|
Andreas Busche
Tagesspiegel |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Dunkirk
(Christopher Nolan, 2017)
|
|
84
|
82
|
83
|
82
|
87
|
90
|
84,7
|
|
Scarred Hearts (Inimi cicatrizate)
(Radu Jude, 2016)
|
|
|
|
|
90
|
78
|
|
84
|
|
Neruda
(Pablo Larraín, 2016)
|
73
|
|
89
|
|
90
|
|
|
84
|
|
Western
(Valeska Grisebach, 2017)
|
|
64
|
90
|
87
|
89
|
92
|
79
|
83,5
|
|
Jackie
(Pablo Larraín, 2016)
|
83
|
|
79
|
|
94
|
81
|
78
|
83
|
|
Get Out
(Jordan Peele, 2017)
|
84
|
89
|
78
|
70
|
84
|
90
|
85
|
82,9
|
|
I am Not Your Negro
(Raoul Peck, 2016)
|
88
|
85
|
72
|
|
85
|
82
|
80
|
82
|
|
Félicité
(Alain Gomis, 2017)
|
78
|
86
|
79
|
|
|
84
|
|
81,8
|
|
Die Lebenden reparieren
(Katell Quillévéré, 2016)
|
|
|
79
|
85
|
|
80
|
81
|
81,3
|
|
Moonlight
(Barry Jenkins, 2016)
|
92
|
78
|
76
|
|
84
|
88
|
69
|
81,2
|
|
Mit siebzehn (Quand on a 17 ans)
(André Techiné, 2016)
|
84
|
86
|
82
|
83
|
86
|
72
|
75
|
81,1
|
|
Havarie
(Philip Scheffner, 2016)
|
93
|
89
|
43
|
|
85
|
84
|
90
|
80,7
|
|
Elle
(Paul Verhoeven, 2016)
|
92
|
86
|
85
|
45
|
93
|
90
|
70
|
80,1
|
|
Untitled
(Michael Glawogger & Monica Willi, 2017)
|
|
|
80
|
|
|
80
|
|
80
|
|
Arrival
(Denis Villeneuve, 2016)
|
90
|
89
|
55
|
76
|
77
|
80
|
90
|
79,6
|
|
Casting
(Nicolas Wackerbarth, 2017)
|
82
|
74
|
90
|
66
|
82
|
86
|
72
|
78,9
|
|
Love & Friendship
(Whit Stillman, 2016)
|
85
|
|
74
|
|
72
|
|
80
|
77,8
|
|
Jahrhundertfrauen (20th Century Women)
(Mike Mills, 2016)
|
|
|
89
|
|
72
|
|
72
|
77,7
|
|
Meine schöne innere Sonne (Un beau soleil intérieur)
(Claire Denis, 2017)
|
78
|
|
83
|
64
|
80
|
83
|
|
77,6
|
|
Selbstkritik eines bürgerlichen Hundes
(Julian Radlmaier, 2016)
|
78
|
76
|
76
|
|
83
|
78
|
70
|
76,8
|
|
Denk ich an Deutschland in der Nacht
(Romuald Karmakar, 2017)
|
|
77
|
|
|
70
|
82
|
78
|
76,8
|
|
Life
(Daniel Espinosa, 2017)
|
|
|
|
|
|
78
|
75
|
76,5
|
|
Der Ornithologe
(Joao Pedro Rodrigues, 2016)
|
|
|
74
|
85
|
74
|
77
|
72
|
76,4
|
|
Certain Women
(Kelly Reichardt, 2016)
|
74
|
78
|
80
|
68
|
87
|
75
|
70
|
76
|
|
Dil Leyla
(Asli Özarslan, 2017)
|
|
|
|
|
|
76
|
|
76
|
|
Die Welt sehen (Voir du pays)
(Delphine & Muriel Coulin, 2016)
|
|
|
|
|
|
76
|
|
76
|
|
120BPM
(Robin Campillo, 2017)
|
|
|
70
|
|
78
|
80
|
|
76
|
|
Deportation Class
(Carsten Rau & Hauke Wendler, 2016)
|
|
|
|
|
|
82
|
68
|
75
|
|
The Square
(Ruben Östlund, 2017)
|
76
|
62
|
52
|
78
|
84
|
88
|
85
|
75
|
|
Battle of the Sexes
(Jonathan Dayton & Valerie Faris, 2017)
|
|
|
|
|
|
75
|
|
75
|
|
Manchester by the Sea
(Kenneth Lonergan, 2016)
|
66
|
|
80
|
|
62
|
82
|
84
|
74,8
|
|
Die andere Seite der Hoffnung
(Aki Kaurismäki, 2017)
|
58
|
58
|
85
|
82
|
78
|
84
|
|
74,2
|
|
Fences
(Denzel Washington, 2016)
|
87
|
|
|
|
60
|
|
|
73,5
|
|
Planet der Affen: Survival
(Matt Reeves, 2017)
|
|
|
80
|
|
|
67
|
|
73,5
|
|
Logan Lucky
(Steven Soderbergh, 2017)
|
|
69
|
79
|
|
74
|
|
72
|
73,5
|
|
Personal Shopper
(Olivier Assayas, 2016)
|
78
|
|
72
|
68
|
73
|
|
75
|
73,2
|
|
Magical Mystery
(Arne Feldhusen, 2017)
|
|
|
|
|
|
73
|
|
73
|
|
David Lynch – The Art Life
(Jon Nguyen, 2016)
|
|
|
|
|
|
73
|
|
73
|
|
Clair Obscur
(Yesim Ustaoglu, 2016)
|
|
|
|
|
|
73
|
|
73
|
|
Austerlitz
(Sergej Loznitsa, 2016)
|
77
|
81
|
38
|
54
|
85
|
90
|
85
|
72,9
|
|
Die Taschendiebin (Handmaid)
(Park Chan-wook, 2016)
|
72
|
|
|
|
73
|
71
|
|
72
|
|
Lommbock
(Christian Zübert, 2017)
|
|
|
|
|
|
72
|
|
72
|
|
Atomic Blonde
(David Leitch, 2017)
|
|
72
|
|
|
|
|
|
72
|
|
Es
(Andy Muschietti, 2017)
|
|
|
66
|
|
|
|
78
|
72
|
|
Loving
(Jeff Nichols, 2017)
|
|
68
|
76
|
|
70
|
72
|
|
71,5
|
|
Die versunkene Stadt Z
(James Gray, 2016)
|
77
|
|
|
70
|
|
68
|
70
|
71,3
|
|
Blade Runner 2049
(Denis Villeneuve, 2017)
|
70
|
|
49
|
|
70
|
84
|
81
|
70,8
|
|
Thor 3: Tag der Entscheidung
(Taika Waititi, 2017)
|
67
|
|
|
|
74
|
|
|
70,5
|
|
Die beste aller Welten
(Adrian Goiginger, 2017)
|
|
|
56
|
|
76
|
79
|
|
70,3
|
|
Die irre Heldentour des Billy Lynn
(Ang Lee, 2016)
|
76
|
|
58
|
|
|
75
|
|
69,7
|
|
Körper und Seele (A Teströl és Lélekröl)
(Ildikó Enyedi, 2017)
|
73
|
51
|
|
|
72
|
82
|
|
69,5
|
|
The Great Wall
(Zhang Yimou, 2016)
|
|
|
|
|
|
69
|
|
69
|
|
T 2 Trainspotting
(Danny Boyle, 2017)
|
|
59
|
|
67
|
79
|
|
|
68,3
|
|
The Birth of a Nation – Aufstand zur Freiheit
(Nate Parker, 2016)
|
71
|
75
|
|
|
72
|
55
|
|
68,3
|
|
Der Tod von Ludwig XIV
(Albert Serra, 2016)
|
|
|
30
|
73
|
|
87
|
83
|
68,3
|
|
Hell or High Water
(David Mackenzie, 2016)
|
76
|
67
|
48
|
|
75
|
74
|
|
68
|
|
Der traumhafte Weg
(Angela Schanelec, 2016)
|
74
|
32
|
|
90
|
81
|
81
|
49
|
67,8
|
|
Rogue One: A Star Wars Story
(Gareth Edwards, 2016)
|
|
|
|
|
67
|
|
|
67
|
|
Regeln spielen keine Rolle (Rules Don’t Apply)
(Warren Beatty, 2016)
|
67
|
|
|
64
|
70
|
|
|
67
|
|
Wonder Woman
(Patty Jenkins, 2017)
|
|
|
41
|
|
78
|
79
|
70
|
67
|
|
The Salesman (Forushande)
(Asghar Farhadi, 2016)
|
69
|
|
54
|
64
|
70
|
76
|
|
66,6
|
|
Die feine Gesellschaft (Ma Loute)
(Bruno Dumont, 2016)
|
74
|
|
42
|
73
|
60
|
83
|
|
66,4
|
|
The Founder
(John Lee Hancock, 2016)
|
66
|
55
|
|
|
|
76
|
|
65,7
|
|
The Limehouse Golem
(Juan Carlos Medina, 2016)
|
|
|
|
|
|
65
|
|
65
|
|
Die Flügel der Menschen (Centaur)
(Aktan Arym Kubat, 2017)
|
57
|
|
|
|
|
72
|
|
64,5
|
|
Detroit
(Kathryn Bigelow, 2017)
|
44
|
|
|
|
65
|
78
|
70
|
64,3
|
|
In Zeiten des abnehmenden Lichts
(Matti Geschonneck, 2017)
|
71
|
62
|
|
46
|
75
|
67
|
|
64,2
|
|
Ana, mon amour
(Calin Peter Netzer, 2017)
|
|
|
|
54
|
59
|
78
|
|
63,7
|
|
Live By Night
(Ben Affleck, 2016)
|
60
|
|
|
|
|
66
|
|
63
|
|
Hidden Figures
(Theodore Melfi, 2016)
|
65
|
|
|
|
61
|
|
|
63
|
|
Vorwärts immer!
(Franziska Meletzky, 2017)
|
|
47
|
|
|
|
77
|
|
62
|
|
La La Land
(Damien Chazelle, 2016)
|
68
|
60
|
68
|
50
|
50
|
73
|
61
|
61,4
|
|
Der die Zeichen liest
(Kiril Serebrennikov, 2016)
|
71
|
|
23
|
|
74
|
77
|
|
61,3
|
|
Fünf Sterne
(Annekatrin Hendel, 2017)
|
|
65
|
|
|
45
|
73
|
|
61
|
|
Passengers
(Morten Tyldum, 2016)
|
47
|
|
|
63
|
|
73
|
60
|
60,8
|
|
Barakah Meets Barakah
(Mahmoud Sabbagh, 2016)
|
68
|
|
41
|
|
|
73
|
|
60,7
|
|
The Party
(Sally Potter, 2017)
|
|
52
|
66
|
|
48
|
75
|
|
60,3
|
|
Manifesto
(Julian Rosefeldt, 2017)
|
|
|
43
|
|
77
|
|
|
60
|
|
Drei Zinnen
(Jan Zabeil, 2017)
|
54
|
|
|
|
|
65
|
|
59,5
|
|
Die Erfindung der Wahrheit (Miss Sloane)
(John Madden, 2016)
|
|
|
|
|
41
|
72
|
62
|
58,3
|
|
Nocturama
(Bertrand Bonello, 2016)
|
|
|
62
|
74
|
50
|
28
|
76
|
58
|
|
Träum was Schönes (Fai bei sogni)
(Marco Bellocchio, 2016)
|
|
|
37
|
65
|
|
72
|
|
58
|
|
Alien: Covenant
(Ridley Scott, 2017)
|
|
|
57
|
60
|
|
55
|
|
57,3
|
|
Song to Song
(Terrence Malick, 2017)
|
|
|
|
|
79
|
34
|
|
56,5
|
|
The Circle
(James Ponsoldt, 2017)
|
|
|
|
|
63
|
56
|
50
|
56,3
|
|
The Dinner
(Oren Moverman, 2017)
|
68
|
70
|
30
|
|
|
|
|
56
|
|
Valerian – Die Stadt der tausend Planeten
(Luc Besson, 2017)
|
|
|
18
|
|
72
|
78
|
|
56
|
|
Animals – Stadt Land Tier
(Greg Zglinski, 2017)
|
56
|
|
|
|
|
|
|
56
|
|
Helle Nächte
(Thomas Arslan, 2017)
|
|
38
|
|
47
|
57
|
77
|
60
|
55,8
|
|
Blind & hässlich
(Tom Lass, 2017)
|
67
|
|
|
|
|
44
|
|
55,5
|
|
Logan – The Wolverine
(James Mangold, 2017)
|
49
|
|
78
|
|
|
38
|
|
55
|
|
Tu nichts Böses (Non essere cattivo)
(Claudio Caligari, 2015)
|
|
|
55
|
|
|
|
|
55
|
|
Tiger Girl
(Jakob Lass, 2017)
|
64
|
24
|
73
|
|
74
|
37
|
|
54,4
|
|
Star Wars: Episode VIII – Die letzten Jedi
(Rian Johnson, 2017)
|
72
|
|
38
|
|
82
|
24
|
|
54
|
|
Loving Vincent
(Dorota Kobiela & Hugh Welchman, 2017)
|
|
|
|
|
|
54
|
|
54
|
|
Ghost in the Shell
(Rupert Sanders, 2017)
|
69
|
|
46
|
|
45
|
|
|
53,3
|
|
Wilde Maus
(Josef Hader, 2017)
|
53
|
|
55
|
42
|
37
|
77
|
|
52,8
|
|
Eine fantastische Frau (Una mujer fantastica)
(Sebastián Lelio, 2017)
|
|
|
65
|
|
40
|
|
|
52,5
|
|
Axolotl Overkill
(Helene Hegemann, 2017)
|
|
42
|
50
|
|
58
|
65
|
47
|
52,4
|
|
Die Liebhaberin
(Lukas Valenta Rinner, 2016)
|
|
|
44
|
60
|
|
|
|
52
|
|
A Ghost Story
(David Lowery, 2017)
|
|
|
52
|
|
|
|
|
52
|
|
mother!
(Darren Aronofsky, 2017)
|
|
53
|
77
|
|
26
|
|
|
52
|
|
A Cure for Wellness
(Gore Verbinski, 2016)
|
|
|
24
|
|
|
77
|
|
50,5
|
|
Die Verführten (The Beguiled)
(Sofia Coppola, 2017)
|
|
48
|
35
|
|
70
|
|
48
|
50,3
|
|
Human Flow
(Ai Weiwei, 2017)
|
|
|
|
|
|
50
|
|
50
|
|
Paradies
(Andrei Konchalovsky, 2016)
|
|
|
30
|
|
|
69
|
|
49,5
|
|
Der junge Karl Marx
(Raoul Peck, 2016)
|
38
|
62
|
|
|
42
|
53
|
|
48,8
|
|
Silence
(Martin Scorsese, 2016)
|
34
|
|
55
|
|
|
53
|
|
47,3
|
|
Brimstone
(Martin Koolhoven, 2016)
|
|
|
17
|
|
|
77
|
|
47
|
|
Suburbicon
(George Clooney, 2017)
|
38
|
|
62
|
|
|
39
|
|
46,3
|
|
Ein deutsches Leben
(Florian Weigensamer u.a., 2017)
|
|
|
33
|
|
|
43
|
60
|
45,3
|
|
Die Schöne und das Biest
(Bill Condon, 2017)
|
|
|
|
|
45
|
|
|
45
|
|
Das ist unser Land! (Chez nous)
(Lucas Belvaux, 2017)
|
|
|
|
|
|
44
|
|
44
|
|
Hacksaw Ridge
(Mel Gibson, 2016)
|
43
|
|
|
|
|
|
|
43
|
|
Der lange Sommer der Theorie
(Irene von Alberti, 2017)
|
|
|
|
|
|
42
|
|
42
|
|
Happy End
(Michael Haneke, 2017)
|
48
|
28
|
73
|
28
|
50
|
38
|
18
|
40,4
|
|
Baby Driver
(Edgar Wright, 2017)
|
|
|
40
|
|
39
|
|
|
39,5
|
|
Justice League
(Zack Snyder, 2017)
|
48
|
|
28
|
|
|
38
|
|
38
|
|
Kong: Skull Island
(Jordan Vogt-Roberts, 2017)
|
32
|
|
70
|
|
3
|
|
|
35
|
|
Aus dem Nichts
(Fatih Akin, 2017)
|
37
|
22
|
|
40
|
34
|
|
|
33,3
|
|
Wer war Hitler
(Hermann Pölking, 2017)
|
|
|
|
|
|
33
|
|
33
|
|
The Killing of a Sacred Deer
(Yorgos Lanthimos, 2017)
|
42
|
20
|
79
|
3
|
37
|
24
|
18
|
31,9
|
|
Einsamkeit und Sex und Mitleid
(Lars Montag, 2017)
|
|
17
|
|
|
45
|
|
|
31
|
|
Fack Ju Göhte 3
(Bora Dagtekin, 2013)
|
|
|
|
|
|
27
|
|
27
|
|
Nocturnal Animals
(Tom Ford, 2016)
|
22
|
|
59
|
8
|
19
|
19
|
|
25,4
|
|
Jugend ohne Gott
(Alain Gsponer, 2017)
|
|
|
|
|
|
25
|
|
25
|
|
Die schönen Tage von Aranjuez
(Wim Wenders, 2016)
|
54
|
3
|
|
|
14
|
|
|
23,7
|
|
Baywatch
(Seth Gordon, 2017)
|
25
|
|
|
|
17
|
|
|
21
|
|
Schneemann
(Tomas Alfredson, 2017)
|
|
|
|
|
|
21
|
|
21
|
|
Lion
(Garth Davis, 2016)
|
|
|
27
|
|
25
|
4
|
|
18,7
|
|
Fikkefuchs
(Jan Henrik Stahlberg, 2017)
|
27
|
3
|
|
4
|
|
28
|
|
15,5
|
|
Die Blumen von gestern
(Chris Kraus, 2016)
|
8
|
3
|
40
|
|
4
|
|
|
13,8
|
|
Fifty Shades of Grey 2 – Gefährliche Liebe
(Sam Foley, 2017)
|
|
|
|
|
|
5
|
|
5
|