|
|
|
|
|
32
|
|
|
90
|
90
|
|
70,7
|
Nach dem Urteil (Jusqu’à la garde)
(Xavier Legrand, 2017)
|
|
|
|
|
69
|
74
|
|
|
69
|
|
70,7
|
Das Blau des Kaftans
(Maryam Touzani, 2022)
|
|
|
64
|
|
|
|
|
73
|
75
|
|
70,7
|
Pearl
(Ti West, 2022)
|
|
57
|
|
|
72
|
|
|
|
83
|
|
70,7
|
Der Tag des Spatzen
(Philip Scheffner, 2010)
|
|
|
|
81
|
|
75
|
70
|
|
65
|
62
|
70,6
|
Home
(Ursula Meier, 2008)
|
|
|
|
|
|
71
|
70
|
|
|
|
70,5
|
Die Liebe der Kinder
(Franz Müller, 2009)
|
70
|
|
|
70
|
|
74
|
|
|
|
68
|
70,5
|
Monsters
(Gareth Edwards, 2010)
|
71
|
|
|
|
70
|
|
|
|
|
|
70,5
|
We Steal Secrets
(Alex Gibney, 2013)
|
|
|
|
|
|
|
|
|
73
|
68
|
70,5
|
Gravity
(Alfonso Cuarón, 2013)
|
|
|
|
95
|
47
|
72
|
40
|
|
84
|
85
|
70,5
|
Thor 3: Tag der Entscheidung
(Taika Waititi, 2017)
|
|
67
|
|
|
|
|
|
74
|
|
|
70,5
|
Roman J. Israel, Esq.
(Dan Gilroy, 2017)
|
|
70
|
|
|
|
|
|
|
71
|
|
70,5
|
Endless Poetry (Poesía sin fin)
(Alejandro Jodorowsky, 2018)
|
|
73
|
|
|
|
|
|
|
68
|
|
70,5
|
Seestück
(Volker Koepp, 2018)
|
|
|
|
71
|
|
|
|
|
|
70
|
70,5
|
Queen & Slim
(Melina Matsoukas, 2019)
|
|
82
|
|
79
|
40
|
|
|
81
|
|
|
70,5
|
Emma
(Autumn de Wilde, 2020)
|
|
|
62
|
|
|
|
|
|
79
|
|
70,5
|
Paris Calligrammes
(Ulrike Ottinger, 2020)
|
|
|
|
|
|
|
|
73
|
68
|
|
70,5
|
The King of Staten Island
(Judd Apatow, 2020)
|
|
70
|
|
|
|
|
|
73
|
77
|
62
|
70,5
|
The Woman King
(Gina Prince-Bythewood, 2022)
|
|
72
|
|
|
|
|
|
|
69
|
|
70,5
|
Rodeo
(Lola Quivoron, 2022)
|
|
74
|
62
|
|
|
|
|
68
|
78
|
|
70,5
|
Das erste Omen
(Arkasha Stevenson, 2024)
|
|
|
|
|
67
|
|
|
|
74
|
|
70,5
|
A Quiet Place: Day One
(Michael Samowski, 2024)
|
|
69
|
|
|
|
|
|
|
72
|
|
70,5
|
Tenet
(Christopher Nolan, 2020)
|
|
74
|
|
76
|
50
|
80
|
|
50
|
75
|
88
|
70,4
|
Nebraska
(Alexander Payne, 2013)
|
|
|
|
71
|
83
|
|
63
|
|
75
|
60
|
70,4
|
NO!
(Pablo Larrain, 2012)
|
|
|
|
57
|
79
|
|
|
|
75
|
|
70,3
|
In Sarmatien
(Volker Koepp, 2013)
|
|
|
|
50
|
|
81
|
|
|
|
80
|
70,3
|
Die beste aller Welten
(Adrian Goiginger, 2017)
|
|
|
|
|
56
|
|
|
76
|
79
|
|
70,3
|
Man tänker sitt
(Fredrik Wenzel, Henrik Hellström, 2009)
|
79
|
|
|
|
77
|
55
|
|
|
80
|
60
|
70,2
|
Tournée
(Mathieu Amalric, 2010)
|
|
|
|
58
|
82
|
74
|
62
|
|
|
75
|
70,2
|
Bis ans Ende der Nacht
(Christoph Hochhäusler, 2023)
|
|
70
|
78
|
|
61
|
|
|
|
73
|
69
|
70,2
|
American Hustle
(David O. Russell, 2013)
|
|
|
|
67
|
75
|
51
|
70
|
|
78
|
80
|
70,2
|
Oben (Up)
(Pete Docter, Bob Peterson, 2009)
|
67
|
|
|
73
|
|
|
70
|
|
|
|
70
|
Die ewigen Momente der Maria Larsson
(Jan Troell, 2008)
|
|
|
|
|
|
70
|
|
|
|
|
70
|
Melancholia
(Lars von Trier, 2011)
|
|
|
|
74
|
50
|
82
|
58
|
|
77
|
79
|
70
|
Die Muppets
(James Bobin, 2011)
|
|
|
|
|
70
|
|
|
|
|
|
70
|
Bulb Fiction
(Christoph Mayr, 2011)
|
|
|
|
|
|
|
|
|
72
|
68
|
70
|
Der Fluss war einst ein Mensch
(Jan Zabeil, 2011)
|
|
|
|
|
73
|
|
|
|
67
|
|
70
|
Camille – Verliebt nochmal! (Camille redouble)
(Noémie Lvovsky, 2012)
|
|
|
|
73
|
|
70
|
78
|
|
59
|
|
70
|
All is Lost
(J.C. Chandor, 2013)
|
|
|
|
73
|
64
|
|
|
|
73
|
|
70
|
Le passé
(Asghar Farhadi, 2013)
|
|
|
|
|
68
|
|
60
|
|
82
|
|
70
|
Museum Hours
(Jem Cohen, 2012)
|
|
|
|
|
67
|
|
|
|
73
|
|
70
|
Ich will mich nicht künstlich aufregen
(Max Linz, 2014)
|
|
|
|
71
|
|
73
|
71
|
|
|
65
|
70
|
Slow West
(John Maclean, 2014)
|
|
|
|
|
|
|
70
|
|
|
|
70
|
El Club
(Pablo Larrain, 2015)
|
|
|
|
|
70
|
|
|
|
|
|
70
|
Spotlight
(Tom McCarthy, 2015)
|
|
|
|
71
|
69
|
|
|
|
|
70
|
70
|
Searching
(Aneesh Changanty, 2018)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Birds of Passage
(Christiana Gallego & Ciro Guerra, 2018)
|
|
|
|
|
68
|
64
|
|
75
|
73
|
|
70
|
Streik (En guerre)
(Stéphane Brizé, 2018)
|
|
|
|
|
|
63
|
|
72
|
75
|
|
70
|
Kiss Me Kosher
(Shirel Peleg, 2020)
|
|
|
|
|
|
|
|
|
70
|
|
70
|
Forum Expanded: Ahorita Frames
(Angelika Levi, 2021)**
|
|
|
|
|
|
|
|
|
|
70
|
70
|
Spider-Man: No Way Home
(Jon Watts, 2021)
|
|
69
|
|
|
74
|
|
|
|
67
|
|
70
|
Gladbeck
(Volker Heise, 2022)*
|
|
73
|
|
62
|
|
|
|
|
|
75
|
70
|
Black Panther: Wakanda Forever
(Ryan Coogler, 2022)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Die Kairo-Verschwörung (Boy from Heaven)
(Tarik Saleh, 2022)
|
|
68
|
|
|
|
|
|
62
|
80
|
|
70
|
Die Sirene
(Sepideh Farsi, 2023)
|
|
70
|
|
|
|
|
|
|
|
|
70
|
Sonntagskind – Die Schriftstellerin Helga Schubert
(Jörg Hermann, 2023)
|
|
|
59
|
|
|
|
|
|
81
|
|
70
|
Die Gleichung ihres Lebens
(Anna Novion, 2023)
|
|
|
|
|
|
|
|
|
70
|
|
70
|
My Stolen Planet
(Farahnaz Sharifi, 2024)
|
|
|
76
|
|
64
|
|
|
|
|
|
70
|
The Power of the Dog
(Jane Campion, 2021)
|
|
83
|
69
|
55
|
63
|
58
|
|
85
|
86
|
60
|
69,9
|
Roter Himmel
(Christian Petzold, 2023)
|
|
70
|
63
|
65
|
89
|
73
|
|
61
|
|
68
|
69,9
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
|
78
|
|
58
|
72
|
52
|
|
80
|
79
|
|
69,8
|
Utopians
(Zbigniew Bzymek, 2011)
|
|
|
|
|
74
|
71
|
65
|
|
67
|
72
|
69,8
|
Die Sanfte (Krotkaya)
(Sergei Loznitsa, 2017)
|
|
72
|
|
|
44
|
65
|
|
82
|
86
|
|
69,8
|
Come On, Come On
(Mike Mills, 2021)
|
|
67
|
63
|
|
83
|
|
|
58
|
78
|
|
69,8
|
Memelland
(Volker Koepp, 2009)
|
|
|
|
66
|
|
73
|
|
|
80
|
60
|
69,8
|
Schlingensief - In das Schweigen hineinschreien
(Bettina Böhler, 2020)
|
|
70
|
|
|
65
|
|
|
|
74
|
70
|
69,8
|
The Vast of Night
(Andrew Patterson, 2019)
|
|
|
|
|
42
|
80
|
|
|
87
|
70
|
69,8
|
Shotgun Stories
(Jeff Nichols, 2007)
|
|
|
|
|
|
63
|
68
|
|
78
|
|
69,7
|
Moneyball
(Bennett Miller, 2011)
|
|
|
|
|
80
|
|
|
|
59
|
70
|
69,7
|
Meine keine Familie
(Paul-Julien Robert, 2012)
|
|
|
|
|
65
|
|
67
|
|
77
|
|
69,7
|
Die irre Heldentour des Billy Lynn
(Ang Lee, 2016)
|
|
76
|
|
|
58
|
|
|
|
75
|
|
69,7
|
The Lodge
(Veronika Franz & Severin Fiala, 2019)
|
|
78
|
|
|
50
|
|
|
81
|
|
|
69,7
|
Der Masseur – Never Gonna Snow Again
(Malgorzata Szumowska & Michal Englert, 2020)
|
|
52
|
|
|
|
|
|
76
|
81
|
|
69,7
|
The Green Wave
(Ali Samadi Ahadi, 2010)
|
|
|
|
|
|
|
66
|
|
73
|
|
69,5
|
Tuesday, after Christmas
(Radu Muntean, 2010)
|
|
|
|
|
50
|
69
|
78
|
|
81
|
|
69,5
|
Liberace
(Steven Soderbergh, 2013)
|
|
|
|
64
|
67
|
|
70
|
|
77
|
|
69,5
|
Jason Bourne
(Paul Greengrass, 2016)
|
|
|
|
|
|
|
|
|
67
|
72
|
69,5
|
Körper und Seele (A Teströl és Lélekröl)
(Ildikó Enyedi, 2017)
|
|
73
|
|
51
|
|
|
|
72
|
82
|
|
69,5
|
Shiva Baby
(Emma Seligman, 2020)*
|
|
82
|
65
|
|
|
|
|
62
|
69
|
|
69,5
|
Don’t Look Up
(Adam McKay, 2021)
|
|
68
|
|
76
|
68
|
|
|
68
|
79
|
58
|
69,5
|
Stellet Licht
(Carlos Reygadas, 2007)
|
|
|
|
65
|
|
83
|
82
|
|
79
|
38
|
69,4
|
Ponyo – Das große Abenteuer am Meer
(Hayao Miyazaki, 2008)
|
53
|
|
|
|
|
80
|
80
|
|
74
|
60
|
69,4
|
Das Tier im Dschungel
(Patric Chiha, 2023)
|
|
78
|
78
|
|
50
|
|
|
74
|
67
|
|
69,4
|
Titane
(Julia Ducournau, 2021)
|
|
92
|
61
|
58
|
54
|
75
|
|
81
|
66
|
68
|
69,4
|
LOS
(James Benning, 2000)
|
|
|
|
|
|
65
|
72
|
|
71
|
|
69,3
|
Der große Crash – Margin Call
(J.C. Chandor, 2011)
|
|
|
|
84
|
50
|
68
|
59
|
|
79
|
76
|
69,3
|
Maps to the Stars
(David Cronenberg, 2014)
|
|
|
|
39
|
74
|
80
|
77
|
|
82
|
64
|
69,3
|
Mir ist es egal, wenn wir als Barbaren in die Geschichten eingehen
(Radu Jude, 2018)
|
|
|
|
|
44
|
|
|
86
|
78
|
|
69,3
|
Air – Der große Wurf
(Ben Affleck, 2023)
|
|
72
|
|
|
62
|
|
|
|
74
|
|
69,3
|
Cat Person
(Susanna Fogel, 2023)
|
|
74
|
|
78
|
|
|
|
|
56
|
|
69,3
|
Black Dog
(Hu Guan, 2024)
|
|
83
|
|
|
40
|
|
|
85
|
|
|
69,3
|
Planet der Affen: Prevolution
(Rupert Wyatt, 2011)
|
|
|
|
65
|
68
|
|
|
|
59
|
85
|
69,3
|
Touched
(Claudia Rorarius, 2023)
|
|
76
|
53
|
|
|
|
|
71
|
77
|
|
69,3
|
Little Joe
(Jessica Hausner, 2019)
|
|
70
|
69
|
|
78
|
|
|
70
|
59
|
|
69,2
|
Love Exposure (Ai no mukidashi)
(Sono Sion, 2008)
|
|
|
|
|
|
70
|
60
|
|
77
|
|
69
|
Kinatay
(Brillante Mendoza, 2009)
|
|
|
|
86
|
62
|
71
|
39
|
|
87
|
|
69
|
Hugo Cabret
(Martin Scorsese, 2011)
|
|
|
|
|
62
|
65
|
|
|
|
80
|
69
|
Parada
(Srdjan Dragojevic, 2011)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Winterdieb
(Ursula Meier, 2012)
|
|
|
|
78
|
69
|
59
|
70
|
|
|
|
69
|
The Great Wall
(Zhang Yimou, 2016)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Auf der Suche nach Oum Khultum
(Shirin Neshat, 2017)
|
|
|
|
|
|
|
|
69
|
|
|
69
|
Gundermann
(Andreas Dresen, 2018)
|
|
61
|
|
86
|
73
|
|
|
53
|
72
|
|
69
|
Hubie Halloween
(Steven Brill, 2020)*
|
|
|
|
|
70
|
76
|
|
|
|
61
|
69
|
The White Tiger
(Ramin Bahrani, 2021)*
|
|
62
|
|
|
78
|
75
|
|
|
|
61
|
69
|
Doch das Böse gibt es nicht
(Mohammad Rasoulof, 2020)
|
|
67
|
65
|
|
69
|
|
|
70
|
74
|
|
69
|
Friends and Strangers
(James Vaughan, 2021)*
|
|
|
|
|
73
|
|
|
65
|
|
|
69
|
Der Waldmacher
(Volker Schlöndorff, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Dog
(Channing Tatum + Reid Carolin, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
The Outfit
(Graham Moore, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Schweigend steht der Wald
(Saralisa Volm, 2022)
|
|
69
|
|
|
|
|
|
|
|
|
69
|
Wann wir es endlich wieder so, wie es nie war?
(Sonja Heiss, 2023)
|
|
|
|
|
70
|
|
|
63
|
74
|
|
69
|
Der Fuchs
(Adrian Goiginger, 2022)
|
|
|
|
|
60
|
|
|
|
78
|
|
69
|
How to Blow Up a Pipeline
(Daniel Goldhaber, 2022)
|
|
|
|
|
|
|
|
|
|
69
|
69
|
20.000 Arten von Bienen
(Estibaliz Urresola Solaguren, 2023)
|
|
72
|
61
|
|
|
|
|
58
|
85
|
|
69
|
Blue Beetle
(Angel Manuel Soto, 2023)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Von Vätern und Müttern
(Paprika Steen, 2022)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Das Flüstern der Felder (Ochli)
(Dorota Kobiela & Hugh Welchman, 2023)
|
|
|
|
|
|
|
|
|
69
|
|
69
|
Eine dunkle Begierde (A Dangerous Method)
(David Cronenberg, 2011)
|
|
|
|
48
|
85
|
71
|
75
|
|
73
|
61
|
68,8
|
The Lost Daughter
(Maggie Gyllenhaal, 2021)*
|
|
88
|
61
|
|
70
|
51
|
|
73
|
70
|
|
68,8
|
Cocaine Bear
(Elizabeth Banks, 2023)
|
|
70
|
75
|
70
|
45
|
|
|
|
81
|
72
|
68,8
|
In Liebe, eure Hilde
(Andreas Dresen, 2024)
|
|
72
|
|
68
|
|
56
|
|
69
|
79
|
|
68,8
|
Die Qual der Wahl (The Campaign)
(Jay Roach, 2012)
|
|
|
|
67
|
70
|
|
|
|
77
|
61
|
68,8
|
Harriet
(Kasi Lemmons, 2019)
|
|
70
|
63
|
68
|
|
|
|
|
74
|
|
68,8
|
Minari
(Lee Isaac Chung, 2020)
|
|
70
|
|
|
68
|
|
|
70
|
67
|
|
68,8
|
Orly
(Angela Schanelec, 2009)
|
81
|
|
|
|
60
|
74
|
69
|
|
75
|
53
|
68,7
|
Oslo, 31. August
(Joachim Trier, 2011)
|
|
|
|
|
75
|
67
|
|
|
64
|
|
68,7
|
Die Wolken von Sils Maria
(Olivier Assayas, 2014)
|
|
|
|
71
|
90
|
83
|
64
|
|
52
|
52
|
68,7
|
Alle die du bist
(Daniel Fetter Nathansky, 2024)
|
|
71
|
63
|
|
|
|
|
|
72
|
|
68,7
|
Crossing
(Levan Akin, 2024)
|
|
|
64
|
|
|
|
|
63
|
79
|
|
68,7
|
Alien: Romulus
(Fede Alvarez, 2024)
|
|
70
|
|
|
64
|
|
|
|
72
|
|
68,7
|
Ellbogen
(Asli Özarslan, 2024)
|
|
78
|
|
|
|
|
|
55
|
73
|
|
68,7
|
Umsonst
(Stephan Geene, 2014)
|
|
|
|
73
|
|
45
|
75
|
|
72
|
78
|
68,6
|
The Beast
(Bertrand Bonello, 2023)
|
|
83
|
56
|
|
59
|
|
|
80
|
|
65
|
68,6
|
Drive
(Nicholas Winding Refn, 2011)
|
|
|
|
73
|
50
|
60
|
80
|
|
81
|
67
|
68,5
|
Den Menschen so fern (Loin des hommes)
(David Oelhoffen, 2014)
|
|
|
|
|
75
|
|
62
|
|
|
|
68,5
|
Auf der Couch in Tunis
(Manele Labidi, 2019)
|
|
64
|
|
|
|
|
|
|
73
|
|
68,5
|
Shorts: Al motociclista no le cabe la felicidad en el traje
(Gabriel Herrera, 2021)**
|
|
|
71
|
|
66
|
|
|
|
|
|
68,5
|
Crimes of the Future
(David Cronenberg, 2022)
|
|
70
|
71
|
|
53
|
65
|
|
77
|
75
|
|
68,5
|
Leave the World Behind
(Sam Esmail, 2023)*
|
|
67
|
|
|
|
|
|
|
|
70
|
68,5
|
Mit einem Tiger schlafen
(Anja Salomonowitz, 2024)
|
|
|
64
|
|
|
|
|
|
73
|
|
68,5
|
Patagonia
(Simone Bozzelli, 2023)
|
|
|
63
|
|
|
|
|
|
74
|
|
68,5
|
Dieses Gefühl, dass die Zeit, etwas zu tun, vorbei ist (The Feeling That The Time For Doing Something Has Passed)
(Joanna Arnow, 2023)
|
|
78
|
|
|
45
|
|
|
64
|
87
|
|
68,5
|
Giraffe
(Anna Sofie Hartmann, 2019)
|
|
78
|
65
|
|
|
73
|
|
60
|
66
|
|
68,4
|
T 2 Trainspotting
(Danny Boyle, 2017)
|
|
|
|
59
|
|
67
|
|
79
|
|
|
68,3
|
La Pivellina
(Tizza Covi & Rainer Frimmel, 2009)
|
|
|
|
48
|
75
|
73
|
|
|
77
|
|
68,3
|
Laurence Anyways
(Xavier Dolan, 2012)
|
|
|
|
89
|
37
|
|
75
|
|
72
|
|
68,3
|
The Birth of a Nation – Aufstand zur Freiheit
(Nate Parker, 2016)
|
|
71
|
|
75
|
|
|
|
72
|
55
|
|
68,3
|
Der Tod von Ludwig XIV
(Albert Serra, 2016)
|
|
|
|
|
30
|
73
|
|
|
87
|
83
|
68,3
|
So finster die Nacht (Låt den rätte komma in)
(Thomas Alfredson, 2008)
|
81
|
|
|
|
|
58
|
61
|
|
76
|
65
|
68,2
|
Spy – Susan Cooper undercover
(Paul Feig, 2015)
|
|
|
|
60
|
70
|
75
|
|
|
74
|
62
|
68,2
|
Alle Anderen
(Maren Ade, 2009)
|
70
|
|
|
73
|
|
72
|
80
|
|
49
|
65
|
68,2
|
Birdwatchers (La Terra degli Uomini Rossi)
(Marco Bechis, 2009)
|
80
|
|
|
57
|
|
58
|
70
|
|
78
|
66
|
68,2
|
Sterben
(Matthias Glasner, 2024)
|
|
73
|
|
74
|
|
60
|
|
80
|
53
|
69
|
68,2
|
Gran Torino
(Clint Eastwood, 2008)
|
83
|
|
|
36
|
|
71
|
68
|
|
81
|
69
|
68
|
The Fighter
(David O. Russell, 2010)
|
60
|
|
|
65
|
60
|
71
|
73
|
|
75
|
72
|
68
|
Blue Valentine
(Derek Cianfrance, 2010)
|
|
|
|
|
79
|
55
|
70
|
|
|
|
68
|
Die Prinzessin von Montpensier
(Bertrand Tavernier, 2010)
|
|
|
|
|
|
|
68
|
|
|
|
68
|
Arirang
(Kim Ki-Duk, 2011)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Kairo 678
(Mohamed Diab, 2010)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Wanderlust
(David Wain, 2012)
|
|
|
|
|
|
|
|
|
|
68
|
68
|
Guilty of Romance
(Sion Sono, 2011)
|
|
|
|
|
64
|
|
|
|
72
|
|
68
|
Prince Avalanche
(David Gordon Green, 2013)
|
|
|
|
73
|
44
|
74
|
62
|
|
75
|
80
|
68
|
Steve Jobs
(Danny Boyle, 2015)
|
|
|
|
85
|
40
|
45
|
|
|
90
|
80
|
68
|
Julieta
(Pedro Almodóvar, 2016)
|
|
|
|
|
58
|
|
|
|
78
|
|
68
|
Doctor Strange
(Scott Derrickson, 2016)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Hell or High Water
(David Mackenzie, 2016)
|
|
76
|
|
67
|
48
|
|
|
75
|
74
|
|
68
|
Die Maske (Twarz)
(Malgorzata Szumowska, 2018)
|
|
83
|
|
|
|
|
|
74
|
47
|
|
68
|
Vom Lokführer, der die Liebe suchte ...
(Veit Helmer, 2018)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Ayka
(Sergey Dvortsevoy, 2018)
|
|
|
|
|
59
|
|
|
|
77
|
|
68
|
Sibyl
(Justine Triet, 2019)
|
|
78
|
63
|
|
45
|
74
|
|
80
|
|
|
68
|
Drei Tage und ein Leben
(Nicolas Boukhrief, 2019)
|
|
|
68
|
|
|
|
|
|
|
|
68
|
David Copperfield
(Armando Iannucci, 2019)
|
|
67
|
|
|
72
|
|
|
|
63
|
70
|
68
|
Nomadland
(Chloe Zhao, 2020)
|
|
72
|
63
|
59
|
79
|
58
|
|
77
|
|
|
68
|
Wunderschön
(Karoline Herfurth, 2020)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Elvis
(Baz Luhrmann, 2022)
|
|
68
|
|
|
|
|
|
67
|
69
|
|
68
|
Alcarràs – Die letzte Ernte
(Carla Simon, 2022)
|
|
70
|
67
|
|
72
|
|
|
63
|
|
|
68
|
Einfach mal was Schönes
(Karoline Herfurth, 2022)
|
|
52
|
|
|
|
|
|
|
84
|
|
68
|
Die Gewerkschafterin (La syndicaliste)
(Jean-Paul Salomé, 2022)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Nostalgia
(Mario Martone, 2022)
|
|
|
|
|
79
|
|
|
57
|
|
|
68
|
Die einfachen Dinge
(Éric Besnard, 2023)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Die Tribute von Panem – The Ballad of Songbirds & Snakes
(Francis Lawrence, 2023)
|
|
65
|
|
|
|
|
|
71
|
|
|
68
|
Ein Schweigen
(Joachim Lafosse, 2023)
|
|
|
68
|
|
|
|
|
|
|
|
68
|
Platform (El Hoyo)
(Galder Gaztelu-Urruita, 2019)*
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Freud – Jenseits des Glaubens (Freud’s Last Session)
(Matthew Brown, 2023)
|
|
|
|
|
|
|
|
|
68
|
|
68
|
Der traumhafte Weg
(Angela Schanelec, 2016)
|
|
74
|
|
32
|
|
90
|
|
81
|
81
|
49
|
67,8
|
The Boss of it all (Direktoren for det hele)
(Lars von Trier, 2006)
|
|
|
|
|
|
81
|
75
|
|
72
|
43
|
67,8
|
Gegenwart
(Thomas Heise, 2013)
|
|
|
|
70
|
|
|
72
|
|
59
|
70
|
67,8
|
Blackhat
(Michael Mann, 2015)
|
|
|
|
|
40
|
80
|
|
|
71
|
80
|
67,8
|
Forum: Esquí
(Manque La Banca, 2021)**
|
|
|
79
|
|
75
|
49
|
|
|
|
|
67,7
|
L’État et moi – Der Staat und ich
(Max Linz, 2022)
|
|
70
|
|
|
|
70
|
|
63
|
|
|
67,7
|
Das Lehrerzimmer
(Ilker Çatak, 2023)
|
|
78
|
|
71
|
45
|
|
|
59
|
85
|
68
|
67,7
|
Diese Sendung ist kein Spiel – Die unheimliche Welt des Eduard Zimmermann
(Regina Schilling, 2023)*
|
|
|
|
65
|
|
|
|
|
75
|
63
|
67,7
|
Miss Bala
(Gerardo Naranjo, 2012)
|
|
|
|
|
60
|
61
|
55
|
|
92
|
70
|
67,6
|
Die fast vergessene Welt (Land of the Lost)
(Brad Silberling, 2009)
|
|
|
|
|
|
70
|
|
|
65
|
|
67,5
|
George A. Romero’s Survival of the Dead
(George A. Romero, 2009)
|
|
|
|
|
55
|
|
80
|
|
|
|
67,5
|
10 vor 11
(Pelin Esmer, 2009)
|
|
|
|
|
|
|
61
|
|
74
|
|
67,5
|
Attack the Block
(Joe Cornish, 2011)
|
|
|
|
|
79
|
|
|
|
56
|
|
67,5
|
Everybody Wants Some
(Richard Linklater, 2016)
|
|
|
|
|
82
|
58
|
|
|
69
|
61
|
67,5
|
Black Panther
(Ryan Coogler, 2018)
|
|
82
|
|
|
52
|
|
|
67
|
69
|
|
67,5
|
Der Hauptmann
(Robert Schwentke, 2017)
|
|
71
|
|
83
|
|
|
|
|
56
|
60
|
67,5
|
Lucky
(John Carroll Lynch, 2017)
|
|
64
|
|
|
64
|
65
|
|
|
77
|
|
67,5
|
The House That Jack Built
(Lars von Trier, 2018)
|
|
89
|
|
|
46
|
|
|
49
|
86
|
|
67,5
|
Greyhound
(Aaron Schneider, 2020)*
|
|
|
|
|
|
61
|
|
|
74
|
|
67,5
|
Family Romance, LLC
(Werner Herzog, 2019)*
|
|
|
77
|
|
|
58
|
|
|
|
|
67,5
|
Encounters: Blutsauger
(Julian Radlmaier, 2021)**
|
|
|
63
|
|
74
|
60
|
|
59
|
79
|
70
|
67,5
|
Lola (2022)
(Andrew Legge, 2022)
|
|
73
|
|
|
40
|
|
|
84
|
73
|
|
67,5
|
Zone
(Christina Friedrich, 2024)
|
|
|
56
|
|
|
|
|
|
79
|
|
67,5
|
Her
(Spike Jonze, 2013)
|
|
|
|
70
|
74
|
56
|
|
|
82
|
55
|
67,4
|
Donbass
(Sergej Loznitsa, 2018)
|
|
89
|
|
|
40
|
|
|
76
|
72
|
60
|
67,4
|
Les Miserables
(Ladj Ly, 2019)
|
|
65
|
|
|
62
|
78
|
|
58
|
74
|
|
67,4
|
The Hateful Eight
(Quentin Tarantino, 2015)
|
|
|
|
73
|
|
|
|
|
76
|
53
|
67,3
|
Tár
(Todd Field, 2022)
|
|
70
|
59
|
|
78
|
75
|
|
52
|
|
70
|
67,3
|
La Lisière – Am Waldrand
(Géraldine Bajard, 2010)
|
|
|
|
67
|
|
71
|
61
|
|
|
70
|
67,3
|
Modest Reception (Paziraie sadeh)
(Mani Haghighi, 2012)
|
|
|
|
65
|
|
61
|
67
|
|
76
|
|
67,3
|
Anderson
(Annekatrin Hendel, 2014)
|
|
|
|
72
|
|
|
59
|
|
78
|
60
|
67,3
|
Waves
(Trey Edward Shults, 2019)
|
|
82
|
|
|
62
|
60
|
|
|
65
|
|
67,3
|
Szenen meiner Ehe
(Katrin Schlösser, 2019)*
|
|
|
61
|
|
70
|
62
|
|
|
76
|
|
67,3
|
Eileen
(William Oldroyd, 2023)
|
|
71
|
69
|
|
55
|
|
|
|
74
|
|
67,3
|
The Ides of March
(George Clooney, 2011)
|
|
|
|
71
|
70
|
|
66
|
|
68
|
61
|
67,2
|
Hagazussa
(Lukas Feigelfeld, 2017)
|
|
76
|
|
|
45
|
57
|
|
78
|
80
|
|
67,2
|
Encounters: Das Mädchen und die Spinne
(Ramon Zürcher, 2021)**
|
|
74
|
71
|
|
52
|
74
|
|
65
|
|
67
|
67,2
|
Looking for Eric
(Ken Loach, 2009)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Totem
(Jessica Krummacher, 2011)
|
|
|
|
83
|
77
|
|
68
|
|
|
40
|
67
|
New York Memories
(Rosa von Praunheim, 2010)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Männertrip
(Nicholas Stoller, 2010)
|
|
|
|
66
|
|
68
|
|
|
71
|
63
|
67
|
A Real Life – Au voleur
(Sarah Leonor, 2009)
|
|
|
|
|
|
|
67
|
|
|
|
67
|
Un homme qui crie
(Mahamat Saleh-Haroun, 2010)
|
|
|
|
|
73
|
57
|
66
|
|
72
|
|
67
|
Mein Stück vom Kuchen
(Cédric Klapisch, 2011)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Ted
(Seth MacFarlane, 2012)
|
|
|
|
61
|
|
|
|
|
77
|
63
|
67
|
Looper
(Rian Johnson, 2012)
|
|
|
|
|
60
|
53
|
|
|
85
|
70
|
67
|
Room 237
(Rodney Ascher, 2012)
|
|
|
|
72
|
58
|
|
65
|
|
73
|
|
67
|
MansFeld
(Mario Schneider, 2012)
|
|
|
|
51
|
|
|
67
|
|
88
|
62
|
67
|
Deine Schönheit ist nichts wert
(Hüseyin Tabak, 2012)
|
|
|
|
|
62
|
|
|
|
72
|
|
67
|
Aloha – Die Chance auf Glück
(Cameron Crowe, 2015)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Rogue One: A Star Wars Story
(Gareth Edwards, 2016)
|
|
|
|
|
|
|
|
67
|
|
|
67
|
Regeln spielen keine Rolle (Rules Don’t Apply)
(Warren Beatty, 2016)
|
|
67
|
|
|
|
64
|
|
70
|
|
|
67
|
Wonder Woman
(Patty Jenkins, 2017)
|
|
|
|
|
41
|
|
|
78
|
79
|
70
|
67
|
It Comes at Night
(Trey Edward Shults, 2017)
|
|
67
|
|
|
|
|
|
|
|
|
67
|
Von Bienen und Blumen
(Lola Randl, 2018)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
I’m Your Woman
(Julia Hart, 2020)*
|
|
70
|
70
|
|
70
|
56
|
|
|
69
|
|
67
|
News of the World
(Paul Greengrass, 2020)*
|
|
72
|
|
|
|
|
|
|
62
|
|
67
|
Encounters: Nous
(Alice Diop, 2021)**
|
|
|
69
|
|
64
|
|
|
59
|
|
76
|
67
|
Hinterland
(Stefan Ruzowitzky, 2021)
|
|
65
|
|
|
59
|
|
|
|
77
|
|
67
|
Europe
(Philipp Scheffner, 2022)
|
|
67
|
69
|
58
|
|
|
|
|
74
|
|
67
|
Dark Glasses - Blinde Angst
(Dario Argento, 2022)
|
|
67
|
|
|
|
|
|
|
|
|
67
|
Zeiten des Umbruchs (Armageddon Time)
(James Gray, 2022)
|
|
70
|
67
|
|
51
|
|
|
53
|
86
|
75
|
67
|
Tara
(Volker Sattel, Francesca Bertini, 2022)
|
|
|
70
|
48
|
|
|
|
69
|
81
|
|
67
|
Sisu
(Jalmari Helander, 2022)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
The Inspection
(Elegance Bratton, 2022)
|
|
|
|
|
|
|
|
70
|
64
|
|
67
|
BlackBerry
(Matt Johnson, 2023)
|
|
68
|
|
|
68
|
|
|
|
|
65
|
67
|
Falling Into Place
(Aylin Tezel, 2023)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Schock
(Denis Moschitto & Daniel Rakete Siegel, 2023)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Die Amitié
(Kollektiv Amitié, 2023)
|
|
|
|
|
|
|
|
67
|
|
|
67
|
Ghostbusters: Frozen Empire
(Gil Kenan, 2024)
|
|
|
|
|
|
|
|
|
67
|
|
67
|
Exile Never Ends
(Bahar Bektas, 2024)
|
|
|
67
|
|
|
|
|
|
|
|
67
|
Die geschützten Männer
(Irene von Alberti, 2024)
|
|
67
|
|
|
|
|
|
|
|
|
67
|
Nackte Tiere
(Melanie Waelde, 2020)
|
|
80
|
74
|
|
52
|
67
|
|
|
70
|
58
|
66,8
|
The French Dispatch
(Wes Anderson, 2021)
|
|
69
|
55
|
|
66
|
|
|
68
|
82
|
61
|
66,8
|
Man of Steel
(Zack Snyder, 2013)
|
|
|
|
|
|
76
|
37
|
|
77
|
77
|
66,8
|
Old Oak
(Ken Loach, 2023)
|
|
72
|
|
|
68
|
|
|
60
|
|
|
66,7
|
The Salesman (Forushande)
(Asghar Farhadi, 2016)
|
|
69
|
|
|
54
|
64
|
|
70
|
76
|
|
66,6
|
Wettbewerb: Introduction
(Hong Sangsoo, 2021)**
|
|
|
65
|
|
59
|
76
|
|
63
|
|
70
|
66,6
|
Dumb Money
(Craig Gillespie, 2023)
|
|
69
|
|
67
|
|
|
|
62
|
67
|
68
|
66,6
|
Joker
(Todd Phillips, 2019)
|
|
68
|
71
|
|
82
|
40
|
|
45
|
86
|
74
|
66,6
|
Summer Book (Tatil Kitabi)
(Seyfi Teoman, 2009)
|
|
|
|
|
|
|
|
|
70
|
63
|
66,5
|
Einfach zu haben (Easy A)
(Will Gluck, 2010)
|
|
|
|
|
|
|
|
|
73
|
60
|
66,5
|
Stan & Ollie
(Jon S. Baird, 2018)
|
|
|
|
|
64
|
|
|
69
|
|
|
66,5
|
Ralph reich’s (Wreck-it Ralph)
(Rich Moore, 2012)
|
|
|
|
|
55
|
|
|
|
|
78
|
66,5
|
Iron Man 3
(Shane Black, 2013)
|
|
|
|
|
75
|
|
|
|
58
|
|
66,5
|
Seefeuer (Fuoccoamare)
(Gianfranco Rosi, 2016)
|
|
|
|
73
|
|
|
|
|
|
60
|
66,5
|
Ghostbusters
(Paul Feig, 2016)
|
|
|
|
58
|
|
|
|
|
|
75
|
66,5
|
Zwei Herren im Anzug
(Josef Bierbichler, 2017)
|
|
|
|
65
|
58
|
79
|
|
64
|
|
|
66,5
|
In den Gängen
(Thomas Stuber, 2018)
|
|
78
|
|
|
77
|
43
|
|
68
|
|
|
66,5
|
Avengers – Endgame
(Anthony & Joe Russo, 2019)
|
|
|
|
|
|
|
|
57
|
76
|
|
66,5
|
Sommer 85
(Francois Ozon, 2020)
|
|
75
|
|
|
58
|
|
|
|
|
|
66,5
|
Pornfluencer
(Joscha Bongard, 2022)
|
|
70
|
63
|
|
|
|
|
|
|
|
66,5
|
To the Moon
(Greg Berlanti, 2024)
|
|
|
|
|
52
|
|
|
|
81
|
|
66,5
|
Killers of the Flower Moon
(Martin Scorsese, 2023)
|
|
60
|
73
|
35
|
99
|
|
|
59
|
67
|
72
|
66,4
|
Green Zone
(Paul Greengrass, 2010)
|
74
|
|
|
|
60
|
57
|
|
|
76
|
65
|
66,4
|
Die feine Gesellschaft (Ma Loute)
(Bruno Dumont, 2016)
|
|
74
|
|
|
42
|
73
|
|
60
|
83
|
|
66,4
|
Die Linie
(Ursula Meier, 2022)
|
|
63
|
65
|
|
64
|
|
|
62
|
78
|
|
66,4
|
Fräulein Else
(Anna Martinetz, 2013)
|
|
|
|
|
45
|
|
|
|
84
|
70
|
66,3
|
Ant-Man
(Peyton Reed, 2015)
|
|
|
|
|
45
|
|
|
|
73
|
81
|
66,3
|
Coda
(Sian Heder, 2021)*
|
|
62
|
|
|
74
|
|
|
|
63
|
|
66,3
|
Final Cut of the Dead
(Michel Hazanavicius, 2022)
|
|
67
|
|
|
|
|
|
58
|
74
|
|
66,3
|
Wonka
(Paul King, 2023)
|
|
70
|
|
47
|
|
|
|
82
|
|
|
66,3
|
Maxxxine
(Ti West, 2024)
|
|
68
|
|
|
60
|
|
|
|
71
|
|
66,3
|
Just the Wind (Csak a szél)
(Benedek Fliegauf, 2011)
|
|
|
|
71
|
82
|
|
38
|
|
74
|
|
66,3
|
Das unbekannte Mädchen (La fille inconnue)
(Jean-Pierre und Luc Dardenne, 2015)
|
|
|
|
62
|
60
|
|
|
|
78
|
65
|
66,3
|
Zwischen den Zeilen (Doubles vies)
(Olivier Assayas, 2018)
|
|
|
|
|
79
|
33
|
|
70
|
81
|
68
|
66,2
|
I’m Thinking of Ending Things
(Charlie Kaufman, 2020)*
|
|
|
|
60
|
84
|
62
|
|
|
77
|
48
|
66,2
|
The Times of Harvey Milk
(Rob Epstein, 1984)
|
|
|
|
69
|
|
|
|
|
|
63
|
66
|
Another Earth
(Mike Cahill, 2011)
|
|
|
|
|
|
66
|
|
|
|
|
66
|
Jungs bleiben Jungs (Les beaux gosses)
(Riad Sattouf, 2009)
|
|
|
|
|
|
68
|
|
|
64
|
|
66
|
Scream 4
(Wes Craven, 2011)
|
|
|
|
|
|
|
|
|
66
|
|
66
|
Small Town Murder Songs
(Ed Gass-Donnelly, 2010)
|
|
|
|
65
|
|
|
|
|
72
|
61
|
66
|
Herr Wichmann aus der dritten Reihe
(Andreas Dresen, 2012)
|
|
|
|
72
|
|
65
|
60
|
|
68
|
65
|
66
|
The Deep Blue Sea
(Terence Davies, 2011)
|
|
|
|
|
59
|
|
67
|
|
72
|
|
66
|
Tepenin ardi – Beyond the Hill
(Emin Alper, 2012)
|
|
|
|
|
58
|
|
|
|
74
|
|
66
|
Gold
(Thomas Arslan, 2013)
|
|
|
|
67
|
|
50
|
67
|
|
74
|
72
|
66
|
Lone Ranger
(Gore Verbinski, 2013)
|
|
|
|
|
|
|
|
|
66
|
|
66
|
Worst Case Scenario
(Franz Müller, 2014)
|
|
|
|
56
|
|
72
|
|
|
|
70
|
66
|
The Forbidden Room
(Guy Maddin & Evan Johnson, 2015)
|
|
|
|
|
44
|
72
|
|
|
82
|
|
66
|
Über die Unendlichkeit
(Roy Andersson, 2019)
|
|
82
|
|
|
48
|
60
|
|
|
74
|
|
66
|
Stillwater
(Tom McCarthy, 2021)
|
|
|
|
|
73
|
|
|
|
|
59
|
66
|
Der Mann, der seine Haut verkaufte
(Kaouther Ben Hania, 2020)
|
|
67
|
|
|
|
|
|
65
|
|
|
66
|
Rebellinen. Fotografie. Underground. DDR
(Pamela Meyer-Arndt, 2022)
|
|
|
|
67
|
|
|
|
|
|
65
|
66
|
Die Aussprache (Women Talking)
(Sarah Polley, 2022)
|
|
80
|
49
|
|
55
|
|
|
80
|
|
|
66
|
Catch the Killer
(Damián Szifron, 2023)
|
|
67
|
|
|
|
|
|
|
65
|
|
66
|
Geliebte Köchin
(Tran Anh Hung, 2023)
|
|
82
|
58
|
|
44
|
|
|
80
|
|
|
66
|
Madame Sidonie in Japan
(Elise Giraud, 2923)
|
|
|
55
|
|
|
|
|
|
77
|
|
66
|
Edge of Tomorrow
(Doug Liman, 2014)
|
|
|
|
|
38
|
81
|
|
|
74
|
70
|
65,8
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
|
72
|
64
|
|
59
|
|
|
68
|
|
|
65,8
|
A Serious Man
(Joel & Ethan Coen, 2009)
|
75
|
|
|
79
|
42
|
41
|
74
|
|
79
|
70
|
65,7
|
The Death of Stalin
(Armando Iannucci, 2017)
|
|
67
|
|
54
|
75
|
52
|
|
51
|
83
|
78
|
65,7
|
The Founder
(John Lee Hancock, 2016)
|
|
66
|
|
55
|
|
|
|
|
76
|
|
65,7
|
Der Sommer mit Anaïs
(Charline Bourgeois-Taquet, 2021)
|
|
|
70
|
|
|
|
|
45
|
82
|
|
65,7
|
The Royal Hotel
(Kitty Green, 2023)
|
|
|
|
|
59
|
|
|
56
|
82
|
|
65,7
|
Der Schatten des Kommandanten
(Daniela Volker, 2024)
|
|
70
|
|
|
|
|
|
59
|
68
|
|
65,7
|
Abendland (2024)
(Omer Fast, 2024)
|
|
67
|
60
|
|
|
|
|
|
|
70
|
65,7
|
The Outrun
(Nora Fingscheidt, 2024)
|
|
70
|
|
|
|
|
|
72
|
55
|
|
65,7
|
Three Billboards Outside Ebbing, Missouri
(Martin McDonagh, 2017)
|
|
57
|
|
89
|
58
|
|
|
37
|
87
|
|
65,6
|
Aheds Knie
(Nadav Lapid, 2021)
|
|
72
|
60
|
|
40
|
|
|
73
|
83
|
|
65,6
|
Solang ich lebe (Jab Tak Hai Jaan)
(Yash Chopra, 2012)
|
|
|
|
|
|
62
|
|
|
69
|
|
65,5
|
Planet der Affen – Revolution
(Matt Reeves, 2014)
|
|
|
|
67
|
64
|
|
|
|
|
|
65,5
|
Raum (Room)
(Lenny Abrahamson, 2015)
|
|
|
|
|
68
|
|
|
|
63
|
|
65,5
|
Wo in Paris die Sonne aufgeht (Les Olympiades)
(Jacques Audiard, 2021)
|
|
65
|
63
|
|
|
62
|
|
72
|
|
|
65,5
|
Wir könnten genauso gut tot sein
(Natalia Sinelnikova, 2021)
|
|
72
|
59
|
|
|
|
|
|
|
|
65,5
|
The End We Start From
(Mahalia Belo, 2023)
|
|
64
|
|
|
|
|
|
|
67
|
|
65,5
|
9 Leben
(Maria Speth, 2010)
|
|
|
|
55
|
55
|
|
78
|
|
76
|
63
|
65,4
|
The Substance
(Coralie Fargeat, 2024)
|
|
80
|
54
|
66
|
42
|
55
|
|
77
|
90
|
59
|
65,4
|
Taffe Mädels (The Heat)
(Paul Feig, 2013)
|
|
|
|
|
72
|
|
|
|
57
|
67
|
65,3
|
Grigris’ Glück (Grigris)
(Mahamet-Saleh Haroun, 2014)
|
|
|
|
|
59
|
|
62
|
|
75
|
|
65,3
|
Der Marsianer (The Martian)
(Ridley Scott, 2015)
|
|
|
|
|
47
|
70
|
|
|
|
79
|
65,3
|
Dont’t worry, weglaufen geht nicht
(Gus Van Sant, 2018)
|
|
70
|
|
|
|
|
|
61
|
65
|
|
65,3
|
Benedetta
(Paul Verhoeven, 2021)
|
|
67
|
61
|
|
68
|
63
|
|
66
|
67
|
|
65,3
|
Motel Destino
(Karim Aïnouz, 2024)
|
|
62
|
63
|
|
|
|
|
71
|
|
|
65,3
|
Poor Things
(Yorgos Lanthimos, 2023)
|
|
78
|
77
|
18
|
87
|
|
|
57
|
89
|
51
|
65,3
|
Der Ja-Sager (Yes Man)
(Peyton Reed, 2008)
|
68
|
|
|
|
|
62
|
|
|
71
|
60
|
65,3
|
France
(Bruno Dumont, 2021)
|
|
72
|
63
|
|
|
|
|
|
66
|
60
|
65,3
|
Pelikanblut
(Katrin Gebbe, 2019)
|
|
84
|
63
|
|
40
|
|
|
73
|
66
|
|
65,2
|
Lourdes
(Jessica Hausner, 2009)
|
64
|
|
|
56
|
66
|
74
|
63
|
|
68
|
|
65,2
|
Anora
(Sean Baker, 2024)
|
|
27
|
80
|
55
|
87
|
|
|
40
|
87
|
80
|
65,1
|
Oppenheimer
(Christopher Nolan, 2023)
|
|
67
|
64
|
55
|
79
|
41
|
|
62
|
87
|
66
|
65,1
|
Drifter
(Sebastian Heidinger, 2008)
|
|
|
|
70
|
|
65
|
|
|
|
60
|
65
|
Zum Vergleich
(Harun Farocki, 2009)
|
|
|
|
77
|
|
53
|
|
|
64
|
66
|
65
|
Jaffa – The Orange’s Clockwork
(Eyal Sivan, 2009)
|
|
|
|
|
|
55
|
67
|
|
74
|
64
|
65
|
Gullivers Reisen
(Rob Letterman, 2010)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Huacho – Ein Tag im Leben
(Alejandro Fernández Almendras, 2009)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
The Ballad of Genesis and Lady Jaye
(Marie Losier, 2011)
|
|
|
|
63
|
|
|
67
|
|
|
|
65
|
In Time
(Andrew Niccol, 2011)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Ai Weiwei – Never Sorry
(Alison Klayman, 2012)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Die Wand
(Julian Roman Pölsler, 2011)
|
|
|
|
|
|
|
65
|
|
65
|
|
65
|
Höhere Gewalt
(Ruben Östlund, 2014)
|
|
|
|
52
|
79
|
|
55
|
|
74
|
|
65
|
Das ewige Leben
(Wolfgang Murnberger, 2015)
|
|
|
|
|
65
|
|
|
|
|
|
65
|
She’s Lost Control
(Anja Marquardt, 2014)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Zoolander 2
(Ben Stiller, 2016)
|
|
|
|
|
|
|
|
|
69
|
61
|
65
|
The Limehouse Golem
(Juan Carlos Medina, 2016)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Die Spur (Pokot)
(Agniezska Holland, 2017)
|
|
67
|
|
58
|
66
|
|
|
60
|
74
|
|
65
|
Die Berufung (On the Basis of Sex)
(Mimi Leder, 2018)
|
|
65
|
|
|
|
|
|
|
|
|
65
|
Kirschblüten & Dämonen
(Doris Dörrie, 2019)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Dune
(Denis Villeneuve, 2021)
|
|
59
|
|
|
|
49
|
|
77
|
74
|
66
|
65
|
Cry Macho
(Clint Eastwood, 2021)
|
|
60
|
|
|
|
|
|
|
70
|
|
65
|
Moneyboys
(C.B. Yi, 2021)
|
|
72
|
64
|
|
46
|
|
|
|
78
|
|
65
|
Wir sind dann wohl die Angehörigen
(Hans-Christian Schmid, 2022)
|
|
70
|
|
60
|
|
|
|
|
|
|
65
|
Passages
(Ira Sachs, 2023)
|
|
|
70
|
24
|
84
|
|
|
|
82
|
|
65
|
Mein Sohn, der Soldat
(Mathieu Vadepied, 2022)
|
|
65
|
|
|
|
|
|
|
65
|
|
65
|
Die Herrlichkeit des Lebens
(Georg Mass & Judith Kaufmann, 2024)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Maria Montessori
(Léa Todorov, 2023)
|
|
|
|
|
|
|
|
|
65
|
|
65
|
Furiosa: A Mad Max Tale
(George Miller, 2024)
|
|
58
|
|
|
69
|
|
|
42
|
91
|
|
65
|
Vom Gießen des Zitronenbaums
(Elia Suleiman, 2019)
|
|
70
|
|
63
|
55
|
75
|
|
57
|
76
|
58
|
64,9
|
Four Lions
(Christopher Morris, 2010)
|
|
|
|
48
|
45
|
75
|
68
|
|
82
|
71
|
64,8
|
Forum: Anmaßung
(Chris Wright & Stefan Kolbe, 2021)**
|
|
65
|
62
|
|
50
|
77
|
|
|
|
70
|
64,8
|
Genug gesagt (Enough said)
(Nicole Holofcener, 2013)
|
|
|
|
65
|
70
|
65
|
|
|
|
59
|
64,8
|
Black Box
(Asli Özge, 2023)
|
|
71
|
47
|
|
|
|
|
62
|
79
|
|
64,8
|
Club Zero
(Jessica Hausner, 2023)
|
|
61
|
|
|
73
|
|
|
53
|
72
|
|
64,8
|
Longlegs
(Oz Perkins, 2024)
|
|
67
|
|
42
|
69
|
|
|
|
81
|
|
64,8
|
Meine erfundene Frau (Just Go With It)
(Dennis Dugan, 2011)
|
|
|
|
|
|
48
|
|
|
76
|
70
|
64,7
|
Acht Berge (Le otto montagne )
(Felix van Groeningen & Charlotte Vandermeersch, 2022)
|
|
|
56
|
|
81
|
|
|
57
|
|
|
64,7
|
Schlachthäuser der Moderne
(Heinz Emigholz, 2022)
|
|
|
|
53
|
|
57
|
|
|
84
|
|
64,7
|
Im letzten Sommer (L’été dernier)
(Catherine Breillat, 2023)
|
|
62
|
|
|
|
|
|
49
|
83
|
|
64,7
|
Ich & Orson Welles
(Richard Linklater, 2008)
|
60
|
|
|
|
72
|
65
|
|
|
61
|
|
64,5
|
Männer zeigen Filme und Frauen ihre Brüste
(Isabel Suba, 2013)
|
|
|
|
61
|
|
|
|
|
68
|
|
64,5
|
Das brandneue Testament
(Jaco Van Dormael, 2015)
|
|
|
|
70
|
|
|
|
|
59
|
|
64,5
|
Die Flügel der Menschen (Centaur)
(Aktan Arym Kubat, 2017)
|
|
57
|
|
|
|
|
|
|
72
|
|
64,5
|
Das Vorspiel
(Ina Weisse, 2019)
|
|
60
|
|
|
|
|
|
|
69
|
|
64,5
|
Fireball: Visitors from Darker Worlds
(Werner Herzog, Clive Oppenheimer, 2020)*
|
|
|
|
|
|
60
|
|
|
|
69
|
64,5
|
Stasikomödie
(Leander Haußmann, 2022)
|
|
|
|
74
|
|
|
|
|
55
|
|
64,5
|
Unsane
(Steven Soderbergh, 2018)
|
|
65
|
|
78
|
35
|
|
|
69
|
|
75
|
64,4
|
Shutter Island
(Martin Scorsese, 2009)
|
78
|
|
|
47
|
82
|
49
|
50
|
|
|
80
|
64,3
|
Bal – Honig
(Semih Kaplanoglu, 2010)
|
60
|
|
|
|
39
|
76
|
69
|
|
80
|
62
|
64,3
|
Beginners
(Mike Mills, 2011)
|
|
|
|
60
|
70
|
|
|
|
63
|
|
64,3
|
Our Idiot Brother
(Jesse Peretz, 2011)
|
|
|
|
|
|
|
52
|
|
72
|
69
|
64,3
|
Gone Girl
(David Fincher, 2014)
|
|
|
|
89
|
29
|
42
|
75
|
|
80
|
71
|
64,3
|
Motherless Brooklyn
(Edward Norton, 2019)
|
|
|
|
|
56
|
|
|
|
77
|
60
|
64,3
|
Fahrenheit 11/9
(Michael Moore, 2018)
|
|
66
|
|
|
78
|
|
|
57
|
56
|
|
64,3
|
Paterson
(Jim Jarmusch, 2016)
|
|
|
|
|
70
|
35
|
|
76
|
76
|
|
64,3
|
Detroit
(Kathryn Bigelow, 2017)
|
|
44
|
|
|
|
|
|
65
|
78
|
70
|
64,3
|
Wie im echten Leben (Ouistreham)
(Emmanuel Carrère, 2021)
|
|
|
62
|
61
|
|
62
|
|
|
72
|
|
64,3
|
Bardo
(Alejando Gonzalez Inarritu, 2022)
|
|
67
|
|
|
49
|
|
|
74
|
67
|
|
64,3
|
In Zeiten des abnehmenden Lichts
(Matti Geschonneck, 2017)
|
|
71
|
|
62
|
|
46
|
|
75
|
67
|
|
64,2
|
Die Verlegerin (The Post)
(Steven Spielberg, 2017)
|
|
69
|
|
56
|
72
|
|
|
54
|
|
70
|
64,2
|
I am Love
(Luca Guadagnino, 2009)
|
|
|
|
|
|
70
|
57
|
|
|
65
|
64
|
Soul Boy
(Hawa Essuman, 2010)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
John Carpenter’s The Ward
(John Carpenter, 2010)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
Keep the Lights On
(Ira Sachs, 2012)
|
|
|
|
|
|
|
64
|
|
|
|
64
|
Puppe, Icke & der Dicke
(Felix Stienz, 2012)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
The Wolf of Wall Street
(Martin Scorsese, 2013)
|
|
|
|
36
|
93
|
37
|
79
|
|
54
|
85
|
64
|
When Animals Dream
(Jonas Alexander Arnby, 2014)
|
|
|
|
|
|
|
52
|
|
76
|
|
64
|
Bande de filles
(Céline Sciamma, 2014)
|
|
|
|
65
|
62
|
|
65
|
|
|
|
64
|
Victoria
(Sebastian Schipper, 2015)
|
|
|
|
76
|
|
41
|
|
|
75
|
|
64
|
Der Nachtmahr
(AKIZ, 2015)
|
|
|
|
|
65
|
|
|
|
63
|
|
64
|
Das Leben ist ein Fest
(Olivier Nakache & Eric Toledano, 2017)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
La Gomera
(Corneliu Porumboiu, 2019)
|
|
76
|
63
|
|
35
|
62
|
|
60
|
88
|
|
64
|
Limbo
(Tim Dünschede, 2019)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
Borga
(York-Fabian Raabe, 2021)
|
|
65
|
|
|
|
|
|
|
63
|
|
64
|
Till – Kampf um die Wahrheit
(Chinonye Chukwu, 2022)
|
|
64
|
|
|
|
|
|
64
|
|
|
64
|
Before, Now and Then
(Kamila Andini, 2022)
|
|
|
65
|
|
|
|
|
63
|
|
|
64
|
Dalíland
(Mary Harron, 2022)
|
|
|
|
|
|
|
|
|
64
|
|
64
|
Dead Girls Dancing
(Anna Roller, 2023)
|
|
|
56
|
|
|
|
|
|
72
|
|
64
|
The Iron Claw
(Sean Durkin, 2023)
|
|
|
64
|
|
|
|
|
|
|
|
64
|
Slow
(Marija Kavtaradze, 2023)
|
|
|
64
|
|
|
|
|
|
|
|
64
|
Twisters
(Lee Isaac Chung, 2024)
|
|
|
|
|
|
|
|
64
|
|
|
64
|
Ezra
(Tony Goldwyn, 2023)
|
|
52
|
|
|
|
|
|
|
76
|
|
64
|
Riefenstahl
(Andres Veiel, 2024)
|
|
67
|
|
60
|
|
|
|
59
|
63
|
70
|
63,8
|
Das ist das Ende (This is the End)
(Seth Rogen, Evan Goldberg, 2013)
|
|
|
|
|
|
31
|
72
|
|
73
|
79
|
63,8
|
Forum: À pas aveugles
(Christophe Cognet, 2021)**
|
|
|
64
|
|
60
|
71
|
|
|
|
60
|
63,8
|
Beau is Afraid
(Ari Aster, 2023)
|
|
52
|
63
|
|
|
|
|
72
|
68
|
|
63,8
|
Mank
(David Fincher, 2020)*
|
|
70
|
60
|
|
45
|
72
|
|
71
|
54
|
74
|
63,7
|
Brasch – Das Wünschen und das Fürchten
(Christoph Rüter, 2010)
|
|
|
|
56
|
|
57
|
|
|
78
|
|
63,7
|
Argo
(Ben Affleck, 2012)
|
|
|
|
|
73
|
56
|
|
|
|
62
|
63,7
|
Wir sind die Millers (We’re the Millers)
(Rawson Marshall Thurber, 2013)
|
|
|
|
|
40
|
|
|
|
81
|
70
|
63,7
|
1001 Nacht (As Mil e Uma Noites)
(Miguel Gomes, 2015)
|
|
|
|
|
|
38
|
|
|
90
|
63
|
63,7
|
Ana, mon amour
(Calin Peter Netzer, 2017)
|
|
|
|
|
|
54
|
|
59
|
78
|
|
63,7
|
Destroyer
(Karyn Kusama, 2018)
|
|
67
|
|
|
45
|
|
|
79
|
|
|
63,7
|
Midsommar
(Ari Aster, 2019)
|
|
66
|
|
34
|
66
|
|
|
66
|
91
|
59
|
63,7
|
Grand Jeté
(Isabelle Stever, 2022)
|
|
57
|
|
|
|
|
|
44
|
90
|
|
63,7
|
Alpen (Alpeis)
(Yorgos Lanthimos, 2011)
|
|
|
|
56
|
81
|
|
65
|
|
56
|
60
|
63,6
|
Saltburn
(Emerald Fennell, 2023)
|
|
75
|
|
41
|
|
|
|
73
|
79
|
50
|
63,6
|
Winter’s Bone
(Debra Granik, 2010)
|
56
|
|
|
73
|
59
|
59
|
70
|
|
81
|
47
|
63,6
|
Pink
(Rudolf Thome, 2009)
|
|
|
|
|
|
74
|
|
|
53
|
|
63,5
|
Die koreanische Hochzeitstruhe
(Ulrike Ottinger, 2009)
|
|
|
|
|
|
60
|
|
|
67
|
|
63,5
|
Bad Boy Kummer
(Miklós Gimes, 2010)
|
|
|
|
68
|
|
|
|
|
59
|
|
63,5
|
Die Vermissten
(Jan Speckenbach, 2012)
|
|
|
|
56
|
|
|
|
|
71
|
|
63,5
|
Maggies Plan
(Rebecca Miller, 2015)
|
|
|
|
51
|
74
|
|
|
|
61
|
68
|
63,5
|
I, Daniel Blake
(Ken Loach, 2016)
|
|
|
|
|
68
|
36
|
|
70
|
80
|
|
63,5
|
Aufbruch zum Mond (First Man)
(Damien Chazelle, 2018)
|
|
62
|
|
66
|
60
|
|
|
66
|
|
|
63,5
|
Polizeiruf 110: Bis Mitternacht
(Dominik Graf, 2021)*
|
|
|
|
79
|
68
|
45
|
|
|
|
62
|
63,5
|
Helden der Wahrscheinlichkeit - Riders of Justice
(Anders Thomas Jensen, 2020)
|
|
|
|
|
|
|
|
55
|
72
|
|
63,5
|
The Lost King
(Stephen Frears, 2022)
|
|
|
|
49
|
|
|
|
|
78
|
|
63,5
|
War and Justice
(Marcus Vetter & Michele Gentile, 2023)
|
|
52
|
|
|
|
|
|
|
75
|
|
63,5
|
Bombshell
(Jay Roach, 2019)
|
|
65
|
|
68
|
58
|
|
|
|
67
|
59
|
63,4
|
The Trial of the Chicago 7
(Aaron Sorkin, 2020)*
|
|
70
|
|
|
55
|
55
|
|
69
|
|
68
|
63,4
|
Rückenwind
(Jan Krüger, 2009)
|
|
|
|
54
|
|
71
|
65
|
|
|
|
63,3
|
Inglourious Basterds
(Quentin Tarantino, 2009)
|
85
|
|
|
52
|
|
75
|
80
|
|
33
|
55
|
63,3
|
Antichrist
(Lars von Trier, 2009)
|
82
|
|
|
35
|
|
71
|
50
|
|
72
|
70
|
63,3
|
Inception
(Christopher Nolan, 2010)
|
75
|
|
|
68
|
45
|
70
|
58
|
|
74
|
53
|
63,3
|
Unknown Identity
(Jaume Collet-Sera, 2011)
|
|
|
|
67
|
|
70
|
|
|
55
|
61
|
63,3
|
Loveless (Nelyubov)
(Andrey Zvyagintsev, 2017)
|
|
37
|
|
|
70
|
|
|
73
|
73
|
|
63,3
|
Hustle
(Jeremiah Zagar, 2022)*
|
|
70
|
|
|
79
|
|
|
|
36
|
68
|
63,3
|
Im Alter von Ellen
(Pia Marais, 2010)
|
|
|
|
59
|
|
70
|
60
|
|
67
|
60
|
63,2
|
The Beginning
(Dea Kulumbegashvili, 2020)*
|
|
75
|
70
|
|
52
|
51
|
|
68
|
|
|
63,2
|
Public Enemies
(Michael Mann, 2009)
|
49
|
|
|
29
|
|
80
|
79
|
|
49
|
92
|
63
|
X-Men: Erste Entscheidung
(Matthew Vaughn, 2011)
|
|
|
|
|
64
|
|
|
|
|
62
|
63
|
Transformers 3
(Michael Bay, 2011)
|
|
|
|
|
|
|
|
|
63
|
|
63
|
The Airstrip – Aufbruch der Moderne III
(Heinz Emigholz, 2014)
|
|
|
|
|
|
|
63
|
|
|
|
63
|
Das blaue Zimmer
(Mathieu Amalric, 2014)
|
|
|
|
52
|
|
|
67
|
|
|
70
|
63
|
Live By Night
(Ben Affleck, 2016)
|
|
60
|
|
|
|
|
|
|
66
|
|
63
|
Hidden Figures
(Theodore Melfi, 2016)
|
|
65
|
|
|
|
|
|
61
|
|
|
63
|
25 km/h
(Markus Goller, 2018)
|
|
|
|
|
|
|
|
|
63
|
|
63
|
Nur ein kleiner Gefallen (A Simple Favor)
(Paul Feig, 2018)
|
|
74
|
|
|
52
|
|
|
|
|
|
63
|
Bumblebee
(Travis Knight, 2018)
|
|
68
|
|
|
|
|
|
|
58
|
|
63
|
Der perfekte Chef
(Fernando León de Aranoa, 2021)
|
|
63
|
|
|
|
|
|
|
|
|
63
|
Call Jane
(Phyllis Nagy, 2022)
|
|
54
|
|
58
|
|
|
|
62
|
78
|
|
63
|
Tatami
(Guy Nattiv & Zar Amir Ebrahimi, 2023)
|
|
|
63
|
|
|
|
|
|
|
|
63
|
City of Darkness
(Soi Cheang, 2024)
|
|
|
|
|
63
|
|
|
|
|
|
63
|
Source Code
(Duncan Jones, 2011)
|
|
|
|
47
|
40
|
72
|
50
|
|
86
|
82
|
62,8
|
Close
(Lukas Dhont, 2022)
|
|
57
|
|
70
|
52
|
|
|
53
|
82
|
|
62,8
|
Hereafter
(Clint Eastwood, 2010)
|
|
|
|
|
|
74
|
49
|
|
65
|
|
62,7
|
Die Kunst zu lieben (L’art d’aimer)
(Emmanuel Mouret, 2011)
|
|
|
|
|
|
78
|
30
|
|
80
|
|
62,7
|
Das Märchen der Märchen
(Matteo Garrone, 2015)
|
|
|
|
|
62
|
|
55
|
|
71
|
|
62,7
|
Der Affront (L’insulte)
(Ziad Doueiri, 2017)
|
|
64
|
|
|
52
|
|
|
|
72
|
|
62,7
|
Die Ruhelosen
(Joachim Lafosse, 2021)
|
|
55
|
58
|
|
|
67
|
|
58
|
75
|
|
62,6
|
Berberian Sound Studio
(Peter Strickland, 2012)
|
|
|
|
|
60
|
|
|
|
|
65
|
62,5
|
Blancanieves
(Pablo Berger, 2012)
|
|
|
|
|
|
|
66
|
|
59
|
|
62,5
|
No Turning Back (Locke)
(Steven Knight, 2013)
|
|
|
|
|
59
|
|
66
|
|
|
|
62,5
|
Werner Herzog – Radical Dreamer
(Thomas von Steinaecker, 2022)
|
|
63
|
62
|
|
|
|
|
|
|
|
62,5
|
The Menu
(Mark Mylod, 2022)
|
|
65
|
|
|
|
|
|
60
|
|
|
62,5
|
Gagarin
(Fanny Liatard & Jéremy Trouilh, 2020)
|
|
|
63
|
|
62
|
|
|
|
|
|
62,5
|
Mufasa: Der König der Löwen (Mufasa: The Lion King)
(Barry Jenkins, 2024)
|
|
62
|
|
|
|
|
|
|
63
|
|
62,5
|
State of Play
(Kevin Macdonald, 2009)
|
80
|
|
|
47
|
|
38
|
|
|
72
|
75
|
62,4
|
Der Knochenmann
(Wolfgang Murnberger, 2008)
|
|
|
|
|
|
65
|
69
|
|
53
|
|
62,3
|
Watchmen – Die Wächter
(Zack Snyder, 2009)
|
49
|
|
|
|
|
|
|
|
73
|
65
|
62,3
|
The Descendants
(Alexander Payne, 2011)
|
|
|
|
47
|
65
|
|
|
|
|
75
|
62,3
|
Paradies: Glaube
(Ulrich Seidl, 2012)
|
|
|
|
|
72
|
|
52
|
|
63
|
|
62,3
|
Foxtrot
(Samuel Maoz, 2017)
|
|
55
|
|
|
55
|
|
|
|
77
|
|
62,3
|
Da 5 Bloods
(Spike Lee, 2020)*
|
|
67
|
68
|
|
44
|
80
|
|
50
|
|
65
|
62,3
|
Lightyear
(Angus MacLane, 2022)
|
|
62
|
|
|
60
|
|
|
|
65
|
|
62,3
|
Im Herzen jung (Les jeunes amants)
(Carine Tardieu, 2021)
|
|
57
|
61
|
|
|
|
|
|
69
|
|
62,3
|
The Artist
(Michel Hazanavicius, 2011)
|
|
|
|
74
|
56
|
54
|
|
|
65
|
|
62,3
|
Der Fall Chodorkowski
(Cyril Tuschi, 2011)
|
|
|
|
62
|
|
52
|
55
|
|
73
|
69
|
62,2
|
AEIOU – Das schnelle Alphabet der Liebe
(Nicolette Krebitz, 2022)
|
|
65
|
65
|
|
|
54
|
|
59
|
68
|
|
62,2
|
Ihr Name ist Sabine (Elle s’appelle Sabine)
(Sandrine Bonnaire, 2007)
|
|
|
|
|
|
|
69
|
|
|
55
|
62
|
The Spirit
(Frank Miller, 2008)
|
|
|
|
|
|
|
|
|
62
|
|
62
|
La Nana – Die Perle
(Sebastián Silva, 2009)
|
|
|
|
|
|
|
|
|
62
|
|
62
|
Please Give
(Nicole Holofcener, 2010)
|
|
|
|
|
59
|
|
|
|
65
|
|
62
|
Another Year
(Mike Leigh, 2010)
|
|
|
|
78
|
80
|
38
|
32
|
|
82
|
|
62
|
Super 8
(J.J. Abrams, 2011)
|
|
|
|
|
57
|
72
|
|
|
57
|
|
62
|
Praia do futuro
(Karim Ainouz, 2014)
|
|
|
|
|
|
|
62
|
|
|
|
62
|
Der Babadook
(Jennifer Kent, 2014)
|
|
|
|
|
45
|
53
|
|
|
88
|
|
62
|
Sivas
(Kaan Müdjeci, 2014)
|
|
|
|
|
38
|
|
|
|
86
|
|
62
|
Vorwärts immer!
(Franziska Meletzky, 2017)
|
|
|
|
47
|
|
|
|
|
77
|
|
62
|
Deadpool 2
(David Leitch, 2018)
|
|
|
|
|
44
|
|
|
|
80
|
|
62
|
Juliet, Naked
(Jesse Peretz, 2018)
|
|
|
|
|
62
|
|
|
|
|
|
62
|
Ein Gauner und Gentleman
(David Lowery, 2018)
|
|
|
|
|
67
|
|
|
50
|
69
|
|
62
|
Dreißig
(Simona Kostova, 2019)
|
|
67
|
|
|
|
|
|
|
57
|
|
62
|
Siva Baby
(Emma Seligman, 2020)*
|
|
|
|
|
|
|
|
62
|
|
|
62
|
Black Widow
(Cate Shortland, 2020)
|
|
70
|
|
|
|
|
|
64
|
52
|
|
62
|
Moonfall
(Roland Emmerich, 2022)
|
|
52
|
|
|
|
|
|
|
72
|
|
62
|
The Sky is Everywhere
(Josephine Decker, 2022)*
|
|
62
|
|
|
|
|
|
|
|
|
62
|
Die Känguru-Verschwörung
(Marc-Uwe Kling, 2022)
|
|
|
|
|
|
|
|
59
|
65
|
|
62
|
Die Frau des Dichters
(Heike Misselwitz, 2022)
|
|
|
|
62
|
|
|
|
|
|
|
62
|
Barbie
(Greta Gerwig, 2023)
|
|
65
|
50
|
55
|
75
|
51
|
|
50
|
91
|
59
|
62
|
House of Gucci
(Ridley Scott, 2021)
|
|
70
|
73
|
71
|
69
|
|
|
36
|
44
|
70
|
61,9
|
Killshot
(John Madden, 2008)
|
75
|
|
|
40
|
|
63
|
|
|
77
|
54
|
61,8
|
Achterbahn
(Peter Dörfler, 2009)
|
68
|
|
|
71
|
|
45
|
|
|
63
|
|
61,8
|
Haywire
(Steven Soderbergh, 2011)
|
|
|
|
|
80
|
|
60
|
|
44
|
63
|
61,8
|
The Fall Guy
(David Leitch, 2024)
|
|
56
|
|
69
|
66
|
|
|
43
|
74
|
|
61,6
|
Das Imperium (L’empire)
(Bruno Dumont, 2024)
|
|
39
|
|
|
78
|
|
|
66
|
88
|
37
|
61,6
|
Cold Blood
(Stefan Ruzowitzky, 2012)
|
|
|
|
|
49
|
|
|
|
74
|
|
61,5
|
Der Hobbit: Eine unerwartete Reise
(Peter Jackson, 2012)
|
|
|
|
|
|
|
|
|
63
|
60
|
61,5
|
Joy
(David O. Russell, 2015)
|
|
|
|
53
|
|
|
|
|
|
70
|
61,5
|
Einfach das Ende der Welt
(Xavier Dolan, 2016)
|
|
64
|
|
57
|
42
|
|
|
83
|
|
|
61,5
|
Molly’s Game
(Aaron Sorkin, 2017)
|
|
75
|
|
|
48
|
|
|
|
|
|
61,5
|
Dogman
(Matteo Garrone, 2018)
|
|
52
|
|
|
56
|
|
|
69
|
69
|
|
61,5
|
Touch Me Not
(Adina Pintilie, 2018)
|
|
70
|
|
|
|
71
|
|
56
|
49
|
|
61,5
|
Captain Marvel
(Anna Boden & Ryan Fleck, 2019)
|
|
72
|
|
|
59
|
|
|
58
|
57
|
|
61,5
|
Das Neue Evangelium
(Milo Rau, 2020)*
|
|
|
53
|
|
|
|
|
|
70
|
|
61,5
|
Forum: Ste. Anne
(Rhayne Vermette, 2021)**
|
|
|
|
|
58
|
65
|
|
|
|
|
61,5
|
Operation Varsity Blues
(Chris Smith, 2021)*
|
|
|
|
|
50
|
|
|
|
|
73
|
61,5
|
La La Land
(Damien Chazelle, 2016)
|
|
68
|
|
60
|
68
|
50
|
|
50
|
73
|
61
|
61,4
|
The Yellow Sea
(Na Hongjin, 2010)
|
|
|
|
|
38
|
80
|
|
|
66
|
|
61,3
|
Side Effects
(Steven Soderbergh, 2013)
|
|
|
|
67
|
55
|
59
|
55
|
|
65
|
67
|
61,3
|
Curveball
(Johannes Naber, 2020)
|
|
|
|
|
62
|
|
|
75
|
47
|
|
61,3
|
Planet der Affen: New Kingdom
(Wes Ball, 2024)
|
|
53
|
|
|
62
|
|
|
|
69
|
|
61,3
|
Invictus – Unbezwungen
(Clint Eastwood, 2009)
|
66
|
|
|
|
53
|
61
|
|
|
65
|
|
61,3
|
Dame, König, As, Spion
(Tomas Alfredson, 2011)
|
|
|
|
48
|
74
|
53
|
70
|
|
|
|
61,3
|
Der Butler
(Lee Daniels, 2013)
|
|
|
|
73
|
|
|
42
|
|
69
|
61
|
61,3
|
Der die Zeichen liest
(Kiril Serebrennikov, 2016)
|
|
71
|
|
|
23
|
|
|
74
|
77
|
|
61,3
|
The Untamed (La región salvaje)
(Amat Escalante, 2016)
|
|
78
|
|
|
32
|
57
|
|
|
78
|
|
61,3
|
Glass Onion A Knives Out Mystery
(Rian Johnson, 2022)*
|
|
|
|
|
69
|
|
|
55
|
62
|
59
|
61,3
|
Mission: Impossible 5 – Rogue Nation
(Christopher McQuarrie, 2015)
|
|
|
|
56
|
64
|
75
|
50
|
|
|
61
|
61,2
|
Black Swan
(Darren Aronofsky, 2010)
|
|
|
|
42
|
78
|
63
|
38
|
|
66
|
80
|
61,2
|
In die Welt
(Constantin Wulff, 2008)
|
|
|
|
|
|
67
|
55
|
|
|
|
61
|
Rammbock
(Marvin Kren, 2010)
|
|
|
|
|
50
|
|
59
|
|
74
|
|
61
|
Halt auf freier Strecke
(Andreas Dresen, 2011)
|
|
|
|
78
|
57
|
|
47
|
|
62
|
|
61
|
In ihrem Haus (Dans la maison)
(Francois Ozon, 2012)
|
|
|
|
67
|
47
|
|
49
|
|
81
|
|
61
|
Die glorreichen Sieben
(Antoine Fuqua, 2016)
|
|
|
|
|
45
|
|
|
|
77
|
|
61
|
Fünf Sterne
(Annekatrin Hendel, 2017)
|
|
|
|
65
|
|
|
|
45
|
73
|
|
61
|
Das Zen-Tagebuch
(Yuji Nakae, 2022)
|
|
|
61
|
|
|
|
|
|
|
|
61
|
Munch
(Henrik Martin Dahlsbakken, 2023)
|
|
66
|
56
|
|
|
|
|
|
|
|
61
|
Shahid
(Narges Kalhor, 2024)
|
|
|
67
|
|
|
|
|
55
|
|
|
61
|
One Night in Miami
(Regina King, 2020)*
|
|
78
|
54
|
|
47
|
56
|
|
69
|
|
|
60,8
|
Past Lives
(Celine Song, 2023)
|
|
|
65
|
18
|
64
|
|
|
79
|
78
|
|
60,8
|
The Wrestler
(Darren Aronofsky, 2008)
|
63
|
|
|
54
|
|
|
79
|
|
|
47
|
60,8
|
Das erstaunliche Leben des Walter Mitty (The Secret Life of Walter Mitty)
(Ben Stiller, 2013)
|
|
|
|
46
|
55
|
|
|
|
75
|
67
|
60,8
|
Passengers
(Morten Tyldum, 2016)
|
|
47
|
|
|
|
63
|
|
|
73
|
60
|
60,8
|
The Informant!
(Steven Soderbergh, 2009)
|
49
|
|
|
|
|
72
|
61
|
|
|
|
60,7
|
Finding Vivian Maier
(Charlie Siskel & John Maloof, 2014)
|
|
|
|
|
|
60
|
|
|
64
|
58
|
60,7
|
Barakah Meets Barakah
(Mahmoud Sabbagh, 2016)
|
|
68
|
|
|
41
|
|
|
|
73
|
|
60,7
|
Ma Rainey’s Black Bottom
(George C. Wolfe, 2020)*
|
|
76
|
|
|
39
|
|
|
|
67
|
|
60,7
|
Die wilde Zeit (Après mai)
(Olivier Assayas, 2012)
|
|
|
|
72
|
86
|
38
|
60
|
|
|
47
|
60,6
|
Zwei Tage, eine Nacht
(Jean-Pierre & Luc Dardenne, 2014)
|
|
|
|
52
|
72
|
76
|
55
|
|
|
48
|
60,6
|
Ich gehe jetzt rein
(Aysun Bademsoy, 2008)
|
|
|
|
|
|
|
|
|
61
|
60
|
60,5
|
Crimson Peak
(Guillermo Del Toro, 2015)
|
|
|
|
|
65
|
|
|
|
56
|
|
60,5
|
Gloria Mundi
(Robert Guediguian, 2019)
|
|
|
60
|
|
61
|
|
|
|
|
|
60,5
|
Pleasure
(Ninja Thyberg, 2021)
|
|
73
|
|
|
55
|
|
|
65
|
|
49
|
60,5
|
Berlin Alexanderplatz
(Burhan Qurbani, 2020)
|
|
67
|
65
|
|
40
|
|
|
49
|
81
|
|
60,4
|
Fish Tank
(Andrea Arnold, 2009)
|
|
|
|
|
60
|
62
|
59
|
|
|
|
60,3
|
High Life
(Claire Denis, 2018)
|
|
|
|
|
63
|
|
|
80
|
38
|
|
60,3
|
Knives Out
(Rian Johnson, 2019)
|
|
|
|
|
59
|
|
|
59
|
63
|
|
60,3
|
Hypnotic
(Robert Rodriguez, 2023)
|
|
52
|
|
|
60
|
|
|
|
69
|
|
60,3
|
Mother
(Bong Joon-ho, 2009)
|
|
|
|
|
52
|
73
|
|
|
54
|
62
|
60,3
|
The Party
(Sally Potter, 2017)
|
|
|
|
52
|
66
|
|
|
48
|
75
|
|
60,3
|
Liverpool
(Lisandro Alonso, 2008)
|
36
|
|
|
|
77
|
80
|
76
|
|
|
32
|
60,2
|
Contagion
(Steven Soderbergh, 2011)
|
|
|
|
53
|
65
|
57
|
66
|
|
|
60
|
60,2
|
Vorbilder?! (Role Models)
(David Wain, 2008)
|
|
|
|
|
|
55
|
|
|
65
|
60
|
60
|
Eine flexible Frau
(Tatjana Turanskyj, 2010)
|
|
|
|
60
|
|
44
|
65
|
|
71
|
|
60
|
Priest
(Scott Stewart, 2010)
|
|
|
|
|
|
|
|
|
60
|
|
60
|
Die Vaterlosen
(Marie Kreutzer, 2011)
|
|
|
|
|
62
|
|
44
|
|
74
|
|
60
|
Die Wohnung
(Arnon Goldfinger, 2011)
|
|
|
|
47
|
|
|
70
|
|
63
|
|
60
|
Prometheus
(Ridley Scott, 2012)
|
|
|
|
|
46
|
|
|
|
66
|
68
|
60
|
Paradies: Liebe
(Ulrich Seidl, 2012)
|
|
|
|
79
|
84
|
|
63
|
|
66
|
8
|
60
|
Une jeunesse allemand
(Jean-Gabriel Périot, 2015)
|
|
|
|
46
|
|
|
64
|
|
|
70
|
60
|
Manifesto
(Julian Rosefeldt, 2017)
|
|
|
|
|
43
|
|
|
77
|
|
|
60
|
Widows
(Steve McQueen, 2018)
|
|
72
|
|
|
37
|
|
|
59
|
72
|
|
60
|
Wim Wenders, Desperado
(Eric Friedler & Andreas Frege, 2020)
|
|
68
|
|
|
|
|
|
|
52
|
|
60
|
Es ist nur eine Phase, Hase
(Florian Gallenberger, 2021)
|
|
|
|
|
|
|
|
|
60
|
|
60
|
Der Schneeleopard
(Marie Amiguet, 2021)
|
|
|
53
|
|
|
|
|
|
67
|
|
60
|
Thor: Love and Thunder
(Taika Waititi, 2022)
|
|
68
|
|
|
|
55
|
|
57
|
|
|
60
|
El Conde
(Pablo Larraín, 2023)*
|
|
|
|
|
60
|
|
|
|
|
|
60
|
Bob Marley: One Love
(Reinaldo Marcus Green, 2024)
|
|
60
|
|
|
|
|
|
|
|
|
60
|
Déserts
(Faouzi Bensaidi, 2023)
|
|
|
60
|
|
|
|
|
|
|
|
60
|
Love Lies Bleeding
(Rose Glass, 2024)
|
|
|
69
|
|
29
|
|
|
74
|
68
|
|
60
|
The Wild Robot
(Chris Sanders, 2024)
|
|
|
|
|
60
|
|
|
|
|
|
60
|
Young Adult
(Jason Reitman, 2011)
|
|
|
|
56
|
70
|
37
|
|
|
82
|
54
|
59,8
|
Der See der wilden Gänse
(Diao Yinan, 2019)
|
|
68
|
70
|
|
40
|
|
|
59
|
62
|
|
59,8
|
District 9
(Neill Blomkamp, 2009)
|
68
|
|
|
47
|
|
|
|
|
66
|
58
|
59,8
|
Greenberg
(Noah Baumbach, 2010)
|
|
|
|
|
67
|
39
|
63
|
|
70
|
|
59,8
|
The Town – Stadt ohne Gnade
(Ben Affleck, 2010)
|
63
|
|
|
|
28
|
|
|
|
78
|
70
|
59,8
|
Top Girl oder la déformation professionelle
(Tatjana Turanskyj, 2014)
|
|
|
|
|
44
|
|
57
|
|
75
|
63
|
59,8
|
Das Herz von Jenin
(Leon Geller, Marcus Vettel, 2008)
|
|
|
|
67
|
|
49
|
|
|
|
63
|
59,7
|
Alles erlaubt – Eine Woche ohne Regeln (Hall Pass)
(Peter & Bobby Farrelly, 2011)
|
|
|
|
|
60
|
|
|
|
61
|
58
|
59,7
|
Das Bourne Vermächtnis (The Bourne Legacy)
(Tony Gilroy, 2012)
|
|
|
|
|
60
|
|
|
|
59
|
60
|
59,7
|
Müll im Garten Eden
(Fatih Akin, 2011)
|
|
|
|
57
|
|
|
54
|
|
68
|
|
59,7
|
Eden – Lost in Music
(Mia Hansen-Löve, 2014)
|
|
|
|
|
65
|
|
70
|
|
44
|
|
59,7
|
The Wrong Missy
(Tyler Spindel, 2020)*
|
|
|
|
|
45
|
56
|
|
|
|
78
|
59,7
|
Blitz
(Steve McQueen, 2024)
|
|
62
|
|
|
|
|
|
57
|
|
60
|
59,7
|
Ferrari
(Michael Mann, 2023)*
|
|
65
|
67
|
43
|
28
|
80
|
|
52
|
74
|
68
|
59,6
|
It’s a free world
(Ken Loach, 2007)
|
61
|
|
|
69
|
|
49
|
69
|
|
|
50
|
59,6
|
Taking Woodstock
(Ang Lee, 2009)
|
49
|
|
|
78
|
|
|
50
|
|
56
|
65
|
59,6
|
Irgendwann werden wir uns alles erzählen
(Emily Atef, 2023)
|
|
66
|
|
|
|
61
|
|
59
|
81
|
31
|
59,6
|
The Purge – Anarchy
(James DeMonaco, 2014)
|
|
|
|
|
78
|
|
|
|
41
|
|
59,5
|
Drei Zinnen
(Jan Zabeil, 2017)
|
|
54
|
|
|
|
|
|
|
65
|
|
59,5
|
Offenes Geheimnis (Todos lo saben)
(Asghar Farhadi, 2018)
|
|
62
|
|
|
50
|
|
|
62
|
64
|
|
59,5
|
Bohemian Rhapsody
(Bryan Singer, 2018)
|
|
67
|
|
|
|
|
|
|
52
|
|
59,5
|
Eurovision Song Contest: The Story of Fire Saga
(David Dobkin, 2020)*
|
|
68
|
|
|
45
|
|
|
72
|
|
53
|
59,5
|
Lebanon
(Samuel Maoz, 2009)
|
52
|
|
|
|
|
|
59
|
|
67
|
|
59,3
|
Blue Jasmine
(Woody Allen, 2013)
|
|
|
|
73
|
50
|
42
|
65
|
|
73
|
53
|
59,3
|
Feuerwerk am helllichten Tag
(Diao Yinan, 2014)
|
|
|
|
|
42
|
|
64
|
|
72
|
|
59,3
|
Nina Wu
(Midi Z, 2019)
|
|
|
64
|
|
42
|
72
|
|
|
|
|
59,3
|
Wiegenlieder
(Johann Feindt, Tamara Trampe, 2009)
|
|
|
|
86
|
|
|
11
|
|
77
|
63
|
59,3
|
Irresistible
(Jon Stewart, 2020)
|
|
65
|
|
|
|
|
|
39
|
68
|
65
|
59,3
|
The Company You Keep
(Robert Redford, 2012)
|
|
|
|
68
|
65
|
50
|
62
|
|
|
51
|
59,2
|
Vicky Cristina Barcelona
(Woody Allen, 2008)
|
60
|
|
|
75
|
|
73
|
70
|
|
34
|
43
|
59,2
|
The Kids are All Right
(Lisa Cholodenko, 2010)
|
74
|
|
|
72
|
32
|
59
|
62
|
|
56
|
|
59,2
|
Milk
(Gus Van Sant, 2008)
|
71
|
|
|
69
|
|
50
|
54
|
|
58
|
52
|
59
|
Gamer – Play or be Played
(Mark Neveldine / Brian Taylor, 2008)
|
|
|
|
|
|
82
|
|
|
|
36
|
59
|
My Name is Khan
(Karan Johar, 2010)
|
|
|
|
|
|
59
|
|
|
|
|
59
|
Morgentau (Teza)
(Haile Gerima, 2008)
|
|
|
|
|
|
|
45
|
|
73
|
|
59
|
Utopia Ltd.
(Sandra Trostel, 2011)
|
|
|
|
|
|
|
59
|
|
|
|
59
|
Our Grand Despair
(Seyfi Teoman, 2011)
|
|
|
|
|
|
51
|
67
|
|
|
|
59
|
Hell
(Tim Fehlbaum, 2011)
|
|
|
|
|
|
|
54
|
|
64
|
|
59
|
Abendland
(Nikolaus Geyrhalter, 2011)
|
|
|
|
|
78
|
|
65
|
|
|
34
|
59
|
UFO in her Eyes
(Guo Xiaolu, 2011)
|
|
|
|
54
|
|
|
55
|
|
68
|
|
59
|
Callgirl
(Damjan Kozole, 2009)
|
|
|
|
|
|
|
|
|
59
|
|
59
|
Lore
(Cate Shortland, 2012)
|
|
|
|
|
|
|
59
|
|
|
|
59
|
Charlies Welt
(Roman Coppola, 2012)
|
|
|
|
|
|
|
|
|
59
|
|
59
|
A Blast – Ausbruch
(Syllas Tzoumerkas, 2014)
|
|
|
|
|
|
|
|
|
59
|
|
59
|
Love & Mercy
(Bill Pohlad, 2014)
|
|
|
|
|
59
|
|
|
|
|
|
59
|
Broadway Therapy
(Peter Bogdanovich, 2014)
|
|
|
|
60
|
|
68
|
68
|
|
46
|
53
|
59
|
Straight Outta Compton
(F. Gary Gray, 2015)
|
|
|
|
|
59
|
|
|
|
|
|
59
|
Es ist schwer, ein Gott zu sein
(Aleksej German, 2013)
|
|
|
|
|
39
|
60
|
78
|
|
|
|
59
|
Die Welt der Wunderlichs
(Dani Levy, 2016)
|
|
|
|
|
|
|
|
|
59
|
|
59
|
Die Unglaublichen 2
(Brad Bird, 2018)
|
|
53
|
|
|
65
|
|
|
|
|
|
59
|
Oeconomia
(Carmen Losmann, 2020)
|
|
74
|
|
78
|
50
|
|
|
|
33
|
60
|
59
|
Encounters: Rock Bottom Riser
(Fern Silva, 2021)**
|
|
|
60
|
|
58
|
|
|
|
|
|
59
|
Das Pfauenparadies (Il paradiso del pavone)
(Laura Bispuri, 2021)
|
|
|
59
|
|
|
|
|
|
|
|
59
|
Transformers – Rise of the Beasts
(Steven Caple Jr., 2023)
|
|
50
|
|
|
|
|
|
|
68
|
|
59
|
The American Society of Magical Negroes
(Kobi Libii, 2024)
|
|
60
|
|
48
|
|
|
|
|
|
69
|
59
|
Kein Wort
(Hanna Slak, 2023)
|
|
|
53
|
|
|
|
|
|
65
|
|
59
|
Operation Walküre (Valkyrie)
(Bryan Singer, 2008)
|
76
|
|
|
38
|
|
50
|
45
|
|
74
|
70
|
58,8
|
Moon
(Duncan Jones, 2009)
|
68
|
|
|
44
|
|
50
|
|
|
73
|
|
58,8
|
Climax
(Gaspar Noé, 2018)
|
|
82
|
|
|
27
|
|
|
83
|
43
|
|
58,8
|
Architecton
(Victor Kossakovsky, 2024)
|
|
35
|
63
|
|
|
|
|
66
|
71
|
|
58,8
|
True Grit
(Joel & Ethan Coen, 2010)
|
68
|
|
|
78
|
50
|
44
|
56
|
|
75
|
40
|
58,7
|
24 Wochen
(Anne Zohra Berrached, 2016)
|
|
|
|
58
|
|
|
|
38
|
80
|
|
58,7
|
Rückkehr ans Meer (Le refuge)
(Francois Ozon, 2009)
|
71
|
|
|
|
|
46
|
|
|
|
|
58,5
|
Die andere Heimat – Chronik einer Sehnsucht
(Edgar Reitz, 2013)
|
|
|
|
|
|
62
|
55
|
|
|
|
58,5
|
High-Rise
(Ben Wheatley, 2015)
|
|
|
|
45
|
|
69
|
|
|
68
|
52
|
58,5
|
Roads
(Sebastian Schipper, 2018)
|
|
|
|
|
|
|
|
50
|
67
|
|
58,5
|
Die perfekte Kandidatin
(Haifaa al-Mansour, 2019)
|
|
|
|
|
42
|
|
|
|
75
|
|
58,5
|
Forum Expanded: May June July
(Kevin Jerome Everson, 2021)**
|
|
|
73
|
|
44
|
|
|
|
|
|
58,5
|
Here
(Robert Zemeckis, 2024)
|
|
37
|
|
|
|
80
|
|
|
|
|
58,5
|
Durst
(Park Chan-wook, 2009)
|
|
|
|
72
|
|
|
48
|
|
55
|
|
58,3
|
Take Shelter
(Jeff Nichols, 2011)
|
|
|
|
|
60
|
|
47
|
|
68
|
|
58,3
|
Nächster Halt: Fruitvale Station
(Ryan Coogler, 2013)
|
|
|
|
56
|
40
|
47
|
67
|
|
72
|
68
|
58,3
|
Die Erfindung der Wahrheit (Miss Sloane)
(John Madden, 2016)
|
|
|
|
|
|
|
|
41
|
72
|
62
|
58,3
|
Holy Spider
(Ali Abbasi, 2022)
|
|
|
|
|
40
|
|
|
59
|
76
|
|
58,3
|
Das Glück der großen Dinge (What Maisie Knew)
(Scott McGehee & David Siegel, 2012)
|
|
|
|
|
44
|
74
|
36
|
|
79
|
|
58,3
|
Beach Bum
(Harmony Korine, 2019)
|
|
|
|
50
|
49
|
|
|
57
|
77
|
|
58,3
|
Varda par Agnès
(Agnès Varda, 2019)
|
|
|
70
|
|
60
|
55
|
|
|
48
|
|
58,3
|
This Charming Girl
(Lee Yoon-ki, 2004)
|
|
|
|
|
|
58
|
|
|
|
|
58
|
Treeless Mountain
(So Yong Kim, 2008)
|
|
|
|
|
78
|
38
|
|
|
|
|
58
|
The Watch
(Akiva Schaffer, 2012)
|
|
|
|
|
|
|
|
|
58
|
|
58
|
Anchorman 2 – The Legends Returns
(Adam McKay, 2013)
|
|
|
|
|
|
|
|
|
56
|
60
|
58
|
Lucy
(Luc Besson, 2014)
|
|
|
|
73
|
20
|
80
|
|
|
64
|
53
|
58
|
Sex Tape
(Jake Kasdan, 2014)
|
|
|
|
|
|
|
|
|
|
58
|
58
|
Nocturama
(Bertrand Bonello, 2016)
|
|
|
|
|
62
|
74
|
|
50
|
28
|
76
|
58
|
Träum was Schönes (Fai bei sogni)
(Marco Bellocchio, 2016)
|
|
|
|
|
37
|
65
|
|
|
72
|
|
58
|
Ambulance
(Michael Bay, 2022)
|
|
60
|
|
|
|
|
|
|
56
|
|
58
|
Die stillen Trabanten
(Thomas Stuber, 2022)
|
|
58
|
|
|
|
|
|
|
|
|
58
|
Next Goal Wins
(Taika Waititi, 2023)
|
|
60
|
|
|
|
|
|
|
56
|
|
58
|
It Ends With Us
(Justin Baldoni, 2024)
|
|
|
|
|
58
|
|
|
|
|
|
58
|
Speak No Evil (2024)
(James Watkins, 2024)
|
|
|
|
|
|
|
|
|
58
|
|
58
|
Men
(Alex Garland, 2022)
|
|
68
|
|
|
42
|
|
|
62
|
59
|
|
57,8
|
Mein halbes Leben
(Marko Doringer, 2008)
|
|
|
|
43
|
|
63
|
|
|
74
|
50
|
57,5
|
Elly... (Darbareye Elly)
(Asghar Farhadi, 2009)
|
61
|
|
|
58
|
|
59
|
52
|
|
|
|
57,5
|
Jung & schön (Jeune et jolie)
(Francois Ozon, 2013)
|
|
|
|
|
|
|
35
|
|
80
|
|
57,5
|
303
(Hans Weingartner, 2018)
|
|
47
|
|
|
68
|
|
|
|
|
|
57,5
|
Iron Sky: The Coming Race
(Timo Vuorensola, 2018)
|
|
|
|
|
|
|
|
41
|
74
|
|
57,5
|
Blue Bayou
(Justin Won, 2021)
|
|
52
|
|
|
|
|
|
|
63
|
|
57,5
|
You People
(Kenya Barris, 2023)*
|
|
|
|
|
45
|
|
|
|
|
70
|
57,5
|
Ex Machina
(Alex Garland, 2015)
|
|
|
|
38
|
76
|
70
|
20
|
|
83
|
|
57,4
|
Alien: Covenant
(Ridley Scott, 2017)
|
|
|
|
|
57
|
60
|
|
|
55
|
|
57,3
|
Sunset (Napszállta)
(László Nemes, 2018)
|
|
|
|
|
11
|
|
|
83
|
78
|
|
57,3
|
Treasure
(Julia von Heinz, 2024)
|
|
62
|
|
|
|
|
|
38
|
72
|
|
57,3
|
Lulu & Jimi
(Oskar Roehler, 2008)
|
|
|
|
44
|
|
68
|
69
|
|
48
|
|
57,3
|
Jeder schreibt für sich allein
(Dominik Graf, 2023)
|
|
|
71
|
|
|
|
|
29
|
74
|
55
|
57,3
|
Bright Star
(Jane Campion, 2009)
|
70
|
|
|
|
53
|
40
|
68
|
|
55
|
|
57,2
|
Wintermärchen
(Jan Bonny, 2018)
|
|
|
|
28
|
|
71
|
|
83
|
37
|
67
|
57,2
|
Pieces of a Woman
(Kornél Mundruczó, 2020)*
|
|
70
|
51
|
|
30
|
65
|
|
70
|
|
|
57,2
|
Monga – Gangs of Taipeh
(Doze Niu Chen-zer, 2010)
|
|
|
|
|
|
|
|
|
57
|
|
57
|
Auf brennender Erde (The Burning Plain)
(Guillermo Arriaga, 2008)
|
|
|
|
|
|
|
|
|
57
|
|
57
|
Besprechung
(Stefan Landorf, 2009)
|
|
|
|
50
|
|
45
|
65
|
|
68
|
|
57
|
Faust
(Alexander Sokurow, 2011)
|
|
|
|
|
25
|
|
80
|
|
66
|
|
57
|
Cäsar muss sterben
(Paolo und Vittorio Taviani, 2012)
|
|
|
|
21
|
67
|
80
|
60
|
|
|
|
57
|
Pacific Rim
(Guillermo Del Toro, 2013)
|
|
|
|
|
59
|
|
|
|
55
|
|
57
|
Diplomatie
(Volker Schlöndorff, 2014)
|
|
|
|
|
|
|
|
|
57
|
|
57
|
I, Tonya
(Craig Gillespie, 2017)
|
|
78
|
|
31
|
48
|
|
|
34
|
73
|
78
|
57
|
Meine Tochter (Figlia Mia)
(Laura Bispuri, 2018)
|
|
69
|
|
|
|
|
|
45
|
|
|
57
|
Hotel Artemis
(Drew Pearce, 2018)
|
|
67
|
|
|
|
|
|
|
47
|
|
57
|
Hochwald
(Evi Romen, 2020)
|
|
|
65
|
|
49
|
|
|
|
|
|
57
|
Macbeth
(Joel Coen, 2021)*
|
|
65
|
|
|
49
|
|
|
|
|
|
57
|
The Batman
(Matt Reeves, 2022)
|
|
|
|
|
60
|
32
|
|
|
79
|
|
57
|
Whitney Houston: I Wanna Dance With Somebody
(Kasi Lemmons, 2022)
|
|
57
|
|
|
|
|
|
|
|
|
57
|
Harlan – Im Schatten von Jud Süß
(Felix Moeller, 2008)
|
60
|
|
|
58
|
|
|
49
|
|
67
|
50
|
56,8
|
Die Entführung der U-Bahn Pelham 123 (The Taking of Pelham 123)
(Tony Scott, 2009)
|
|
|
|
70
|
|
51
|
58
|
|
|
48
|
56,8
|
Jenseits der Hügel (Dupa dealuri)
(Cristian Mungiu, 2012)
|
|
|
|
|
45
|
|
44
|
|
81
|
|
56,7
|
Der Boden unter den Füßen
(Marie Kreutzer, 2019)
|
|
|
|
|
44
|
|
|
55
|
71
|
|
56,7
|
Corpus Christi
(Jan Komasa, 2019)
|
|
72
|
|
|
32
|
53
|
|
53
|
73
|
|
56,6
|
Crazy Heart
(Scott Cooper, 2009)
|
63
|
|
|
|
45
|
|
54
|
|
64
|
|
56,5
|
Unstoppable – Außer Kontrolle
(Tony Scott, 2010)
|
66
|
|
|
|
|
52
|
40
|
|
|
68
|
56,5
|
Die Lincoln Verschwörung (The Conspirator)
(Robert Redford, 2010)
|
|
|
|
57
|
|
|
|
|
56
|
|
56,5
|
Grenzgänger
(Florian Flicker, 2012)
|
|
|
|
|
40
|
|
|
|
73
|
|
56,5
|
Das finstere Tal
(Andreas Prochaska, 2014)
|
|
|
|
|
40
|
|
|
|
73
|
|
56,5
|
Missverstanden (Incompresa)
(Asia Argento, 2014)
|
|
|
|
|
40
|
|
|
|
73
|
|
56,5
|
Song to Song
(Terrence Malick, 2017)
|
|
|
|
|
|
|
|
79
|
34
|
|
56,5
|
7 Tage in Entebbe
(José Padilha, 2018)
|
|
67
|
|
46
|
|
|
|
|
|
|
56,5
|
Online für Anfänger
(Benoît Delépine & Gustave Kervern, 2020)
|
|
40
|
|
|
|
|
|
|
73
|
|
56,5
|
Dune: Part Two
(Denis Villeneuve, 2024)
|
|
69
|
|
|
32
|
|
|
58
|
67
|
|
56,5
|
Ein Glücksfall (Coup de chance)
(Woody Allen, 2023)
|
|
51
|
|
|
|
|
|
|
62
|
|
56,5
|
Die Theorie von Allem
(Timm Kröger, 2023)
|
|
65
|
54
|
9
|
48
|
71
|
|
59
|
89
|
|
56,4
|
In einem Land, das es nicht mehr gibt
(Aelrun Goette, 2022)
|
|
67
|
45
|
53
|
|
|
|
60
|
57
|
|
56,4
|
The International
(Tom Tykwer, 2009)
|
78
|
|
|
42
|
|
62
|
43
|
|
56
|
57
|
56,3
|
Der Plan (The Adjustment Bureau)
(George Nolfi, 2010)
|
|
|
|
57
|
70
|
42
|
|
|
|
|
56,3
|
The Circle
(James Ponsoldt, 2017)
|
|
|
|
|
|
|
|
63
|
56
|
50
|
56,3
|
Halloween
(David Gordon Green, 2018)
|
|
70
|
|
|
36
|
|
|
|
63
|
|
56,3
|
Peter von Kant
(François Ozon, 2022)
|
|
69
|
46
|
|
|
|
|
67
|
43
|
|
56,3
|
Sisi & ich
(Frauke Finsterwalder, 2023)
|
|
|
|
68
|
66
|
|
|
|
43
|
48
|
56,3
|
Der fremde Sohn (The Changeling)
(Clint Eastwood, 2008)
|
72
|
|
|
56
|
|
|
34
|
|
62
|
|
56
|
Sascha
(Dennis Todorovic, 2009)
|
|
|
|
|
|
|
|
|
56
|
|
56
|
Das System – Alles verstehen heißt alles verzeihen
(Marc Bauder, 2011)
|
|
|
|
56
|
|
|
|
|
|
|
56
|
Lincoln
(Steven Spielberg, 2012)
|
|
|
|
78
|
|
|
42
|
|
|
48
|
56
|
Stonewall
(Roland Emmerich, 2015)
|
|
|
|
|
|
|
|
|
56
|
|
56
|
Son of Saul
(László Nemes, 2015)
|
|
|
|
60
|
40
|
55
|
|
|
62
|
63
|
56
|
Remainder
(Omer Fast, 2015)
|
|
|
|
|
|
|
|
|
56
|
|
56
|
The Dinner
(Oren Moverman, 2017)
|
|
68
|
|
70
|
30
|
|
|
|
|
|
56
|
Valerian – Die Stadt der tausend Planeten
(Luc Besson, 2017)
|
|
|
|
|
18
|
|
|
72
|
78
|
|
56
|
Animals – Stadt Land Tier
(Greg Zglinski, 2017)
|
|
56
|
|
|
|
|
|
|
|
|
56
|
Red Sparrow
(Francis Lawrence, 2017)
|
|
74
|
|
|
38
|
|
|
|
|
|
56
|
Falling
(Viggo Mortensen, 2020)
|
|
58
|
|
|
40
|
|
|
|
70
|
|
56
|
Last Night in Soho
(Edgar Wright, 2021)
|
|
68
|
|
|
52
|
|
|
|
48
|
|
56
|
München – Im Angesicht des Krieges
(Christian Schwochow, 2020)*
|
|
55
|
|
57
|
|
|
|
|
|
|
56
|
Freibad
(Doris Dörrie, 2022)
|
|
45
|
|
|
|
|
|
|
67
|
|
56
|
The Marvels
(Nia DaCosta, 2023)
|
|
|
|
|
|
|
|
|
56
|
|
56
|
Black Friday for Future
(Olivier Nakache & Eric Toledano, 2023)
|
|
|
|
|
45
|
|
|
|
67
|
|
56
|
Die Lügen der Sieger
(Christoph Hochhäusler, 2014)
|
|
|
|
52
|
|
60
|
73
|
|
53
|
41
|
55,8
|
Helle Nächte
(Thomas Arslan, 2017)
|
|
|
|
38
|
|
47
|
|
57
|
77
|
60
|
55,8
|
Styx
(Wolfgang Fischer, 2018)
|
|
57
|
|
32
|
78
|
|
|
35
|
77
|
|
55,8
|
Doctor Strange in the Multiverse of Madness
(Sam Raimi, 2022)
|
|
70
|
|
|
36
|
|
|
71
|
46
|
|
55,8
|
Alles, was wir geben mussten (Never Let Me Go)
(Mark Romanek, 2010)
|
|
|
|
|
50
|
43
|
|
|
74
|
|
55,7
|
Cosmopolis
(David Cronenberg, 2012)
|
|
|
|
34
|
77
|
49
|
75
|
|
48
|
51
|
55,7
|
Life of Pi
(Ang Lee, 2012)
|
|
|
|
|
31
|
|
70
|
|
66
|
|
55,7
|
Gesicht der Erinnerung
(Dominik Graf, 2023)*
|
|
|
|
|
50
|
65
|
|
|
|
52
|
55,7
|
Seaview
(Nicky Gogan, Paul Rowley, 2007)
|
|
|
|
|
|
60
|
|
|
|
51
|
55,5
|
Zerrissene Umarmungen (Los Abrazos Rotos)
(Pedro Almodóvar, 2009)
|
|
|
|
53
|
|
54
|
59
|
|
56
|
|
55,5
|
Mademoiselle Chambon
(Stéphane Brizé, 2009)
|
61
|
|
|
|
|
|
50
|
|
|
|
55,5
|
Was bleibt
(Hans-Christian Schmid, 2012)
|
|
|
|
51
|
53
|
|
50
|
|
68
|
|
55,5
|
Django Unchained
(Quentin Tarantino, 2013)
|
|
|
|
62
|
77
|
35
|
45
|
|
66
|
48
|
55,5
|
Lost River
(Ryan Gosling, 2014)
|
|
|
|
|
|
|
39
|
|
72
|
|
55,5
|
Blind & hässlich
(Tom Lass, 2017)
|
|
67
|
|
|
|
|
|
|
44
|
|
55,5
|
Ocean’s 8
(Gary Ross, 2018)
|
|
57
|
|
|
|
|
|
|
54
|
|
55,5
|
Nö
(Dietrich Brüggemann, 2021)
|
|
46
|
|
|
|
|
|
|
65
|
|
55,5
|
King Richard
(Reinaldo Marcus Green, 2021)
|
|
70
|
|
44
|
|
|
|
53
|
55
|
|
55,5
|
12 Years a Slave
(Steve McQueen, 2013)
|
|
|
|
13
|
65
|
45
|
72
|
|
73
|
64
|
55,3
|
The Lighthouse
(Robert Eggers, 2019)
|
|
|
|
|
54
|
|
|
56
|
56
|
|
55,3
|
Before Midnight
(Richard Linklater, 2013)
|
|
|
|
38
|
86
|
54
|
|
|
|
43
|
55,3
|
3 Tage in Quiberon
(Emily Atef, 2018)
|
|
67
|
|
52
|
|
|
|
50
|
62
|
45
|
55,2
|
Rapunzel – Neu verföhnt
(Nathan Greno Byron Howard, 2010)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
An einem Samstag (V Subbotu)
(Alexander Mindadze, 2011)
|
|
|
|
|
|
45
|
38
|
|
82
|
|
55
|
Nichts zu verzollen (Rien à déclarer)
(Dany Boon, 2011)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Die Haut, in der ich wohne (La piel que habito)
(Pedro Almodóvar, 2011)
|
|
|
|
|
55
|
|
55
|
|
|
|
55
|
The Amazing Spider-Man
(Marc Webb, 2012)
|
|
|
|
|
40
|
|
|
|
|
70
|
55
|
Über-Ich und Du
(Benjamin Heisenberg, 2013)
|
|
|
|
48
|
|
|
70
|
|
55
|
47
|
55
|
Top Five
(Chris Rock, 2014)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Hedi Schneider steckt fest
(Sonja Heiss, 2015)
|
|
|
|
52
|
64
|
|
49
|
|
|
|
55
|
Las Insoladas
(Gustavo Tarretto, 2014)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Logan – The Wolverine
(James Mangold, 2017)
|
|
49
|
|
|
78
|
|
|
|
38
|
|
55
|
Tu nichts Böses (Non essere cattivo)
(Claudio Caligari, 2015)
|
|
|
|
|
55
|
|
|
|
|
|
55
|
The Cleaners
(Moritz Riesewick & Hans Block, 2018)
|
|
|
|
|
|
50
|
|
|
|
60
|
55
|
Master Cheng in Pohjanjoki
(Mika Kaurismäki, 2019)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Wir beide
(Filippo Menighetti, 2019)
|
|
|
55
|
|
|
|
|
|
|
|
55
|
Everything Will Change
(Marten Persiel, 2021)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Three Thousand Years of Longing
(George Miller, 2022)
|
|
46
|
|
|
|
|
|
|
64
|
|
55
|
Rimini
(Ulrich Seidl, 2022)
|
|
65
|
70
|
|
85
|
|
|
38
|
17
|
|
55
|
Eismayer
(David Wagner, 2022)
|
|
|
60
|
|
50
|
|
|
|
|
|
55
|
DogMan
(Luc Besson, 2023)
|
|
34
|
67
|
|
64
|
|
|
|
|
|
55
|
Auf dem Weg (Sur les chemins noirs)
(Denis Imbert, 2023)
|
|
|
|
|
|
|
|
|
55
|
|
55
|
Somewhere
(Sofia Coppola, 2010)
|
75
|
|
|
70
|
39
|
29
|
62
|
|
|
54
|
54,8
|
Leb wohl, meine Königin (Les adieux à la reine)
(Benoit Jacquot, 2012)
|
|
|
|
39
|
48
|
66
|
66
|
|
|
|
54,8
|
Das weiße Band
(Michael Haneke, 2009)
|
70
|
|
|
84
|
|
35
|
50
|
|
49
|
40
|
54,7
|
Men in Black 3
(Barry Sonnenfeld, 2012)
|
|
|
|
36
|
76
|
|
|
|
|
52
|
54,7
|
Anna Karenina
(Joe Wright, 2012)
|
|
|
|
|
|
47
|
|
|
62
|
|
54,5
|
Snowden
(Oliver Stone, 2016)
|
|
|
|
62
|
40
|
|
|
|
56
|
60
|
54,5
|
Frost/Nixon
(Ron Howard, 2008)
|
82
|
|
|
45
|
|
25
|
|
|
58
|
62
|
54,4
|
Brownian Movement
(Nanouk Leopold, 2010)
|
|
|
|
46
|
|
73
|
60
|
|
56
|
37
|
54,4
|
Tiger Girl
(Jakob Lass, 2017)
|
|
64
|
|
24
|
73
|
|
|
74
|
37
|
|
54,4
|
Schande (Disgrace)
(Steve Jacobs, 2008)
|
72
|
|
|
41
|
|
|
50
|
|
|
|
54,3
|
Männer, die auf Ziegen starren (Men Who Stare at Goats)
(Grant Heslov, 2009)
|
46
|
|
|
|
56
|
|
|
|
61
|
|
54,3
|
The Homesman
(Tommy Lee Jones, 2014)
|
|
|
|
|
45
|
67
|
45
|
|
|
60
|
54,3
|
The Happiest Girl in the World
(Radu Jude, 2009)
|
|
|
|
|
|
54
|
|
|
|
|
54
|
Swans
(Hugo Vieira da Silva, 2010)
|
|
|
|
|
30
|
70
|
|
|
62
|
|
54
|
Jack Reacher
(Christopher McQuarrie, 2012)
|
|
|
|
|
40
|
63
|
|
|
48
|
65
|
54
|
Maman und ich
(Guillaume Gallienne, 2013)
|
|
|
|
|
|
|
|
|
54
|
|
54
|
Mr. Turner
(Mike Leigh, 2014)
|
|
|
|
|
59
|
|
30
|
|
73
|
|
54
|
Sicario
(Denis Villeneuve, 2015)
|
|
|
|
30
|
52
|
|
|
|
|
80
|
54
|
Dämonen und Wunder – Dheepan
(Jacques Audiard, 2015)
|
|
|
|
|
44
|
|
|
|
64
|
|
54
|
Midnight Special
(Jeff Nichols, 2016)
|
|
|
|
36
|
73
|
|
|
|
65
|
42
|
54
|
Star Wars: Episode VIII – Die letzten Jedi
(Rian Johnson, 2017)
|
|
72
|
|
|
38
|
|
|
82
|
24
|
|
54
|
Loving Vincent
(Dorota Kobiela & Hugh Welchman, 2017)
|
|
|
|
|
|
|
|
|
54
|
|
54
|
Men in Black: International
(F. Gary Gray, 2019)
|
|
|
|
|
|
|
|
|
54
|
|
54
|
Golda
(Guy Nattiv, 2023)
|
|
53
|
|
|
|
|
|
|
55
|
|
54
|
Der Spitzname
(Sönke Wortmann, 2024)
|
|
|
|
|
|
|
|
|
54
|
|
54
|
Women without Men
(Shirin Neshat, 2009)
|
61
|
|
|
50
|
67
|
40
|
40
|
|
65
|
|
53,8
|
Herzensbrecher
(Xavier Dolan, 2010)
|
|
|
|
48
|
52
|
|
65
|
|
|
50
|
53,8
|
Green Book
(Peter Farrelly, 2018)
|
|
46
|
|
62
|
38
|
|
|
|
69
|
|
53,8
|
Up in the Air
(Jason Reitman, 2009)
|
76
|
|
|
78
|
44
|
45
|
|
|
61
|
18
|
53,7
|
Priscilla
(Sofia Coppola, 2023)
|
|
62
|
60
|
48
|
16
|
|
|
64
|
72
|
|
53,7
|
Beetlejuice Beetlejuice
(Tim Burton, 2024)
|
|
50
|
|
|
44
|
|
|
67
|
|
|
53,7
|
Civil War
(Alex Garland, 2024)
|
|
71
|
|
|
16
|
|
|
66
|
85
|
30
|
53,6
|
Das Schmuckstück (Potiche)
(Francois Ozon, 2010)
|
72
|
|
|
32
|
74
|
35
|
34
|
|
74
|
|
53,5
|
Lunchbox
(Ritesh Batra, 2013)
|
|
|
|
|
|
|
44
|
|
63
|
|
53,5
|
Still Alice
(Richard Glatzer, Wash Westmoreland, 2014)
|
|
|
|
49
|
58
|
|
|
|
|
|
53,5
|
Still the Water
(Naomi Kawase, 2014)
|
|
|
|
|
|
43
|
64
|
|
|
|
53,5
|
Solo: A Star Wars Story
(Ron Howard, 2018)
|
|
67
|
|
|
|
|
|
40
|
|
|
53,5
|
No Hard Feelings
(Gene Stupnitsky, 2023)
|
|
45
|
|
62
|
|
|
|
|
|
|
53,5
|
Jojo Rabbit
(Taika Waititi, 2019)
|
|
68
|
|
|
40
|
|
|
65
|
84
|
10
|
53,4
|
Jean Seberg
(Benedict Andrews, 2019)
|
|
60
|
53
|
47
|
38
|
|
|
|
69
|
|
53,4
|
Jack und Jill
(Dennis Dugan, 2011)
|
|
|
|
50
|
|
|
|
|
52
|
58
|
53,3
|
Ghost in the Shell
(Rupert Sanders, 2017)
|
|
69
|
|
|
46
|
|
|
45
|
|
|
53,3
|
Tully
(Jason Reitman, 2018)
|
|
73
|
|
|
52
|
|
|
35
|
|
|
53,3
|
Bad Tales (Favolacce)
(Fratelli Innocenzo, 2020)
|
|
65
|
|
|
25
|
|
|
55
|
68
|
|
53,3
|
66/67 – Fairplay war gestern
(Carsten Ludwig & Jan-Christoph Glaser, 2008)
|
|
|
|
|
|
|
|
|
53
|
|
53
|
Gigante
(Adrián Biniez, 2009)
|
51
|
|
|
51
|
|
53
|
|
|
57
|
|
53
|
Für immer Shrek
(Mike Mitchell, 2010)
|
|
|
|
53
|
|
|
|
|
|
|
53
|
Tiger Factory
(Woo Ming Jin, 2010)
|
|
|
|
|
53
|
|
|
|
|
|
53
|
Das bessere Leben (Elles)
(Malgorzata Szumowska, 2011)
|
|
|
|
|
|
|
|
|
53
|
|
53
|
Monsieur Lazhar
(Philippe Falardeau, 2011)
|
|
|
|
56
|
|
|
50
|
|
|
|
53
|
Marina Abramovic – The Artist is Present
(Matthew Akers, 2012)
|
|
|
|
|
|
|
53
|
|
|
|
53
|
Labor Day
(Jason Reitman, 2013)
|
|
|
|
|
|
|
|
|
53
|
|
53
|
Nightcrawler
(Dan Gilroy, 2014)
|
|
|
|
74
|
39
|
15
|
|
|
77
|
60
|
53
|
Men & Chicken
(Anders Thomas Jensen, 2015)
|
|
|
|
|
|
|
|
|
53
|
|
53
|
Gefühlt Mitte zwanzig (While We’re Young)
(Noah Baumbach, 2014)
|
|
|
|
48
|
|
53
|
60
|
|
56
|
48
|
53
|
Sicario 2
(Stefano Sollima, 2018)
|
|
53
|
|
|
74
|
|
|
|
32
|
|
53
|
Der verlorene Sohn (Boy Erased)
(Joel Edgerton, 2018)
|
|
|
|
|
|
|
|
53
|
|
|
53
|
The Wild Boys
(Bertrand Mandico, 2017)
|
|
|
|
|
40
|
|
|
|
66
|
|
53
|
Milla Meets Moses
(Shannon Murphy, 2019)
|
|
|
61
|
|
50
|
|
|
48
|
|
|
53
|
Charlatan
(Agnieszka Holland, 2020)
|
|
|
53
|
|
|
|
|
|
|
|
53
|
The Ordinaries
(Sophie Linnenbaum, 2022)
|
|
72
|
|
17
|
70
|
|
|
|
|
|
53
|
Eine Million Minuten
(Christopher Doll, 2024)
|
|
|
|
|
|
|
|
|
53
|
|
53
|
Wilde Maus
(Josef Hader, 2017)
|
|
53
|
|
|
55
|
42
|
|
37
|
77
|
|
52,8
|
James Bond 007: No Time to Die
(Cary Joji Fukunaga, 2021)
|
|
67
|
|
|
39
|
|
|
42
|
46
|
70
|
52,8
|
Only Lovers Left Alive
(Jim Jarmusch, 2013)
|
|
|
|
15
|
50
|
|
72
|
|
74
|
|
52,8
|
Dating Queen (Trainwreck)
(Judd Apatow, 2015)
|
|
|
|
47
|
|
70
|
|
|
24
|
70
|
52,8
|
This Ain’t California
(Marten Persiel, 2012)
|
|
|
|
42
|
75
|
|
|
|
41
|
|
52,7
|
Skyfall
(Sam Mendes, 2012)
|
|
|
|
66
|
55
|
55
|
53
|
|
60
|
27
|
52,7
|
A Beautiful Day (You Were Never Really Here)
(Lynne Ramsay, 2017)
|
|
|
|
|
46
|
|
|
85
|
27
|
|
52,7
|
The Dead Don’t Die
(Jim Jarmusch, 2019)
|
|
|
|
|
55
|
|
|
44
|
59
|
|
52,7
|
Der Tag, an dem die Erde still stand (The Day the Earth stood still)
(Scott Derrickson, 2008)
|
|
|
|
|
|
49
|
|
|
56
|
|
52,5
|
Brand Upon the Brain!
(Guy Maddin, 2009)
|
|
|
|
|
|
|
71
|
|
34
|
|
52,5
|
Pirates of the Caribbean – Fremde Gezeiten
(Rob Marshall, 2011)
|
|
|
|
|
|
|
53
|
|
52
|
|
52,5
|
The Bling Ring
(Sofia Coppola, 2013)
|
|
|
|
58
|
|
|
55
|
|
53
|
44
|
52,5
|
El Clan
(Pablo Trapero, 2015)
|
|
|
|
|
38
|
|
|
|
67
|
|
52,5
|
Eine fantastische Frau (Una mujer fantastica)
(Sebastián Lelio, 2017)
|
|
|
|
|
65
|
|
|
40
|
|
|
52,5
|
Ich bin dein Mensch
(Maria Schrader, 2021)
|
|
58
|
|
|
49
|
67
|
|
53
|
57
|
31
|
52,5
|
Encounters: Hygiène sociale
(Denis Côté, 2021)**
|
|
|
57
|
|
|
|
|
48
|
|
|
52,5
|
Evolution
(Kornel Mundruczó, 2021)
|
|
72
|
|
|
|
|
|
|
33
|
|
52,5
|
Axolotl Overkill
(Helene Hegemann, 2017)
|
|
|
|
42
|
50
|
|
|
58
|
65
|
47
|
52,4
|
Layla Fourie
(Pia Marais, 2013)
|
|
|
|
44
|
|
|
48
|
|
65
|
|
52,3
|
Der Rausch (Druk)
(Thomas Vinterberg, 2020)
|
|
52
|
|
|
22
|
|
|
83
|
|
|
52,3
|
Alice Schwarzer
(Sabine Derflinger, 2022)
|
|
|
60
|
48
|
54
|
|
|
39
|
73
|
40
|
52,3
|
Verblendung (The Girl with the Dragon Tattoo)
(David Fincher, 2012)
|
|
|
|
|
49
|
|
42
|
|
56
|
62
|
52,3
|
Public Enemy No 1 – Mordinstinkt (Mesrine)
(Jean-François Richet, 2008)
|
81
|
|
|
36
|
|
48
|
|
|
52
|
44
|
52,2
|
Il Divo – Der Göttliche
(Paolo Sorrentino, 2008)
|
62
|
|
|
50
|
|
45
|
|
|
51
|
|
52
|
Star Trek
(J. J. Abrams, 2009)
|
|
|
|
55
|
|
50
|
|
|
51
|
|
52
|
Cars 2
(John Lasseter, Brad Lewis, 2011)
|
|
|
|
|
52
|
|
|
|
|
|
52
|
Die Liebhaberin
(Lukas Valenta Rinner, 2016)
|
|
|
|
|
44
|
60
|
|
|
|
|
52
|
A Ghost Story
(David Lowery, 2017)
|
|
|
|
|
52
|
|
|
|
|
|
52
|
Beautiful Boy
(Felix van Groeningen, 2018)
|
|
65
|
|
|
38
|
|
|
60
|
45
|
|
52
|
mother!
(Darren Aronofsky, 2017)
|
|
|
|
53
|
77
|
|
|
26
|
|
|
52
|
Zack Snyder's Justice League
(Zack Snyder, 2021)*
|
|
52
|
|
|
|
|
|
|
|
|
52
|
Jagdsaison
(Aron Lehmann, 2022)
|
|
|
|
|
35
|
|
|
|
69
|
|
52
|
Rheingold
(Fatih Akin, 2022)
|
|
52
|
|
|
|
|
|
|
|
|
52
|
The Revenant
(Alejandro Gonzalez-Inarritu, 2015)
|
|
|
|
34
|
11
|
|
|
|
85
|
77
|
51,8
|
Paranormal Activity
(Oren Peli, 2007)
|
|
|
|
|
|
40
|
|
|
66
|
49
|
51,7
|
Sightseers
(Ben Wheatley, 2012)
|
|
|
|
68
|
|
|
10
|
|
77
|
|
51,7
|
Sparta
(Ulrich Seidl, 2022)
|
|
|
|
|
78
|
|
|
3
|
74
|
|
51,7
|
Joker: Folie à Deux
(Todd Phillips, 2024)
|
|
42
|
80
|
|
87
|
|
|
41
|
|
8
|
51,6
|
Bad Teacher
(Jake Kasdan, 2011)
|
|
|
|
|
|
|
41
|
|
|
62
|
51,5
|
Michael
(Markus Schleinzer, 2011)
|
|
|
|
|
65
|
|
38
|
|
|
|
51,5
|
Oh Boy
(Jan Ole Gerster, 2012)
|
|
|
|
76
|
68
|
42
|
|
|
|
20
|
51,5
|
Aus nächster Distanz (Shelter)
(Eran Riklis, 2017)
|
|
57
|
|
|
|
|
|
|
46
|
|
51,5
|
Eternals
(Chloe Zhao, 2021)
|
|
60
|
|
|
|
|
|
43
|
|
|
51,5
|
Der Staat gegen Fritz Bauer
(Lars Kraume, 2015)
|
|
|
|
48
|
|
|
|
|
56
|
50
|
51,3
|
Beasts of the Southern Wild
(Benh Zeitlin, 2012)
|
|
|
|
|
79
|
8
|
42
|
|
76
|
|
51,3
|
Zombieland
(Ruben Fleischer, 2009)
|
|
|
|
|
|
62
|
58
|
|
33
|
|
51
|
She, a Chinese
(Guo Xiaolu, 2009)
|
|
|
|
|
28
|
65
|
65
|
|
64
|
33
|
51
|
Che – Guerilla
(Steven Soderbergh, 2008)
|
|
|
|
61
|
|
|
41
|
|
|
|
51
|
Paradies: Hoffnung
(Ulrich Seidl, 2013)
|
|
|
|
40
|
69
|
|
40
|
|
55
|
|
51
|
Seneca
(Robert Schwentke, 2023)
|
|
68
|
|
13
|
|
|
|
39
|
84
|
|
51
|
The Whale
(Darren Aronofsky, 2022)
|
|
42
|
|
|
34
|
|
|
|
77
|
|
51
|
Die Unbeugsamen 2
(Torsten Körner, 2024)
|
|
|
|
32
|
|
|
|
|
|
70
|
51
|
Blink Twice
(Zoe Kravitz, 2024)
|
|
58
|
|
|
44
|
|
|
|
|
|
51
|
Alter weißer Mann
(Simon Verhoeven, 2024)
|
|
62
|
|
34
|
|
|
|
|
57
|
|
51
|
Sturm
(Hans-Christian Schmid, 2009)
|
60
|
|
|
48
|
|
39
|
|
|
56
|
|
50,8
|
Töchter
(Maria Speth, 2014)
|
|
|
|
32
|
|
74
|
50
|
|
|
47
|
50,8
|
Die Summe meiner einzelnen Teile
(Hans Weingartner, 2011)
|
|
|
|
35
|
|
|
45
|
|
72
|
|
50,7
|
Love
(Gaspar Noe, 2015)
|
|
|
|
|
20
|
66
|
|
|
66
|
|
50,7
|
Und morgen die ganze Welt
(Julia von Heinz, 2020)
|
|
|
43
|
|
|
|
|
65
|
44
|
|
50,7
|
Avatar: The Way of Water
(James Cameron, 2022)
|
|
65
|
|
|
39
|
|
|
48
|
|
|
50,7
|
A Girl Walks Home Alone at Night
(Ana Lily Amirpour, 2014)
|
|
|
|
|
42
|
|
|
|
59
|
|
50,5
|
Girl on the Train
(Tate Taylor, 2016)
|
|
|
|
47
|
|
|
|
|
54
|
|
50,5
|
A Cure for Wellness
(Gore Verbinski, 2016)
|
|
|
|
|
24
|
|
|
|
77
|
|
50,5
|
Grain – Weizen
(Semih Kaplanoglu, 2017)
|
|
|
|
|
|
45
|
|
|
56
|
|
50,5
|
Maigret
(Patrice Leconte, 2022)
|
|
|
|
|
50
|
51
|
|
|
|
|
50,5
|
Jeanne du Barry
(Maïwenn, 2023)
|
|
|
|
|
|
|
|
34
|
67
|
|
50,5
|
Back to Black
(Sam Taylor-Johnson, 2024)
|
|
37
|
|
|
|
|
|
|
64
|
|
50,5
|
Zwei zu eins
(Natja Brunckhorst, 2024)
|
|
|
|
3
|
70
|
|
|
54
|
75
|
|
50,5
|
Megalopolis
(Francis Ford Coppola, 2024)
|
|
71
|
|
|
50
|
52
|
|
66
|
33
|
31
|
50,5
|
Fair Game
(Doug Liman, 2010)
|
65
|
|
|
62
|
38
|
|
25
|
|
62
|
|
50,4
|
Duplicity – Gemeinsame Geheimsache
(Tony Gilroy, 2009)
|
47
|
|
|
|
|
59
|
|
|
45
|
|
50,3
|
Drei
(Tom Tykwer, 2010)
|
78
|
|
|
37
|
|
33
|
41
|
|
63
|
50
|
50,3
|
Mission: Impossible 4 – Phantom Protocol
(Brad Bird, 2011)
|
|
|
|
|
55
|
55
|
|
|
|
41
|
50,3
|
Marvel’s The Avengers
(Josh Whedon, 2012)
|
|
|
|
|
60
|
|
25
|
|
66
|
|
50,3
|
Die Verführten (The Beguiled)
(Sofia Coppola, 2017)
|
|
|
|
48
|
35
|
|
|
70
|
|
48
|
50,3
|
Konklave (Conclave)
(Edward Berger, 2024)
|
|
42
|
|
|
|
|
|
32
|
77
|
50
|
50,3
|
Precious – Das Leben ist kostbar
(Lee Daniels, 2009)
|
42
|
|
|
42
|
72
|
33
|
63
|
|
72
|
27
|
50,1
|
Diese Nacht (Nuit de chien)
(Werner Schroeter, 2008)
|
35
|
|
|
|
|
|
69
|
|
54
|
42
|
50
|
Mammut
(Lukas Moodysson, 2009)
|
|
|
|
70
|
|
52
|
|
|
28
|
|
50
|
Goethe!
(Philipp Stölzl, 2010)
|
|
|
|
|
|
38
|
|
|
62
|
|
50
|
Mistress America
(Noah Baumbach, 2015)
|
|
|
|
45
|
|
51
|
|
|
|
54
|
50
|
Human Flow
(Ai Weiwei, 2017)
|
|
|
|
|
|
|
|
|
50
|
|
50
|
Special: The Mauritanian
(Kevin Macdonald, 2021)**
|
|
|
|
|
39
|
|
|
|
56
|
55
|
50
|
West Side Story
(Steven Spielberg, 2021)
|
|
|
|
|
46
|
|
|
|
54
|
|
50
|
The Northman
(Robert Eggers, 2022)
|
|
22
|
|
|
|
|
|
44
|
84
|
|
50
|
Gladiator 2
(Ridley Scott, 2024)
|
|
|
|
|
|
|
|
33
|
67
|
|
50
|
A Single Man
(Tom Ford, 2009)
|
79
|
|
|
63
|
50
|
15
|
42
|
|
|
|
49,8
|
Zwischen uns das Paradies
(Jasmila Zbanic, 2010)
|
56
|
|
|
|
|
35
|
37
|
|
71
|
|
49,8
|
Der Schmetterlingsjäger
(Harald Bergmann, 2014)
|
|
|
|
38
|
|
|
31
|
|
80
|
|
49,7
|
The Pervert’s Guide to Cinema
(Sophie Fiennes, 2006)
|
|
|
|
|
|
55
|
|
|
44
|
|
49,5
|
Bridge of Spies
(Steven Spielberg, 2015)
|
|
|
|
45
|
48
|
|
|
|
64
|
41
|
49,5
|
Caracas, eine Liebe (Desde allá)
(Lorenzo Vigas, 2015)
|
|
|
|
|
42
|
|
|
|
57
|
|
49,5
|
Paradies
(Andrei Konchalovsky, 2016)
|
|
|
|
|
30
|
|
|
|
69
|
|
49,5
|
One Life
(James Hawes, 2023)
|
|
|
|
|
|
|
|
34
|
65
|
|
49,5
|
Horizon
(Kevin Costner, 2024)
|
|
43
|
|
|
|
|
|
|
56
|
|
49,5
|
Mitte Ende August
(Sebastian Schipper, 2009)
|
61
|
|
|
|
|
44
|
48
|
|
47
|
47
|
49,4
|
Mommy
(Xavier Dolan, 2014)
|
|
|
|
|
39
|
34
|
75
|
|
|
|
49,3
|
Drive-Away Dolls
(Ethan Coen, 2024)
|
|
47
|
|
|
|
|
|
|
53
|
48
|
49,3
|
Shit Year
(Cam Archer, 2010)
|
|
|
|
55
|
15
|
62
|
|
|
65
|
|
49,3
|
Wolfman
(Joe Johnston, 2008)
|
35
|
|
|
|
|
|
|
|
63
|
|
49
|
Salt
(Phillip Noyce, 2010)
|
55
|
|
|
|
50
|
38
|
|
|
|
53
|
49
|
Glückliche Fügung
(Isabelle Stever, 2010)
|
|
|
|
|
|
|
35
|
|
63
|
|
49
|
Eine offene Rechung (The Debt)
(John Madden, 2010)
|
|
|
|
|
|
|
|
|
62
|
36
|
49
|
Tag und Nacht
(Sabine Derflinger, 2010)
|
|
|
|
42
|
|
|
|
|
56
|
|
49
|
Das Schwein von Gaza
(Sylvain Estibal, 2011)
|
|
|
|
44
|
|
|
|
|
54
|
|
49
|
Flight
(Robert Zemeckis, 2012)
|
|
|
|
59
|
|
|
|
|
39
|
|
49
|
Alphabet
(Erwin Wagenhofer, 2013)
|
|
|
|
|
|
|
|
|
49
|
|
49
|
The Counselor
(Ridley Scott, 2013)
|
|
|
|
|
28
|
|
64
|
|
54
|
50
|
49
|
Rocketman
(Dexter Fletcher, 2019)
|
|
|
|
|
|
|
|
54
|
44
|
|
49
|
Wettbewerb: WETTBEWERB: Una Película de Policías
(Alonso Ruizpalacios, 2021)**
|
|
|
|
|
40
|
58
|
|
|
|
|
49
|
The Eyes of Tammy Faye
(Michael Showalter, 2021)*
|
|
54
|
|
60
|
33
|
|
|
|
|
|
49
|
I’m Still Here
(Casey Affleck, 2010)
|
|
|
|
|
10
|
58
|
|
|
62
|
65
|
48,8
|
Auf der Suche
(Jan Krüger, 2011)
|
|
|
|
56
|
|
48
|
45
|
|
46
|
|
48,8
|
Der junge Karl Marx
(Raoul Peck, 2016)
|
|
38
|
|
62
|
|
|
|
42
|
53
|
|
48,8
|
Drei Affen (Ük maymun)
(Nuri Bilge Ceylan, 2008)
|
|
|
|
|
|
|
49
|
|
46
|
51
|
48,7
|
Ein Hologramm für den König
(Tom Tykwer, 2016)
|
|
|
|
|
40
|
|
|
|
38
|
68
|
48,7
|
Der Dikator (The Dictator)
(Larry Charles, 2012)
|
|
|
|
14
|
42
|
|
74
|
|
53
|
60
|
48,6
|
Der Geschmack von Rost und Knochen
(Jacques Audiard, 2012)
|
|
|
|
27
|
69
|
45
|
42
|
|
|
60
|
48,6
|
Der andere Liebhaber (L’amant double)
(Francois Ozon, 2017)
|
|
76
|
|
|
27
|
61
|
|
24
|
55
|
|
48,6
|
Lollipop Monster
(Ziska Riemann, 2011)
|
|
|
|
|
|
|
55
|
|
42
|
|
48,5
|
Die Möbius-Affäre
(Eric Rochant, 2013)
|
|
|
|
|
30
|
|
|
|
67
|
|
48,5
|
Elysium
(Neill Blomkamp, 2013)
|
|
|
|
|
|
|
38
|
|
59
|
|
48,5
|
Safari
(Ulrich Seidl, 2016)
|
|
|
|
42
|
65
|
49
|
|
38
|
|
|
48,5
|
Nightlife
(Simon Verhoeven, 2019)
|
|
35
|
|
|
|
|
|
|
62
|
|
48,5
|
Indiana Jones and the Dial of Destiny
(James Mangold, 2023)
|
|
58
|
|
|
|
|
|
39
|
|
|
48,5
|
Cuckoo
(Tilman Singer, 2024)
|
|
|
|
|
21
|
|
|
59
|
65
|
|
48,3
|
Der Ghostwriter
(Roman Polanski, 2010)
|
|
|
|
57
|
48
|
37
|
51
|
|
|
|
48,3
|
Don Jon
(Joseph Gordon-Levitt, 2013)
|
|
|
|
|
35
|
|
61
|
|
43
|
54
|
48,3
|
Loro
(Paolo Sorrentino, 2018)
|
|
37
|
|
|
|
35
|
|
55
|
66
|
|
48,3
|
Die Fotografin (Lee)
(Ellen Kuras, 2023)
|
|
57
|
52
|
40
|
|
|
|
44
|
|
|
48,3
|
The Good, the Bad, the Weird
(Kim Ji-woon, 2008)
|
|
|
|
|
|
48
|
|
|
|
|
48
|
Robin Hood
(Ridley Scott, 2010)
|
|
|
|
|
|
|
28
|
|
56
|
60
|
48
|
Rum Diary
(Bruce Robinson, 2011)
|
|
|
|
|
|
|
|
|
48
|
|
48
|
White House Down
(Roland Emmerich, 2013)
|
|
|
|
|
|
65
|
|
|
|
31
|
48
|
Hannah Arendt
(Margarethe von Trotta, 2012)
|
|
|
|
|
|
|
42
|
|
54
|
|
48
|
Ende der Schonzeit
(Franziska Schlotterer, 2012)
|
|
|
|
48
|
|
|
|
|
|
|
48
|
Hitchcock
(Sacha Gervasi, 2012)
|
|
|
|
48
|
|
|
|
|
|
|
48
|
Im Keller
(Ulrich Seidl, 2014)
|
|
|
|
|
71
|
|
60
|
|
48
|
13
|
48
|
Jupiter’s Moon
(Kornél Mundruczó, 2017)
|
|
45
|
|
|
|
|
|
51
|
|
|
48
|
Die Känguru-Chroniken
(Dani Levy, 2019)
|
|
|
|
|
|
41
|
|
|
55
|
|
48
|
Wish
(Chris Buck & Fawn Veerasunthorn, 2023)
|
|
48
|
|
|
|
|
|
|
|
|
48
|
Die Ironie des Lebens
(Markus Goller, 2024)
|
|
|
|
28
|
|
|
|
|
68
|
|
48
|
Promised Land
(Gus van Sant, 2013)
|
|
|
|
58
|
|
|
38
|
|
|
47
|
47,7
|
Babylon
(Damien Chazelle, 2022)
|
|
|
|
|
42
|
|
|
46
|
55
|
|
47,7
|
Banksy: Exit through the Gift Shop
(Banksy, 2010)
|
|
|
|
|
70
|
40
|
|
|
32
|
|
47,3
|
Mein ein, mein alles (Mon roi)
(Maiwenn, 2015)
|
|
|
|
62
|
18
|
62
|
|
|
|
|
47,3
|
Silence
(Martin Scorsese, 2016)
|
|
34
|
|
|
55
|
|
|
|
53
|
|
47,3
|
Halbschatten
(Nicolas Wackerbarth, 2013)
|
|
|
|
28
|
77
|
33
|
51
|
|
52
|
42
|
47,2
|
A Hidden Life
(Terrence Malick, 2019)
|
|
86
|
69
|
|
18
|
|
|
82
|
5
|
23
|
47,2
|
La Zona
(Rodrigo Plá, 2007)
|
|
|
|
|
|
55
|
39
|
|
|
|
47
|
Die Anwälte – Eine deutsche Geschichte
(Birgit Schulz, 2009)
|
|
|
|
47
|
|
|
|
|
|
|
47
|
super art market
(Zoran Solomun, 2009)
|
|
|
|
|
|
|
|
|
47
|
|
47
|
Luks Glück
(Ayse Polat, 2010)
|
|
|
|
|
|
|
47
|
|
|
|
47
|
Die fantastische Welt von Oz
(Sam Raimi, 2013)
|
|
|
|
|
|
12
|
|
|
82
|
|
47
|
The Grandmaster
(Wong Kar-wai, 2013)
|
|
|
|
|
47
|
|
47
|
|
|
|
47
|
Brimstone
(Martin Koolhoven, 2016)
|
|
|
|
|
17
|
|
|
|
77
|
|
47
|
Als wir träumten
(Andreas Dresen, 2015)
|
|
|
|
60
|
38
|
|
25
|
|
65
|
|
47
|
Das Mädchen Hirut (Difret)
(Zeresenay Mehari, 2014)
|
|
|
|
|
|
|
47
|
|
|
|
47
|
Härte
(Rosa von Praunheim, 2015)
|
|
|
|
|
|
|
|
|
47
|
|
47
|
Alles Geld der Welt
(Ridley Scott, 2017)
|
|
68
|
|
|
28
|
|
|
45
|
|
|
47
|
Was man von hier aus sehen kann
(Aron Lehmann, 2022)
|
|
|
|
|
|
|
|
|
47
|
|
47
|
Luftkrieg – Die Naturgeschichte der Zerstörung
(Sergei Loznitsa, 2022)
|
|
47
|
|
|
|
|
|
50
|
44
|
|
47
|
Sophia, der Tod und ich
(Charly Hübner, 2023)
|
|
|
|
|
|
|
|
|
47
|
|
47
|
Die Farbe Lila
(Blitz Bazawule, 2023)
|
|
68
|
|
|
|
|
|
26
|
|
|
47
|
Das Leben gehört uns (La guerre est déclarée)
(Valérie Donzelli, 2011)
|
|
|
|
|
19
|
|
65
|
|
56
|
|
46,7
|
We Need to Talk About Kevin
(Lynne Ramsay, 2011)
|
|
|
|
|
37
|
71
|
32
|
|
|
|
46,7
|
Hand of God
(Paolo Sorrentino, 2021)*
|
|
42
|
|
|
61
|
|
|
37
|
|
|
46,7
|
The Road
(John Hillcoat, 2009)
|
60
|
|
|
|
52
|
|
45
|
|
41
|
35
|
46,6
|
Das Fischkind
(Lucía Puenzo, 2009)
|
|
|
|
|
|
63
|
30
|
|
|
|
46,5
|
The Broken Circle
(Felix Van Groeningen, 2012)
|
|
|
|
|
|
|
28
|
|
65
|
|
46,5
|
Underdog
(Kornél Mundruczó, 2014)
|
|
|
|
|
|
|
61
|
|
32
|
|
46,5
|
Ready Player One
(Steven Spielberg, 2018)
|
|
57
|
|
|
36
|
|
|
|
|
|
46,5
|
Schachnovelle
(Philipp Stölzl, 2020)
|
|
|
|
|
|
|
|
34
|
59
|
|
46,5
|
The Bubble
(Judd Apatow, 2022)*
|
|
27
|
|
|
|
|
|
|
|
66
|
46,5
|
Suburbicon
(George Clooney, 2017)
|
|
38
|
|
|
62
|
|
|
|
39
|
|
46,3
|
Under the Silver Lake
(David Robert Mitchell, 2018)
|
|
67
|
|
|
17
|
|
|
55
|
|
|
46,3
|
Wonderful Town
(Aditya Assarat, 2007)
|
|
|
|
|
|
47
|
50
|
|
41
|
|
46
|
Au Revoir Taipeh
(Arvin Chen, 2009)
|
|
|
|
|
38
|
|
|
|
54
|
|
46
|
The Tree of Life
(Terrence Malick, 2011)
|
|
|
|
35
|
50
|
32
|
70
|
|
42
|
47
|
46
|
Die Frau die singt (Incendies)
(Denis Villeneuve, 2009)
|
|
|
|
|
|
37
|
55
|
|
|
|
46
|
Sommer in Orange
(Marcus H. Rosenmüller, 2010)
|
|
|
|
50
|
|
|
42
|
|
|
|
46
|
Fenster zum Sommer
(Hendrik Handloegten, 2011)
|
|
|
|
46
|
|
|
|
|
|
|
46
|
Familientreffen mit Hindernissen (Le Skylab)
(Julie Delpy, 2011)
|
|
|
|
|
|
|
30
|
|
62
|
|
46
|
Persischstunden
(Vadim Perelman, 2019)
|
|
|
46
|
|
|
|
|
|
|
|
46
|
Napoleon
(Ridley Scott, 2023)
|
|
27
|
|
|
|
|
|
18
|
67
|
72
|
46
|
Perfect Days
(Wim Wenders, 2023)
|
|
70
|
41
|
1
|
|
|
|
72
|
|
|
46
|
The Unknown Known
(Errol Morris, 2013)
|
|
|
|
62
|
27
|
|
35
|
|
|
59
|
45,8
|
Whisky mit Wodka
(Andreas Dresen, 2009)
|
|
|
|
56
|
|
43
|
38
|
|
|
|
45,7
|
Nach der Revolution
(Yousry Nasrallah, 2012)
|
|
|
|
|
45
|
|
20
|
|
72
|
|
45,7
|
Viva Riva
(Djo Dunda wa Munga, 2010)
|
|
|
|
|
26
|
|
65
|
|
|
|
45,5
|
Rock the Kasbah
(Barry Levinson, 2015)
|
|
|
|
37
|
|
|
|
|
54
|
|
45,5
|
Whatever Works
(Woody Allen, 2009)
|
62
|
|
|
26
|
|
38
|
62
|
|
|
39
|
45,4
|
Brüno
(Larry Charles, 2009)
|
|
|
|
42
|
|
40
|
70
|
|
39
|
36
|
45,4
|
Königin der Wüste (Queen of the Desert)
(Werner Herzog, 2015)
|
|
|
|
40
|
|
81
|
50
|
|
22
|
34
|
45,4
|
127 Hours
(Danny Boyle, 2010)
|
73
|
|
|
|
27
|
36
|
|
|
|
|
45,3
|
Ein deutsches Leben
(Florian Weigensamer u.a., 2017)
|
|
|
|
|
33
|
|
|
|
43
|
60
|
45,3
|
Schindlers Liste
(Steven Spielberg, 1993)
|
|
50
|
|
|
48
|
|
|
|
33
|
50
|
45,3
|
Der Mann, der niemals lebte (Body of Lies)
(Ridley Scott, 2008)
|
43
|
|
|
67
|
|
41
|
39
|
|
|
35
|
45
|
Ein Geheimnis (Un Secret)
(Claude Miller, 2007)
|
41
|
|
|
|
|
49
|
|
|
|
|
45
|
Alice im Wunderland (Alice in Wonderland)
(Tim Burton, 2010)
|
|
|
|
|
|
|
45
|
|
|
|
45
|
Der Biber (The Beaver)
(Jodie Foster, 2011)
|
|
|
|
|
|
47
|
49
|
|
61
|
23
|
45
|
Company Men
(John Wells, 2010)
|
|
|
|
52
|
|
|
|
|
37
|
46
|
45
|
Die Abenteuer von Tim und Struppi
(Steven Spielberg, 2011)
|
|
|
|
|
|
|
45
|
|
|
|
45
|
Midnight in Paris
(Woody Allen, 2011)
|
|
|
|
40
|
33
|
39
|
68
|
|
|
|
45
|
Immer Ärger mit 40 (This is 40)
(Judd Apatow, 2012)
|
|
|
|
|
30
|
|
|
|
|
60
|
45
|
Everyday Rebellion
(Arman & Arash T. Riahi, 2013)
|
|
|
|
|
|
|
22
|
|
68
|
|
45
|
Die Schöne und das Biest
(Bill Condon, 2017)
|
|
|
|
|
|
|
|
45
|
|
|
45
|
Chantal im Märchenland
(Bora Dagtekin, 2024)
|
|
23
|
|
66
|
|
|
|
18
|
72
|
|
44,8
|
The Killer
(David Fincher, 2023)
|
|
37
|
|
54
|
55
|
45
|
|
35
|
37
|
50
|
44,7
|
Die Nacht der Giraffe (Kebun Binatang)
(Edwin, 2012)
|
|
|
|
28
|
|
|
30
|
|
76
|
|
44,7
|
The Limits of Control
(Jim Jarmusch, 2009)
|
|
|
|
60
|
|
29
|
|
|
|
|
44,5
|
Jack Reacher 2 – Kein Weg zurück
(Edward Zwick, 2016)
|
|
|
|
|
45
|
|
|
|
28
|
60
|
44,3
|
Zeit des Zorns
(Rafi Pitts, 2010)
|
48
|
|
|
42
|
65
|
18
|
55
|
|
37
|
|
44,2
|
Godzilla vs. Kong
(Adam Wingard, 2020)
|
|
30
|
|
42
|
|
47
|
|
35
|
63
|
48
|
44,2
|
Luck By Chance
(Zoya Akhtar, 2009)
|
|
|
|
|
|
44
|
|
|
|
|
44
|
Das Leben ist zu lang
(Dani Levy, 2010)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Ich sehe den Mann deiner Träume (You Will Meet a Tall Dark Stranger)
(Woody Allen, 2010)
|
41
|
|
|
45
|
|
46
|
|
|
|
|
44
|
Ted 2
(Seth MacFarlane, 2015)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Heil
(Dietrich Brüggemann, 2015)
|
|
|
|
35
|
|
66
|
36
|
|
39
|
|
44
|
Das ist unser Land! (Chez nous)
(Lucas Belvaux, 2017)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Papst Franziskus – Ein Mann seines Wortes
(Wim Wenders, 2018)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Der Spitzenkandidat (The Front Runner)
(Jason Reitman, 2018)
|
|
|
|
|
|
|
|
44
|
|
|
44
|
Morbius
(Daniel Espinosa, 2022)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
The Survivor
(Barry Levinson, 2021)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Ticket ins Paradies
(Ol Parker, 2022)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Mein fabelhaftes Verbrechen (Mon Crime)
(Francois Ozon, 2023)
|
|
45
|
54
|
|
|
|
|
|
33
|
|
44
|
Kraven the Hunter
(J.C. Chandor, 2024)
|
|
|
|
|
|
|
|
|
44
|
|
44
|
Che – Revolucion
(Steven Soderbergh, 2008)
|
19
|
|
|
|
|
49
|
41
|
|
47
|
63
|
43,8
|
Avatar
(James Cameron, 2009)
|
86
|
|
|
58
|
32
|
31
|
68
|
|
26
|
5
|
43,7
|
Borat Subsequent Moviefilm
(Jason Woliner, 2020)*
|
|
45
|
|
21
|
65
|
50
|
|
65
|
33
|
27
|
43,7
|
The King’s Speech
(Tom Hooper, 2010)
|
70
|
|
|
54
|
27
|
27
|
40
|
|
|
|
43,6
|
Mary Poppins’ Rückkehr
(Rob Marshall, 2018)
|
|
|
|
42
|
45
|
|
|
|
|
|
43,5
|
Löwenkäfig (Leonera)
(Pablo Trapero, 2008)
|
|
|
|
46
|
|
38
|
46
|
|
|
|
43,3
|
Im Westen nichts Neues
(Edward Berger, 2022)
|
|
43
|
|
|
|
|
|
19
|
68
|
|
43,3
|
Das rote Zimmer
(Rudolf Thome, 2010)
|
12
|
|
|
35
|
|
78
|
|
|
40
|
51
|
43,2
|
Man on Wire
(James Marsh, 2008)
|
|
|
|
|
|
43
|
|
|
|
|
43
|
Torpedo
(Helene Hegemann, 2008)
|
|
|
|
|
|
|
|
|
|
43
|
43
|
Kommissar Bellamy
(Claude Chabrol, 2009)
|
|
|
|
|
|
|
|
|
43
|
|
43
|
Thor
(Kenneth Branagh, 2011)
|
|
|
|
|
|
30
|
|
|
56
|
|
43
|
Cowboys & Aliens
(Jon Favreau, 2011)
|
|
|
|
|
|
|
|
|
43
|
|
43
|
Big Eyes
(Tim Burton, 2014)
|
|
|
|
|
|
|
|
|
43
|
|
43
|
Hacksaw Ridge
(Mel Gibson, 2016)
|
|
43
|
|
|
|
|
|
|
|
|
43
|
Wettbewerb: Memory Box
(Joana Hadjithomas & Khalil Joreige, 2021)**
|
|
|
31
|
|
|
|
|
55
|
|
|
43
|
Der Junge dem die Welt gehört
(Robert Gwisdek, 2023)
|
|
|
|
|
|
|
|
|
43
|
|
43
|
Der Gott des Gemetzels
(Roman Polanski, 2011)
|
|
|
|
51
|
39
|
26
|
55
|
|
|
|
42,8
|
Exodus – Götter und Könige
(Ridley Scott, 2014)
|
|
|
|
30
|
|
|
|
|
63
|
35
|
42,7
|
Wettbewerb: Forest – I See You Everywhere
(Bence Fliegauf, 2022)**
|
|
|
49
|
|
64
|
|
|
15
|
|
|
42,7
|
Enter the Void
(Gaspar Noé, 2009)
|
80
|
|
|
72
|
19
|
|
10
|
|
32
|
|
42,6
|
Der große Trip – Wild
(Jean-Marc Vallée, 2014)
|
|
|
|
|
|
|
|
|
34
|
51
|
42,5
|
1917
(Sam Mendes, 2019)
|
|
62
|
|
|
17
|
|
|
42
|
49
|
|
42,5
|
Old
(M. Night Shyamalan, 2021)
|
|
48
|
|
|
|
|
|
37
|
|
|
42,5
|
Lieber Thomas
(Andreas Kleinert, 2021)
|
|
37
|
|
62
|
|
|
|
32
|
39
|
|
42,5
|
Der große Gatsby
(Baz Luhrmann, 2013)
|
|
|
|
42
|
40
|
|
30
|
|
63
|
37
|
42,4
|
Zeiten des Aufruhrs (Revolutionary Road)
(Sam Mendes, 2008)
|
59
|
|
|
38
|
|
|
30
|
|
|
|
42,3
|
World War Z
(Marc Forster, 2013)
|
|
|
|
|
|
|
38
|
|
37
|
52
|
42,3
|
Flash of Genius
(Marc Abraham, 2008)
|
|
|
|
|
|
|
|
|
42
|
|
42
|
Unter Schnee
(Ulrike Ottinger, 2011)
|
|
|
|
|
|
30
|
|
|
54
|
|
42
|
Polisse (poliezei)
(Maiwenn, 2011)
|
|
|
|
|
42
|
|
12
|
|
72
|
|
42
|
Amer
(Hélène Cattet Bruno Forzani, 2009)
|
|
|
|
|
|
42
|
|
|
|
|
42
|
Michael Kohlhaas
(Arnaud des Pallières, 2013)
|
|
|
|
|
42
|
|
|
|
|
|
42
|
Frankenweenie
(Tim Burton, 2012)
|
|
|
|
|
|
42
|
|
|
|
|
42
|
The Duke of Burgundy
(Peter Strickland, 2014)
|
|
|
|
|
42
|
|
|
|
|
|
42
|
Der lange Sommer der Theorie
(Irene von Alberti, 2017)
|
|
|
|
|
|
|
|
|
42
|
|
42
|
Jurassic World 2: Das gefallene Königreich
(J.A. Bayona, 2018)
|
|
42
|
|
|
|
|
|
|
|
|
42
|
Marianengraben
(Eileen Byrne, 2024)
|
|
|
|
|
|
|
|
|
42
|
|
42
|
The Disaster Artist
(James Franco, 2017)
|
|
37
|
|
|
40
|
|
|
57
|
33
|
|
41,8
|
Girl You Know It's True
(Simon Verhoeven, 2023)
|
|
54
|
|
30
|
|
|
|
50
|
33
|
|
41,8
|
Sin Nombre
(Cary Joji Fukunaga, 2009)
|
|
|
|
|
|
35
|
33
|
|
57
|
|
41,7
|
Sucker Punch
(Zack Snyder, 2011)
|
|
|
|
|
|
19
|
|
|
64
|
|
41,5
|
Naokos Lächeln
(Tran Anh Hung, 2009)
|
|
|
|
|
|
|
39
|
|
44
|
|
41,5
|
Star Wars Episode VII: Das Erwachen der Macht
(J.J. Abrams, 2015)
|
|
|
|
|
33
|
50
|
|
|
|
|
41,5
|
Wolfs
(John Watts, 2024)*
|
|
35
|
|
|
62
|
|
|
29
|
|
40
|
41,5
|
Black Mass
(Scott Cooper, 2015)
|
|
|
|
36
|
40
|
|
|
|
|
48
|
41,3
|
The Midnight Sky
(George Clooney, 2020)*
|
|
48
|
|
|
42
|
|
|
34
|
|
|
41,3
|
Hangover
(Todd Phillipps, 2009)
|
|
|
|
|
|
47
|
50
|
|
34
|
34
|
41,3
|
Star Wars: The Rise of Skywalker
(J.J. Abrams, 2019)
|
|
68
|
22
|
|
|
|
|
67
|
8
|
|
41,3
|
J’accuse
(Roman Polanski, 2019)
|
|
42
|
|
|
55
|
|
|
6
|
62
|
|
41,3
|
Enfant Terrible
(Oskar Roehler, 2020)
|
|
50
|
31
|
|
|
|
|
25
|
59
|
|
41,3
|
Ein Leben für ein Leben (Adam Resurrected)
(Paul Schrader, 2008)
|
|
|
|
|
|
41
|
|
|
41
|
|
41
|
Das Vaterspiel
(Michael Glawogger, 2008)
|
|
|
|
|
|
67
|
30
|
|
58
|
9
|
41
|
Wer ist Hanna?
(Joe Wright, 2011)
|
|
|
|
|
40
|
71
|
|
|
12
|
|
41
|
Jersey Boys
(Clint Eastwood, 2014)
|
|
|
|
41
|
|
|
|
|
|
|
41
|
Greatest Showman
(Michael Gracey, 2017)
|
|
|
|
|
|
|
|
|
41
|
|
41
|
Matrix Resurrections
(Lana Wachowski, 2021)
|
|
23
|
|
|
75
|
|
|
|
25
|
|
41
|
Rabiye Kurnaz gegen George W. Bush
(Andreas Dresen, 2022)
|
|
34
|
|
|
|
|
|
34
|
55
|
|
41
|
Don’t Worry Darling
(Olivia Wilde, 2022)
|
|
53
|
41
|
|
21
|
|
|
49
|
|
|
41
|
Capitalism: A Love Story
(Michael Moore, 2009)
|
18
|
|
|
53
|
|
45
|
34
|
|
56
|
39
|
40,8
|
Biutiful
(Alejandro Gonzalez-Inarritu, 2010)
|
|
|
|
39
|
38
|
|
34
|
|
52
|
|
40,8
|
Tom Meets Zizou – Kein Sommermärchen
(Aljoscha Pause, 2011)
|
|
|
|
32
|
|
49
|
|
|
|
41
|
40,7
|
Jack
(Edward Berger, 2014)
|
|
|
|
52
|
|
35
|
35
|
|
|
|
40,7
|
Arena 196
(Wolfgang & Yvonne Andrä, 2023)
|
|
|
|
25
|
|
|
|
|
67
|
30
|
40,7
|
Der Albaner
(Johannes Naber, 2010)
|
|
|
|
|
|
|
35
|
|
46
|
|
40,5
|
Bullhead
(Michael R. Roskam, 2011)
|
|
|
|
26
|
|
|
55
|
|
|
|
40,5
|
Forum: The Good Woman of Sichuan
(Sabrina Zhao, 2021)**
|
|
|
|
|
36
|
45
|
|
|
|
|
40,5
|
Happy End
(Michael Haneke, 2017)
|
|
48
|
|
28
|
73
|
28
|
|
50
|
38
|
18
|
40,4
|
Tropa de Elite
(José Padilha, 2007)
|
|
|
|
32
|
|
59
|
30
|
|
|
|
40,3
|
Hotel Lux
(Leander Haußmann, 2011)
|
|
|
|
55
|
|
|
24
|
|
42
|
|
40,3
|
Wild Tales (Relatos salvajes)
(Damian Szifrón, 2014)
|
|
|
|
|
40
|
|
5
|
|
76
|
|
40,3
|
Gentlemen Broncos
(Jared Hess, 2009)
|
|
|
|
|
|
40
|
|
|
|
|
40
|
Der Preis
(Elke Hauck, 2011)
|
|
|
|
28
|
|
|
|
|
52
|
|
40
|
Angel’s Share
(Ken Loach, 2012)
|
|
|
|
39
|
|
|
38
|
|
43
|
|
40
|
Feuchtgebiete
(David Wnendt, 2013)
|
|
|
|
35
|
33
|
|
37
|
|
55
|
|
40
|
Money Monster
(Jodie Foster, 2016)
|
|
|
|
35
|
48
|
37
|
|
|
|
|
40
|
Alita: Battle Angel
(Robert Rodriguez, 2018)
|
|
|
|
|
|
|
|
40
|
|
|
40
|
Der Gesang der Flusskrebse
(Olivia Newman, 2022)
|
|
52
|
|
|
|
|
|
28
|
|
|
40
|
Wind River
(Taylor Sheridan, 2017)
|
|
48
|
|
|
30
|
|
|
25
|
56
|
|
39,8
|
A Star is Born
(Bradley Cooper, 2018)
|
|
25
|
|
|
42
|
|
|
19
|
73
|
|
39,8
|
Barney’s Version
(Richard J. Lewis, 2010)
|
|
|
|
|
|
46
|
|
|
33
|
|
39,5
|
Baby Driver
(Edgar Wright, 2017)
|
|
|
|
|
40
|
|
|
39
|
|
|
39,5
|
Ingeborg Bachmann – Reise in die Wüste
(Margarethe von Trotta, 2023)
|
|
52
|
|
13
|
|
58
|
|
42
|
32
|
|
39,4
|
Belfast
(Kenneth Branagh, 2021)
|
|
55
|
|
|
38
|
|
|
25
|
|
|
39,3
|
James Bond 007 – Spectre
(Sam Mendes, 2015)
|
|
|
|
27
|
35
|
20
|
|
|
|
75
|
39,3
|
The Invisible Frame
(Cynthia Beatt, 2009)
|
|
|
|
|
|
39
|
|
|
|
|
39
|
Ins Blaue
(Rudolf Thome, 2011)
|
|
|
|
25
|
|
53
|
|
|
|
|
39
|
Enemy
(Denis Villeneuve, 2013)
|
|
|
|
|
|
|
37
|
|
41
|
|
39
|
Van Gogh – An der Schwelle der Ewigkeit
(Julian Schnabel, 2018)
|
|
|
|
|
40
|
|
|
38
|
|
|
39
|
Ammonite
(Francis Lee, 2020)
|
|
|
|
|
|
|
|
39
|
|
|
39
|
15 Jahre
(Chris Kraus, 2023)
|
|
39
|
|
|
|
|
|
|
|
|
39
|
Das Wochenende
(Nina Grosse, 2012)
|
|
|
|
34
|
|
|
|
|
43
|
|
38,5
|
The Sadness
(Rob Jabbaz, 2021)
|
|
|
|
|
|
55
|
|
22
|
|
|
38,5
|
Les salauds
(Claire Denis, 2013)
|
|
|
|
|
50
|
|
41
|
|
38
|
24
|
38,3
|
A Most Wanted Man
(Anton Corbijn, 2014)
|
|
|
|
31
|
55
|
|
30
|
|
22
|
53
|
38,2
|
This is Love
(Matthias Glasner, 2009)
|
|
|
|
31
|
|
|
40
|
|
43
|
|
38
|
New in Town
(Jonas Elmer, 2009)
|
|
|
|
|
|
|
|
|
38
|
|
38
|
Easy Virtue – Eine unmoralische Ehefrau
(Stephan Elliott, 2008)
|
|
|
|
|
|
|
39
|
|
37
|
|
38
|
Tron: Legacy
(Joseph Kosinski, 2011)
|
|
|
|
|
|
|
|
|
38
|
|
38
|
Iron Sky
(Timo Vuorensola, 2012)
|
|
|
|
|
|
|
43
|
|
33
|
|
38
|
Justice League
(Zack Snyder, 2017)
|
|
48
|
|
|
28
|
|
|
|
38
|
|
38
|
Tristia – Eine Schwarzmeer-Odyssee
(Stanislaw Mucha, 2014)
|
|
|
|
36
|
|
|
40
|
|
|
|
38
|
Avengers: Age of Ultron
(Joss Whedon, 2015)
|
|
|
|
|
38
|
|
|
|
|
|
38
|
Ben Hur
(Timur Bekmambetov, 2016)
|
|
|
|
34
|
|
|
|
|
42
|
|
38
|
Asphaltgorillas
(Detlev Buck, 2018)
|
|
47
|
|
|
50
|
|
|
|
17
|
|
38
|
Shame
(Steve McQueen, 2011)
|
|
|
|
34
|
50
|
|
30
|
|
37
|
|
37,8
|
Zeit der Kannibalen
(Johannes Naber, 2013)
|
|
|
|
|
65
|
22
|
|
|
26
|
|
37,7
|
Jurassic World: Ein neues Zeitalter
(Colin Trevorrow, 2022)
|
|
38
|
|
|
|
|
|
|
37
|
|
37,5
|
Tausend Zeilen
(Michael Bully Herbig, 2022)
|
|
45
|
|
46
|
|
|
|
50
|
9
|
|
37,5
|
Siberia
(Abel Ferrara, 2020)
|
|
25
|
57
|
|
69
|
|
|
|
13
|
23
|
37,4
|
Warten auf Angelina
(Hans-Christoph Blumenberg, 2009)
|
|
|
|
27
|
|
29
|
|
|
56
|
|
37,3
|
Pina
(Wim Wenders, 2010)
|
64
|
|
|
|
|
28
|
20
|
|
|
|
37,3
|
Wen die Geister lieben (Ghost Town)
(David Koepp, 2008)
|
|
|
|
|
|
|
|
|
37
|
|
37
|
Slumdog Millionaire
(Danny Boyle, 2008)
|
65
|
|
|
7
|
|
40
|
49
|
|
24
|
|
37
|
Erzähl mir was vom Regen (Parlez-moi de la pluie)
(Agnes Jaoui, 2008)
|
45
|
|
|
37
|
|
29
|
|
|
|
|
37
|
Das Massaker von Katyn (Katyn)
(Andrzej Wajda, 2007)
|
|
|
|
|
|
37
|
|
|
|
|
37
|
Chappie
(Neill Blomkamp, 2014)
|
|
|
|
|
|
|
|
|
37
|
|
37
|
Grenzenlos (Submergence)
(Wim Wenders, 2017)
|
|
57
|
|
|
|
|
|
17
|
|
|
37
|
Hillbilly Elegy
(Ron Howard, 2020)*
|
|
42
|
|
|
50
|
|
|
19
|
|
|
37
|
Unfrosted
(Jerry Seinfeld, 2024)*
|
|
23
|
|
|
|
|
|
|
|
51
|
37
|
Bad Boys: Ride or Die
(Adil El Arbi & Bilall Fallah, 2024)
|
|
37
|
|
|
|
|
|
|
37
|
|
37
|
Mammuth
(Benoit Delepine & Gustave de Kervern, 2010)
|
41
|
|
|
38
|
|
35
|
|
|
33
|
|
36,8
|
J. Edgar
(Clint Eastwood, 2011)
|
|
|
|
|
19
|
|
|
|
54
|
37
|
36,7
|
Kriegerin
(David Wnendt, 2011)
|
|
|
|
38
|
|
|
37
|
|
|
35
|
36,7
|
Micmacs – Uns gehört Paris
(Jean-Pierre Jeunet, 2009)
|
|
|
|
59
|
|
|
|
|
|
14
|
36,5
|
Passion
(Brian de Palma, 2012)
|
|
|
|
23
|
27
|
70
|
19
|
|
33
|
47
|
36,5
|
Café Society
(Woody Allen, 2016)
|
|
|
|
48
|
10
|
|
|
45
|
43
|
|
36,5
|
To the Wonder
(Terrence Malick, 2012)
|
|
|
|
41
|
28
|
75
|
20
|
|
22
|
31
|
36,2
|
X-Men: Zukunft ist Vergangenheit
(Bryan Singer, 2014)
|
|
|
|
|
36
|
|
|
|
|
|
36
|
Onward
(Dan Scanlon, 2020)
|
|
|
|
|
36
|
|
|
|
|
|
36
|
Downsizing
(Alexander Payne, 2017)
|
|
34
|
|
44
|
78
|
|
|
12
|
36
|
10
|
35,7
|
Deutschland 09
(, 2009)
|
50
|
|
|
37
|
|
30
|
31
|
|
|
30
|
35,6
|
Immer Drama um Tamara (Tamara Drewe)
(Stephen Frears, 2010)
|
|
|
|
|
33
|
|
38
|
|
|
|
35,5
|
Restless
(Gus Van Sant, 2011)
|
|
|
|
|
39
|
|
32
|
|
|
|
35,5
|
Savages
(Oliver Stone, 2012)
|
|
|
|
|
19
|
52
|
|
|
|
|
35,5
|
The Look of Love
(Michael Winterbottom, 2013)
|
|
|
|
37
|
|
|
|
|
34
|
|
35,5
|
Das Tagebuch der Anne Frank
(Hans Steinbichler, 2016)
|
|
|
|
22
|
|
|
|
|
49
|
|
35,5
|
Und dann der Regen (También la lluvia)
(Icíar Bollaín, 2010)
|
|
|
|
53
|
|
23
|
30
|
|
|
|
35,3
|
Tore tanzt
(Katrin Gebbe, 2013)
|
|
|
|
62
|
|
|
8
|
|
36
|
|
35,3
|
Nach einer wahren Geschichte
(Roman Polanski, 2017)
|
|
23
|
|
|
35
|
|
|
48
|
|
|
35,3
|
Chloe
(Atom Egoyan, 2009)
|
|
|
|
35
|
|
|
|
|
|
|
35
|
Rubbeldiekatz
(Buck, 2011)
|
|
|
|
37
|
|
|
|
|
33
|
|
35
|
Baikonur
(Veit Helmer, 2011)
|
|
|
|
56
|
|
|
|
|
14
|
|
35
|
Anonymus (Anonymous)
(Roland Emmerich, 2011)
|
|
|
|
47
|
|
|
23
|
|
|
|
35
|
17 Mädchen (17 filles)
(Delphine Coulin, Muriel Coulin, 2011)
|
|
|
|
|
35
|
|
|
|
|
|
35
|
Oblivion
(Joseph Kosinski, 2013)
|
|
|
|
|
|
|
35
|
|
|
|
35
|
Sto Spiti – At Home
(Athanasios Karanikolas, 2014)
|
|
|
|
|
|
|
35
|
|
|
|
35
|
Kong: Skull Island
(Jordan Vogt-Roberts, 2017)
|
|
32
|
|
|
70
|
|
|
3
|
|
|
35
|
Contra
(Sönke Wortmann, 2021)
|
|
33
|
|
26
|
|
|
|
|
46
|
|
35
|
Rifkin's Festival
(Woody Allen, 2020)
|
|
37
|
|
|
|
|
|
|
33
|
|
35
|
Knight and Day
(James Mangold, 2010)
|
|
|
|
|
30
|
33
|
|
|
58
|
18
|
34,8
|
On the Rocks
(Sofia Coppola, 2020)*
|
|
35
|
|
|
46
|
|
|
37
|
|
21
|
34,8
|
Only God Forgives
(Nicholas Winding Refn, 2013)
|
|
|
|
|
13
|
|
47
|
|
44
|
|
34,7
|
Total Recall
(Len Wiseman, 2012)
|
|
|
|
44
|
|
|
55
|
|
4
|
|
34,3
|
Stilles Chaos (Caos Calmo)
(Antonello Grimaldi, 2008)
|
|
|
|
19
|
|
46
|
|
|
37
|
|
34
|
Der seltsame Fall des Benjamin Button (The curious case of Benjamin Button)
(David Fincher, 2008)
|
32
|
|
|
|
|
29
|
51
|
|
24
|
|
34
|
Stille Hochzeit – Zum Teufel mit Stalin
(Horatiu Malaele, 2008)
|
|
|
|
|
|
|
|
|
34
|
|
34
|
Howl – Das Geheul
(Rob Epstein Jeffrey Friedman, 2010)
|
|
|
|
5
|
|
40
|
45
|
|
46
|
|
34
|
World Invasion: Battle Los Angeles
(Jonathan Liebesman, 2011)
|
|
|
|
|
|
|
|
|
34
|
|
34
|
Dicke Mädchen
(Axel Ranisch, 2011)
|
|
|
|
|
|
|
34
|
|
|
|
34
|
Fliegende Liebende (Los amantes pasajeros)
(Pedro Almodóvar, 2012)
|
|
|
|
26
|
|
|
42
|
|
|
|
34
|
Eltern
(Robert Thalheim, 2013)
|
|
|
|
|
|
|
|
|
|
34
|
34
|
Das Haus der geheimnisvollen Uhren
(Eli Roth, 2018)
|
|
|
|
|
34
|
|
|
|
|
|
34
|
The Prom
(Ryna Murphy, 2020)
|
|
|
|
|
35
|
|
|
|
33
|
|
34
|
Monsieur Claude und sein großes Fest
(Philippe de Chauveron, 2021)
|
|
34
|
|
|
|
|
|
|
|
|
34
|
Australia
(Baz Luhrmann, 2008)
|
15
|
|
|
22
|
|
|
52
|
|
56
|
22
|
33,4
|
Die Eiserne Lady
(Phyllida Loyd, 2011)
|
|
|
|
25
|
25
|
|
|
|
|
50
|
33,3
|
Aus dem Nichts
(Fatih Akin, 2017)
|
|
37
|
|
22
|
|
40
|
|
34
|
|
|
33,3
|
Wiedersehen mit Brideshead (Brideshead Revisited)
(Julian Jarrold, 2007)
|
|
|
|
|
|
37
|
29
|
|
|
|
33
|
Twilight
(Catherine Hardwicke, 2008)
|
|
|
|
|
|
33
|
|
|
|
|
33
|
Simons Geheimnis (Adoration)
(Atom Egoyan, 2008)
|
32
|
|
|
34
|
|
|
|
|
|
|
33
|
Hangover 2
(Todd Phillips, 2011)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Green Lantern
(Martin Campbell, 2011)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Colombiana
(Olivier Megaton, 2011)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Circles (Krugovi)
(Srdan Golubovic, 2013)
|
|
|
|
|
|
|
32
|
|
34
|
|
33
|
Fack Ju Göhte 2
(Bora Dagtekin, 2015)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Independence Day 2: Wiederkehr
(Roland Emmerich, 2016)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Wer war Hitler
(Hermann Pölking, 2017)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Papillon
(Michael Noer, 2018)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Aquaman
(James Wan, 2018)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
Holmes & Watson
(Etan Cohen, 2018)
|
|
|
|
|
|
|
|
|
33
|
|
33
|
The Neon Demon
(Nicolas Winding Refn, 2016)
|
|
|
|
|
28
|
31
|
|
|
39
|
|
32,7
|
Magic in the Moonlight
(Woody Allen, 2014)
|
|
|
|
|
|
|
44
|
|
21
|
|
32,5
|
Der Vorname
(Sönke Wortmann, 2018)
|
|
25
|
|
40
|
|
|
|
11
|
53
|
|
32,3
|
Same Same But Different
(Buck (Detlev Buck), 2009)
|
|
|
|
|
|
|
|
|
32
|
|
32
|
My Week with Marilyn
(Simon Curtis, 2011)
|
|
|
|
34
|
30
|
|
|
|
|
|
32
|
Chico & Rita
(Fernando Trueba, Javier Mariscal, 2010)
|
|
|
|
|
|
|
32
|
|
|
|
32
|
Cloud Atlas
(Tom Tykwer / Lana und Andy Wachowski, 2012)
|
|
|
|
|
|
22
|
|
|
42
|
|
32
|
Die Geschichte der Menschheit - leicht gekürzt
(Erik Haffner, 2022)
|
|
|
|
|
|
|
|
|
32
|
|
32
|
Der Nachname
(Sönke Wortmann, 2022)
|
|
|
|
|
|
|
|
|
32
|
|
32
|
L’immensità
(Emanuele Crialese, 2022)
|
|
|
|
32
|
|
|
|
|
|
|
32
|
Kleine schmutzige Briefe (Wicked Little Letters)
(Thea Sharrock, 2023)
|
|
|
32
|
|
|
|
|
|
|
|
32
|
Der Vierer
(Iván Sáinz-Pardo, 2024)
|
|
|
|
|
|
|
|
|
32
|
|
32
|
The Killing of a Sacred Deer
(Yorgos Lanthimos, 2017)
|
|
42
|
|
20
|
79
|
3
|
|
37
|
24
|
18
|
31,9
|
Wer wenn nicht wir
(Andres Veiel, 2011)
|
|
|
|
18
|
28
|
30
|
40
|
|
|
43
|
31,8
|
The Dust of Time
(Theo Angelopoulos, 2009)
|
|
|
|
|
|
35
|
|
|
28
|
|
31,5
|
Ricky – Wunder geschehen
(Francois Ozon, 2009)
|
38
|
|
|
|
|
25
|
|
|
|
|
31,5
|
Gefährten (War Horse)
(Steven Spielberg, 2011)
|
|
|
|
|
|
|
|
|
45
|
18
|
31,5
|
Almanya – Willkommen in Deutschland
(Yasemin Samdereli, 2010)
|
|
|
|
38
|
|
19
|
|
|
|
37
|
31,3
|
Wettbewerb: Nebenan
(Daniel Brühl, 201)**
|
|
42
|
|
|
|
|
|
35
|
17
|
|
31,3
|
Westwind
(Robert Thalheim, 2011)
|
|
|
|
31
|
|
|
|
|
|
|
31
|
Killing them Softly
(Andrew Dominik, 2012)
|
|
|
|
|
37
|
|
25
|
|
|
|
31
|
Ballon
(Michael Herbig, 2018)
|
|
|
|
31
|
|
|
|
|
|
|
31
|
Einsamkeit und Sex und Mitleid
(Lars Montag, 2017)
|
|
|
|
17
|
|
|
|
45
|
|
|
31
|
Mackie Messer – Brechts Dreigroschenfilm
(Joachim A. Lang, 2018)
|
|
42
|
|
|
|
|
|
18
|
33
|
|
31
|
Kinds of Kindness
(Giorgos Lanthimos, 2024)
|
|
17
|
11
|
|
48
|
|
|
32
|
47
|
|
31
|
Transsiberian
(Brad Anderson, 2007)
|
35
|
|
|
|
|
27
|
|
|
35
|
26
|
30,8
|
Where to Invade Next?
(Michael Moore, 2015)
|
|
|
|
38
|
|
|
|
|
33
|
21
|
30,7
|
Soul Kitchen
(Fatih Akin, 2009)
|
24
|
|
|
33
|
|
29
|
30
|
|
37
|
|
30,6
|
Die Fremde
(Feo Aladag, 2010)
|
|
|
|
40
|
|
|
21
|
|
|
|
30,5
|
Paul – Ein Alien auf der Flucht
(Paul Mottola, 2010)
|
|
|
|
26
|
|
|
35
|
|
|
|
30,5
|
The Congress
(Ari Folman, 2013)
|
|
|
|
|
38
|
|
|
|
|
23
|
30,5
|
Venus im Pelz
(Roman Polanski, 2013)
|
|
|
|
|
51
|
|
10
|
|
|
|
30,5
|
Avengers: Infinity War
(Anthony & Joe Russo, 2018)
|
|
|
|
|
38
|
23
|
|
|
|
|
30,5
|
Die Geschichte meiner Frau
(Ildikó Enyedi, 2021)
|
|
27
|
|
|
|
|
|
|
34
|
|
30,5
|
The American
(Anton Corbijn, 2010)
|
24
|
|
|
47
|
29
|
27
|
|
|
25
|
|
30,4
|
Alter und Schönheit
(Michael Klier, 2008)
|
|
|
|
30
|
|
|
|
|
|
|
30
|
Das Salz der Erde
(Wim Wenders & Juliano Ribeiro Salgado, 2014)
|
|
|
|
|
|
|
30
|
|
|
|
30
|
Cyrano
(Joe Wright, 2021)
|
|
|
|
|
30
|
|
|
|
|
|
30
|
American Sniper
(Clint Eastwood, 2014)
|
|
|
|
5
|
70
|
17
|
|
|
|
27
|
29,8
|
Jud Suess – Film ohne Gewissen
(Oskar Roehler, 2010)
|
41
|
|
|
51
|
|
40
|
15
|
|
1
|
|
29,6
|
Irrational Man
(Woody Allen, 2015)
|
|
|
|
42
|
17
|
|
|
|
|
|
29,5
|
The Visitor (Ein Sommer in New York)
(Thomas McCarthy, 2009)
|
|
|
|
|
|
29
|
|
|
|
|
29
|
Schwerkraft
(Maximilian Erlenwein, 2009)
|
|
|
|
|
|
|
29
|
|
|
|
29
|
Batman v Superman: Dawn of Justice
(Zack Snyder, 2016)
|
|
|
|
|
22
|
|
|
|
|
36
|
29
|
Nahschuss
(Franziska Stünkel, 2020)
|
|
|
|
27
|
|
|
|
|
31
|
|
29
|
Mein Bruder heißt Robert und ist ein Idiot
(Philip Gröning, 2018)
|
|
45
|
|
3
|
|
32
|
|
40
|
24
|
|
28,8
|
Mad Circus
(Álex de la Iglesia, 2010)
|
|
|
|
|
36
|
17
|
8
|
|
54
|
|
28,8
|
Gnade
(Mathias Glasner, 2012)
|
|
|
|
33
|
|
|
15
|
|
37
|
30
|
28,8
|
Wonder Wheel
(Woody Allen, 2017)
|
|
34
|
|
37
|
12
|
|
|
|
32
|
|
28,8
|
Ewige Jugend (La Giovinezza)
(Paolo Sorrentino, 2015)
|
|
|
|
|
21
|
|
|
|
36
|
|
28,5
|
Wonder Woman 1984
(Patty Jenkins, 2020)*
|
|
15
|
|
|
|
|
|
19
|
38
|
42
|
28,5
|
Unbeugsam (Defiance)
(Edward Zwick, 2008)
|
|
|
|
18
|
|
|
40
|
|
27
|
|
28,3
|
Bullett Train
(David Leitch, 2022)
|
|
44
|
|
|
21
|
|
|
20
|
|
|
28,3
|
Anselm – Das Rauschen der Zeit
(Wim Wenders, 2023)
|
|
25
|
|
2
|
|
|
|
14
|
72
|
|
28,3
|
Inside Hollywood
(Barry Levinson, 2008)
|
|
|
|
27
|
|
25
|
|
|
32
|
|
28
|
Es kommt der Tag
(Susanne Schneider, 2009)
|
|
|
|
28
|
|
|
|
|
|
|
28
|
Glass
(M. Night Shyamalan, 2018)
|
|
|
|
|
28
|
|
|
|
|
|
28
|
Liebesdings
(Anika Decker, 2022)
|
|
45
|
|
|
|
|
|
|
11
|
|
28
|
Rehragout-Rendezvous
(Kerstin Schmidbauer, 2023)
|
|
|
|
28
|
|
|
|
|
|
|
28
|
Tod den Hippies!! Es lebe der Punk!
(Oskar Roehler, 2015)
|
|
|
|
13
|
|
|
62
|
|
8
|
|
27,7
|
Monsieur Claude 2
(Philippe de Chauveron, 2019)
|
|
|
|
30
|
|
|
|
|
25
|
|
27,5
|
Shahada
(Burhan Qurbani, 2010)
|
28
|
|
|
|
23
|
20
|
21
|
|
44
|
|
27,2
|
Chéri
(Stephen Frears, 2009)
|
|
|
|
|
|
13
|
41
|
|
|
|
27
|
Willkommen bei den Rileys
(Jake Scott, 2010)
|
|
|
|
27
|
|
|
|
|
|
|
27
|
Don – The King is Back
(Farhan Akhtar, 2011)
|
|
|
|
|
|
30
|
|
|
24
|
|
27
|
Inside Wikileaks
(Bill Condon, 2013)
|
|
|
|
|
|
20
|
|
|
34
|
|
27
|
Fack Ju Göhte 3
(Bora Dagtekin, 2013)
|
|
|
|
|
|
|
|
|
27
|
|
27
|
Utoya 22. Juli
(Erik Poppe, 2018)
|
|
42
|
|
|
24
|
|
|
15
|
|
|
27
|
Huhn mit Pflaumen
(Marjane Satrapi Vincent Paronnaud, 2011)
|
|
|
|
|
35
|
|
12
|
|
33
|
|
26,7
|
Surrogates – Mein zweites Ich
(Jonathan Mostow, 2009)
|
|
|
|
|
36
|
17
|
|
|
|
|
26,5
|
Religulous
(Larry Charles, 2008)
|
|
|
|
|
|
35
|
|
|
18
|
|
26,5
|
Die Vermessung der Welt
(Detlev Buck, 2012)
|
|
|
|
47
|
|
|
|
|
6
|
|
26,5
|
Die Jagd
(Thomas Vinterberg, 2012)
|
|
|
|
|
25
|
|
|
|
28
|
|
26,5
|
Der göttliche Andere
(Jan Schomburg, 2020)
|
|
|
|
|
|
|
|
15
|
38
|
|
26,5
|
Lakeview Terrace
(Neil LaBute, 2008)
|
|
|
|
|
|
30
|
|
|
23
|
26
|
26,3
|
Die Unschärferelation der Liebe
(Lars Kraume, 2023)
|
|
|
|
12
|
|
|
|
12
|
55
|
|
26,3
|
The Man from London
(Béla Tarr, 2007)
|
19
|
|
|
|
|
40
|
|
|
17
|
29
|
26,3
|
Bis später, Max!
(Jan Schütte, 2007)
|
|
|
|
|
|
29
|
|
|
23
|
|
26
|
The Green Hornet
(Michel Gondry, 2011)
|
|
|
|
26
|
|
|
|
|
|
|
26
|
Ich bin Nummer Vier
(D.J. Caruso, 2011)
|
|
|
|
|
|
26
|
|
|
|
|
26
|
Wege des Lebens
(Sally Potter, 2020)
|
|
20
|
|
|
|
|
|
32
|
|
|
26
|
Warten auf Bojangles
(Régis Roinsard, 2021)
|
|
|
|
26
|
|
|
|
|
|
|
26
|
Knight of Cups
(Terrence Malick, 2015)
|
|
|
|
3
|
|
81
|
19
|
|
9
|
17
|
25,8
|
Nocturnal Animals
(Tom Ford, 2016)
|
|
22
|
|
|
59
|
8
|
|
19
|
19
|
|
25,4
|
Sherlock Holmes
(Guy Ritchie, 2009)
|
39
|
|
|
|
8
|
30
|
|
|
24
|
|
25,3
|
The Future
(Miranda July, 2011)
|
|
|
|
27
|
|
34
|
28
|
|
|
12
|
25,3
|
Betty Anne Waters (Conviction)
(Tom Goldwyn, 2010)
|
|
|
|
17
|
|
|
|
|
33
|
|
25
|
To Rome with Love
(Woody Allen, 2012)
|
|
|
|
28
|
25
|
|
32
|
|
15
|
|
25
|
The Amazing Spider-Man 2: Rise of Electro
(Marc Webb, 2014)
|
|
|
|
|
|
|
25
|
|
|
|
25
|
Jugend ohne Gott
(Alain Gsponer, 2017)
|
|
|
|
|
|
|
|
|
25
|
|
25
|
Mary Shelley
(Haifaa Al-Mansour, 2018)
|
|
|
|
|
25
|
|
|
|
|
|
25
|
Scream
(Matt Bettinelli-Olpin & Tyler Gillett, 2022)
|
|
25
|
|
|
|
|
|
|
|
|
25
|
Drei Etagen (Tre Piani)
(Nanni Moretti, 2021)
|
|
25
|
|
|
|
|
|
|
|
|
25
|
The Palace
(Roman Polanski, 2023)
|
|
17
|
|
|
|
|
|
|
33
|
|
25
|
Wall Street – Money Never Sleeps
(Oliver Stone, 2010)
|
66
|
|
|
17
|
|
|
20
|
|
8
|
13
|
24,8
|
Die Gräfin
(Julie Delpy, 2009)
|
|
|
|
36
|
|
|
19
|
|
19
|
|
24,7
|
Bad Neighbors
(Nicholas Stoller, 2014)
|
|
|
|
|
11
|
|
|
|
|
38
|
24,5
|
Das Kabinett des Dr. Parnassus
(Terry Gilliam, 2009)
|
|
|
|
19
|
29
|
28
|
|
|
21
|
|
24,3
|
Ganz nah bei dir
(Almut Getto, 2009)
|
|
|
|
21
|
|
17
|
|
|
34
|
|
24
|
Pieta
(Kim Ki-duk, 2012)
|
|
|
|
|
28
|
|
20
|
|
|
|
24
|
Lomo: The Language of Many Others
(Julia Langhof, 2017)
|
|
|
|
|
|
|
|
24
|
|
|
24
|
W.E.
(Madonna, 2011)
|
|
|
|
44
|
26
|
|
9
|
|
16
|
|
23,8
|
Die schönen Tage von Aranjuez
(Wim Wenders, 2016)
|
|
54
|
|
3
|
|
|
|
14
|
|
|
23,7
|
Die Kommune (Kollektivet)
(Thomas Vinterberg, 2016)
|
|
|
|
|
12
|
|
|
|
35
|
|
23,5
|
Die Schimmelreiter
(Lars Jessen, 2008)
|
|
|
|
28
|
|
18
|
|
|
|
|
23
|
Stereo
(Maximilian Erlenwein, 2013)
|
|
|
|
|
|
|
|
|
23
|
|
23
|
Everything Will Be Fine
(Wim Wenders, 2015)
|
|
|
|
|
|
23
|
|
|
|
|
23
|
Elser – Er hätte die Welt verändert
(Oliver Hirschbiegel, 2015)
|
|
|
|
|
|
22
|
|
|
|
24
|
23
|
Märzengrund
(Adrian Goiginger, 2021)
|
|
|
21
|
|
25
|
|
|
|
|
|
23
|
Das schweigende Klassenzimmer
(Lars Kraume, 2017)
|
|
|
|
22
|
|
|
|
27
|
22
|
20
|
22,8
|
Knowing
(Alex Proyas, 2009)
|
26
|
|
|
|
|
19
|
|
|
|
|
22,5
|
Ruhm
(Isabel Kleefeld, 2011)
|
|
|
|
22
|
|
|
|
|
|
|
22
|
7 Psychos
(Martin McDonagh, 2012)
|
|
|
|
18
|
29
|
|
19
|
|
|
|
22
|
Der Schaum der Tage
(Michel Gondry, 2013)
|
|
|
|
|
|
|
22
|
|
|
|
22
|
Athena
(Romain Gavras, 2022)*
|
|
35
|
|
|
9
|
|
|
|
|
|
22
|
Der Vorleser (The Reader)
(Stephen Daldry, 2008)
|
37
|
|
|
19
|
|
|
9
|
|
|
|
21,7
|
Venom
(Ruben Fleischer, 2018)
|
|
21
|
|
|
|
|
|
|
|
|
21
|
Baywatch
(Seth Gordon, 2017)
|
|
25
|
|
|
|
|
|
17
|
|
|
21
|
Herz aus Stahl (Fury)
(David Ayer, 2014)
|
|
|
|
|
|
|
|
|
21
|
|
21
|
Entourage
(Doug Ellin, 2015)
|
|
|
|
|
|
|
|
|
|
21
|
21
|
Schneemann
(Tomas Alfredson, 2017)
|
|
|
|
|
|
|
|
|
21
|
|
21
|
Terminator Genisys
(Alan Taylor, 2015)
|
|
|
|
18
|
|
|
|
|
23
|
|
20,5
|
Quellen des Lebens
(Oskar Roehler, 2013)
|
|
|
|
12
|
21
|
|
|
|
28
|
|
20,3
|
Transformers – Die Rache (Transformers: Revenge of the Fallen)
(Michael Bay, 2009)
|
|
|
|
|
|
|
|
|
35
|
5
|
20
|
Zwischen Welten
(Feo Aladag, 2014)
|
|
|
|
|
|
20
|
|
|
|
|
20
|
Der goldene Handschuh
(Fatih Akin, 2019)
|
|
15
|
|
|
|
17
|
|
2
|
46
|
|
20
|
Bekenntnisse des Hochstaplers Felix Krull
(Detlev Buck, 2021)
|
|
|
|
|
|
|
|
12
|
28
|
|
20
|
Eine Karte der Klaenge von Tokio
(Isabel Coixet, 2009)
|
25
|
|
|
|
17
|
|
|
|
17
|
|
19,7
|
The Dark Knight Rises
(Christopher Nolan, 2012)
|
|
|
|
|
14
|
|
34
|
|
|
11
|
19,7
|
Die kommenden Tage
(Lars Kraume, 2010)
|
|
|
|
11
|
|
|
|
|
28
|
|
19,5
|
Monuments Men
(George Clooney, 2014)
|
|
|
|
10
|
|
|
29
|
|
|
|
19,5
|
In the Land of Blood and Honey
(Angelina Jolie, 2011)
|
|
|
|
28
|
|
|
16
|
|
14
|
|
19,3
|
Vision – Aus dem Leben der Hildegard von Bingen
(Margarethe von Trotta, 2009)
|
|
|
|
|
|
|
19
|
|
|
|
19
|
Lion
(Garth Davis, 2016)
|
|
|
|
|
27
|
|
|
25
|
4
|
|
18,7
|
The Lady
(Luc Besson, 2011)
|
|
|
|
11
|
|
|
|
|
26
|
|
18,5
|
Im Labyrinth des Schweigens
(Giulio Ricciarelli, 2014)
|
|
|
|
|
|
|
|
|
18
|
|
18
|
Ich und Kaminski
(Wolfgang Becker, 2015)
|
|
|
|
18
|
|
|
|
|
|
|
18
|
Der Schein trügt
(Srdjan Dragojevic, 2021)
|
|
|
|
|
|
|
|
18
|
|
|
18
|
Borderlands
(Eli Roth, 2024)
|
|
18
|
|
|
|
|
|
|
|
|
18
|
Der vermessene Mensch
(Lars Kraume, 2023)
|
|
18
|
|
8
|
|
|
|
28
|
17
|
|
17,8
|
Blonde
(Andrew Dominik, 2022)*
|
|
25
|
|
|
21
|
|
|
7
|
|
|
17,7
|
Lauf Junge Lauf
(Pepe Danquart, 2013)
|
|
|
|
17
|
|
|
|
|
18
|
|
17,5
|
Miral
(Julian Schnabel, 2010)
|
4
|
|
|
|
29
|
15
|
28
|
|
21
|
7
|
17,3
|
Geständnisse (Kokuhaku)
(Tetsuya Nakashima, 2010)
|
|
|
|
|
|
17
|
|
|
|
|
17
|
Die Päpstin
(Sönke Wortmann, 2009)
|
|
|
|
15
|
|
27
|
17
|
|
8
|
|
16,8
|
Das radikal Böse
(Stefan Ruzowitzky, 2014)
|
|
|
|
|
|
|
5
|
|
41
|
4
|
16,7
|
John Rabe
(Florian Gallenberger, 2008)
|
|
|
|
|
|
|
25
|
|
7
|
|
16
|
Mein bester Feind
(Wolfgang Murnberger, 2011)
|
|
|
|
|
|
|
20
|
|
12
|
|
16
|
Jupiter Ascending
(Lana & Larry Wachowski, 2015)
|
|
|
|
|
|
|
|
|
16
|
|
16
|
Cortex
(Moritz Bleibtreu, 2020)
|
|
|
|
|
|
|
|
|
16
|
|
16
|
Servus Papa, See You in Hell
(Christopher Roth, 2022)
|
|
|
|
16
|
|
|
|
|
|
|
16
|
Joschka und Herr Fischer
(Pepe Danquart, 2011)
|
|
|
|
15
|
|
|
30
|
|
8
|
10
|
15,8
|
Freistatt
(Marc Brummund, 2014)
|
|
|
|
5
|
|
|
|
|
26
|
|
15,5
|
Fikkefuchs
(Jan Henrik Stahlberg, 2017)
|
|
27
|
|
3
|
|
4
|
|
|
28
|
|
15,5
|
Glück
(Doris Dörrie, 2012)
|
|
|
|
|
|
|
9
|
|
21
|
|
15
|
Krieg der Knöpfe
(Christophe Barratier, 2011)
|
|
|
|
|
|
|
|
|
15
|
|
15
|
Fassbinder
(Annekatrin Hendel, 2015)
|
|
|
|
|
|
|
2
|
|
33
|
8
|
14,3
|
The Gray Man
(Anthony & Joe Russo, 2022)
|
|
22
|
|
|
4
|
|
|
16
|
|
|
14
|
Die Blumen von gestern
(Chris Kraus, 2016)
|
|
8
|
|
3
|
40
|
|
|
4
|
|
|
13,8
|
Palermo Shooting
(Wim Wenders, 2008)
|
20
|
|
|
|
|
|
10
|
|
11
|
|
13,7
|
Black Adam
(Jaume Collet-Serra, 2022)
|
|
15
|
|
|
|
|
|
12
|
|
|
13,5
|
Ein ganzes Leben
(Hans Steinbichler, 2023)
|
|
|
|
25
|
|
|
|
|
1
|
|
13
|
791km
(Tobi Baumann, 2023)
|
|
|
|
|
|
|
|
|
13
|
|
13
|
Buddenbrooks
(Heinrich Breloer, 2008)
|
|
|
|
11
|
|
15
|
9
|
|
8
|
20
|
12,6
|
Viel Lärm um nichts
(Joss Whedon, 2012)
|
|
|
|
17
|
|
|
8
|
|
|
|
12,5
|
HERRliche Zeiten
(Oskar Roehler, 2017)
|
|
17
|
|
2
|
|
18
|
|
|
|
|
12,3
|
The Help
(Tate Taylor, 2011)
|
|
|
|
|
|
|
8
|
|
16
|
|
12
|
Russendisko
(Oliver Ziegenbalg, 2011)
|
|
|
|
|
|
|
|
|
12
|
|
12
|
Southpaw
(Antoine Fuqua, 2015)
|
|
|
|
12
|
|
|
|
|
|
|
12
|
Finsterworld
(Frauke Finsterwalder, 2013)
|
|
|
|
23
|
|
|
|
|
6
|
5
|
11,3
|
Extrem laut und unglaublich nah
(Stephen Daldry, 2012)
|
|
|
|
11
|
|
|
|
|
|
|
11
|
The Cut
(Fatih Akin, 2014)
|
|
|
|
|
|
|
10
|
|
12
|
|
11
|
Bad Director
(Oskar Roehler, 2024)
|
|
8
|
|
|
|
|
|
1
|
22
|
|
10,3
|
The Tourist
(Florian Henckel von Donnersmarck, 2010)
|
19
|
|
|
16
|
|
|
4
|
|
2
|
|
10,3
|
In meinem Himmel (My Lovely Bones)
(Peter Jackson, 2009)
|
18
|
|
|
|
|
|
|
|
1
|
|
9,5
|
Der Fall Collini
(Marco Kreuzpaintner, 2019)
|
|
|
|
|
|
|
|
|
9
|
|
9
|
Führer und Verführer
(Joachim A. Lang, 2024)
|
|
|
|
|
|
|
|
1
|
17
|
|
9
|
Werk ohne Autor
(Florian Henckel von Donnersmarck, 2018)
|
|
12
|
|
7
|
13
|
|
|
5
|
5
|
8
|
8,3
|
Life in a Day
(Kevin Macdonald, 2010)
|
|
|
|
|
|
|
|
|
7
|
9
|
8
|
2 Tage New York
(Julie Delpy, 2011)
|
|
|
|
7
|
|
|
|
|
|
|
7
|
The Gentleman
(Guy Ritchie, 2019)
|
|
|
7
|
|
|
|
|
|
|
|
7
|
Je Suis Karl
(Christian Schwochow, 2021)
|
|
12
|
|
|
|
|
|
3
|
8
|
5
|
7
|
360
(Fernando Meirelles, 2011)
|
|
|
|
|
|
|
8
|
|
5
|
|
6,5
|
Zettl
(Helmut Dietl, 2012)
|
|
|
|
6
|
|
|
|
|
|
|
6
|
Fifty Shades of Grey
(Sam Taylor-Johnson, 2015)
|
|
|
|
|
|
|
|
|
6
|
|
6
|
In einer besseren Welt
(Susanne Bier, 2010)
|
|
|
|
5
|
|
5
|
|
|
|
|
5
|
On the Road
(Walter Salles, 2012)
|
|
|
|
|
|
|
5
|
|
|
|
5
|
Fifty Shades of Grey 2 – Gefährliche Liebe
(Sam Foley, 2017)
|
|
|
|
|
|
|
|
|
5
|
|
5
|
Der junge Häuptling Winnetou
(Mike Marzuk, 2022)
|
|
|
|
3
|
|
|
|
|
|
|
3
|
Unbroken
(Angelina Jolie, 2014)
|
|
|
|
3
|
|
|
|
|
1
|
|
2
|
Stella. Ein Leben
(Kilian Riedhof, 2023)
|
|
|
|
1
|
|
|
|
3
|
|
|
2
|