|
Andreas Busche
Tagesspiegel |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Zama
(Lucrecia Martel, 2017)
|
89
|
|
80
|
90
|
91
|
91
|
78
|
86,5
|
|
The Woman Who Left
(Lav Diaz, 2016)
|
86
|
|
94
|
|
|
85
|
80
|
86,3
|
|
Call Me By Your Name
(Luca Guadagnino, 2017)
|
88
|
85
|
80
|
|
95
|
|
72
|
84
|
|
Suspiria
(Luca Guadagnino, 2018)
|
80
|
|
84
|
|
85
|
86
|
85
|
84
|
|
Drei Gesichter
(Jafar Panahi, 2018)
|
86
|
|
80
|
|
83
|
90
|
78
|
83,4
|
|
Phantom Thread (Der seidene Faden)
(Paul Thomas Anderson, 2017)
|
72
|
|
94
|
65
|
89
|
88
|
90
|
83
|
|
Ex Libris
(Frederick Wiseman, 2017)
|
93
|
|
74
|
|
|
|
82
|
83
|
|
Glücklich wie Lazzaro (Lazzaro Felice)
(Alice Rohrwacher, 2018)
|
87
|
|
95
|
59
|
90
|
86
|
78
|
82,5
|
|
Waldheims Walzer
(Ruth Beckermann, 2018)
|
72
|
89
|
82
|
|
76
|
88
|
82
|
81,5
|
|
Cold War – Der Breitengrad der Liebe
(Pawel Pawlikowski, 2018)
|
82
|
70
|
88
|
|
89
|
76
|
|
81
|
|
Leave No Trace
(Debra Granik, 2018)
|
90
|
|
78
|
|
86
|
|
68
|
80,5
|
|
The Florida Project
(Sean Baker, 2017)
|
92
|
|
78
|
|
85
|
77
|
70
|
80,4
|
|
Shoplifters – Familienbande
(Hirokazu Kore-eda, 2018)
|
82
|
|
84
|
65
|
80
|
87
|
|
79,6
|
|
Ein Leben (Une vie)
(Stéphane Brizé, 2016)
|
84
|
|
84
|
75
|
77
|
77
|
|
79,4
|
|
SPK Komplex
(Gerd Kroske, 2018)
|
67
|
85
|
78
|
75
|
78
|
84
|
84
|
78,7
|
|
Leto
(Kiril Serebrennikov, 2018)
|
78
|
|
73
|
|
82
|
82
|
75
|
78
|
|
Aggregat
(Marie Wilke, 2018)
|
82
|
75
|
80
|
|
|
82
|
70
|
77,8
|
|
Freiheit
(Jan Speckenbach, 2017)
|
73
|
78
|
|
|
|
82
|
|
77,7
|
|
Mission: Impossible 6 – Fallout
(Christopher McQuarrie, 2018)
|
72
|
|
78
|
|
80
|
76
|
80
|
77,2
|
|
Augenblicke: Gesichter einer Reise (Visages, villages)
(Agnès Varda & JR, 2017)
|
92
|
|
78
|
|
|
|
61
|
77
|
|
Guardians of the Earth
(Filip Antoni Malinowski, 2017)
|
|
|
|
|
|
77
|
|
77
|
|
Licht
(Barbara Albert, 2017)
|
|
|
80
|
|
|
72
|
|
76
|
|
Directions (Posoki)
(Stephan Komandarev, 2017)
|
|
|
|
|
75
|
77
|
|
76
|
|
Mandy
(Panos Cosmatos, 2018)
|
65
|
|
80
|
|
|
83
|
|
76
|
|
Gute Manieren (As boas maneiras)
(Marco Dutra & Juliana Rojas, 2017)
|
79
|
|
65
|
|
82
|
75
|
|
75,3
|
|
Transit
(Christian Petzold, 2018)
|
83
|
68
|
84
|
59
|
80
|
86
|
65
|
75
|
|
Wildes Herz
(Charly Hübner, 2017)
|
|
75
|
|
|
75
|
|
|
75
|
|
Hans Blumenberg – Der unsichtbare Philosoph
(Christoph Rüters, 2018)
|
|
|
|
|
|
75
|
|
75
|
|
Lady Bird
(Greta Gerwig, 2017)
|
85
|
|
78
|
61
|
80
|
|
70
|
74,8
|
|
Roma
(Alfonso Cuarón, 2018)
|
80
|
|
77
|
69
|
73
|
88
|
60
|
74,5
|
|
Murer – Anatomie eines Prozesses
(Christian Frosch, 2018)
|
|
72
|
75
|
|
72
|
76
|
|
73,8
|
|
Ant-Man and the Wasp
(Peyton Reed, 2018)
|
73
|
|
80
|
|
|
68
|
|
73,7
|
|
Zentralflughafen THF
(Karim Ainouz, 2018)
|
70
|
|
|
|
69
|
81
|
|
73,3
|
|
Girl
(Lukas Dhont, 2018)
|
78
|
|
66
|
|
76
|
|
|
73,3
|
|
In My Room
(Ulrich Köhler, 2018)
|
|
73
|
70
|
72
|
77
|
78
|
70
|
73,3
|
|
Eldorado
(Markus Imhoof, 2018)
|
|
|
|
|
|
73
|
|
73
|
|
Die Frau, die vorausgeht (Woman Walks Ahead)
(Susanna White, 2017)
|
|
|
|
|
|
73
|
|
73
|
|
The Shape of Water
(Guillermo del Toro, 2017)
|
71
|
|
85
|
|
57
|
78
|
|
72,8
|
|
A Quiet Place
(John Krasinski, 2018)
|
78
|
|
55
|
|
|
85
|
|
72,7
|
|
Swimming with Men
(Oliver Parker, 2018)
|
|
|
|
|
|
72
|
|
72
|
|
The Poetess
(Stefanie Brockhaus & Andreas Wolff, 2017)
|
|
|
|
|
|
72
|
|
72
|
|
Kolyma
(Stanislaw Mucha, 2018)
|
|
61
|
|
|
72
|
83
|
|
72
|
|
BlackKKlansman
(Spike Lee, 2018)
|
68
|
69
|
71
|
|
66
|
87
|
68
|
71,5
|
|
Familie Brasch
(Annekatrin Hendel, 2018)
|
65
|
67
|
|
67
|
|
84
|
72
|
71
|
|
Nach dem Urteil (Jusqu’à la garde)
(Xavier Legrand, 2017)
|
|
|
69
|
74
|
|
69
|
|
70,7
|
|
Roman J. Israel, Esq.
(Dan Gilroy, 2017)
|
70
|
|
|
|
|
71
|
|
70,5
|
|
Endless Poetry (Poesía sin fin)
(Alejandro Jodorowsky, 2018)
|
73
|
|
|
|
|
68
|
|
70,5
|
|
Seestück
(Volker Koepp, 2018)
|
|
71
|
|
|
|
|
70
|
70,5
|
|
Searching
(Aneesh Changanty, 2018)
|
70
|
|
|
|
|
|
|
70
|
|
Die Sanfte (Krotkaya)
(Sergei Loznitsa, 2017)
|
72
|
|
44
|
65
|
82
|
86
|
|
69,8
|
|
Auf der Suche nach Oum Khultum
(Shirin Neshat, 2017)
|
|
|
|
|
69
|
|
|
69
|
|
Gundermann
(Andreas Dresen, 2018)
|
61
|
86
|
73
|
|
53
|
72
|
|
69
|
|
Black Panther
(Ryan Coogler, 2018)
|
82
|
|
52
|
|
67
|
69
|
|
67,5
|
|
Der Hauptmann
(Robert Schwentke, 2017)
|
71
|
83
|
|
|
|
56
|
60
|
67,5
|
|
Lucky
(John Carroll Lynch, 2017)
|
64
|
|
64
|
65
|
|
77
|
|
67,5
|
|
The House That Jack Built
(Lars von Trier, 2018)
|
89
|
|
46
|
|
49
|
86
|
|
67,5
|
|
Donbass
(Sergej Loznitsa, 2018)
|
89
|
|
40
|
|
76
|
72
|
60
|
67,4
|
|
Hagazussa
(Lukas Feigelfeld, 2017)
|
76
|
|
45
|
57
|
78
|
80
|
|
67,2
|
|
It Comes at Night
(Trey Edward Shults, 2017)
|
67
|
|
|
|
|
|
|
67
|
|
Zwei Herren im Anzug
(Josef Bierbichler, 2017)
|
|
65
|
58
|
79
|
64
|
|
|
66,5
|
|
In den Gängen
(Thomas Stuber, 2018)
|
78
|
|
77
|
43
|
68
|
|
|
66,5
|
|
The Death of Stalin
(Armando Iannucci, 2017)
|
67
|
54
|
75
|
52
|
51
|
83
|
78
|
65,7
|
|
Three Billboards Outside Ebbing, Missouri
(Martin McDonagh, 2017)
|
57
|
89
|
58
|
|
37
|
87
|
|
65,6
|
|
Dont’t worry, weglaufen geht nicht
(Gus Van Sant, 2018)
|
70
|
|
|
|
61
|
65
|
|
65,3
|
|
Die Spur (Pokot)
(Agniezska Holland, 2017)
|
67
|
58
|
66
|
|
60
|
74
|
|
65
|
|
Unsane
(Steven Soderbergh, 2018)
|
65
|
78
|
35
|
|
69
|
|
75
|
64,4
|
|
Die Verlegerin (The Post)
(Steven Spielberg, 2017)
|
69
|
56
|
72
|
|
54
|
|
70
|
64,2
|
|
Das Leben ist ein Fest
(Olivier Nakache & Eric Toledano, 2017)
|
|
|
|
|
|
64
|
|
64
|
|
Aufbruch zum Mond (First Man)
(Damien Chazelle, 2018)
|
62
|
66
|
60
|
|
66
|
|
|
63,5
|
|
Loveless (Nelyubov)
(Andrey Zvyagintsev, 2017)
|
37
|
|
70
|
|
73
|
73
|
|
63,3
|
|
25 km/h
(Markus Goller, 2018)
|
|
|
|
|
|
63
|
|
63
|
|
Nur ein kleiner Gefallen (A Simple Favor)
(Paul Feig, 2018)
|
74
|
|
52
|
|
|
|
|
63
|
|
Bumblebee
(Travis Knight, 2018)
|
68
|
|
|
|
|
58
|
|
63
|
|
Der Affront (L’insulte)
(Ziad Doueiri, 2017)
|
64
|
|
52
|
|
|
72
|
|
62,7
|
|
Foxtrot
(Samuel Maoz, 2017)
|
55
|
|
55
|
|
|
77
|
|
62,3
|
|
Deadpool 2
(David Leitch, 2018)
|
|
|
44
|
|
|
80
|
|
62
|
|
Juliet, Naked
(Jesse Peretz, 2018)
|
|
|
62
|
|
|
|
|
62
|
|
Molly’s Game
(Aaron Sorkin, 2017)
|
75
|
|
48
|
|
|
|
|
61,5
|
|
Dogman
(Matteo Garrone, 2018)
|
52
|
|
56
|
|
69
|
69
|
|
61,5
|
|
Touch Me Not
(Adina Pintilie, 2018)
|
70
|
|
|
71
|
56
|
49
|
|
61,5
|
|
The Untamed (La región salvaje)
(Amat Escalante, 2016)
|
78
|
|
32
|
57
|
|
78
|
|
61,3
|
|
Widows
(Steve McQueen, 2018)
|
72
|
|
37
|
|
59
|
72
|
|
60
|
|
Offenes Geheimnis (Todos lo saben)
(Asghar Farhadi, 2018)
|
62
|
|
50
|
|
62
|
64
|
|
59,5
|
|
Bohemian Rhapsody
(Bryan Singer, 2018)
|
67
|
|
|
|
|
52
|
|
59,5
|
|
Die Unglaublichen 2
(Brad Bird, 2018)
|
53
|
|
65
|
|
|
|
|
59
|
|
Climax
(Gaspar Noé, 2018)
|
82
|
|
27
|
|
83
|
43
|
|
58,8
|
|
303
(Hans Weingartner, 2018)
|
47
|
|
68
|
|
|
|
|
57,5
|
|
I, Tonya
(Craig Gillespie, 2017)
|
78
|
31
|
48
|
|
34
|
73
|
78
|
57
|
|
Meine Tochter (Figlia Mia)
(Laura Bispuri, 2018)
|
69
|
|
|
|
45
|
|
|
57
|
|
Hotel Artemis
(Drew Pearce, 2018)
|
67
|
|
|
|
|
47
|
|
57
|
|
7 Tage in Entebbe
(José Padilha, 2018)
|
67
|
46
|
|
|
|
|
|
56,5
|
|
Halloween
(David Gordon Green, 2018)
|
70
|
|
36
|
|
|
63
|
|
56,3
|
|
Red Sparrow
(Francis Lawrence, 2017)
|
74
|
|
38
|
|
|
|
|
56
|
|
Styx
(Wolfgang Fischer, 2018)
|
57
|
32
|
78
|
|
35
|
77
|
|
55,8
|
|
Ocean’s 8
(Gary Ross, 2018)
|
57
|
|
|
|
|
54
|
|
55,5
|
|
3 Tage in Quiberon
(Emily Atef, 2018)
|
67
|
52
|
|
|
50
|
62
|
45
|
55,2
|
|
The Cleaners
(Moritz Riesewick & Hans Block, 2018)
|
|
|
|
50
|
|
|
60
|
55
|
|
Star Wars: Episode VIII – Die letzten Jedi
(Rian Johnson, 2017)
|
72
|
|
38
|
|
82
|
24
|
|
54
|
|
Solo: A Star Wars Story
(Ron Howard, 2018)
|
67
|
|
|
|
40
|
|
|
53,5
|
|
Tully
(Jason Reitman, 2018)
|
73
|
|
52
|
|
35
|
|
|
53,3
|
|
Sicario 2
(Stefano Sollima, 2018)
|
53
|
|
74
|
|
|
32
|
|
53
|
|
A Beautiful Day (You Were Never Really Here)
(Lynne Ramsay, 2017)
|
|
|
46
|
|
85
|
27
|
|
52,7
|
|
Aus nächster Distanz (Shelter)
(Eran Riklis, 2017)
|
57
|
|
|
|
|
46
|
|
51,5
|
|
Grain – Weizen
(Semih Kaplanoglu, 2017)
|
|
|
|
45
|
|
56
|
|
50,5
|
|
Der andere Liebhaber (L’amant double)
(Francois Ozon, 2017)
|
76
|
|
27
|
61
|
24
|
55
|
|
48,6
|
|
Loro
(Paolo Sorrentino, 2018)
|
37
|
|
|
35
|
55
|
66
|
|
48,3
|
|
Jupiter’s Moon
(Kornél Mundruczó, 2017)
|
45
|
|
|
|
51
|
|
|
48
|
|
Alles Geld der Welt
(Ridley Scott, 2017)
|
68
|
|
28
|
|
45
|
|
|
47
|
|
Ready Player One
(Steven Spielberg, 2018)
|
57
|
|
36
|
|
|
|
|
46,5
|
|
Under the Silver Lake
(David Robert Mitchell, 2018)
|
67
|
|
17
|
|
55
|
|
|
46,3
|
|
Papst Franziskus – Ein Mann seines Wortes
(Wim Wenders, 2018)
|
|
|
|
|
|
44
|
|
44
|
|
Mary Poppins’ Rückkehr
(Rob Marshall, 2018)
|
|
42
|
45
|
|
|
|
|
43,5
|
|
Jurassic World 2: Das gefallene Königreich
(J.A. Bayona, 2018)
|
42
|
|
|
|
|
|
|
42
|
|
The Disaster Artist
(James Franco, 2017)
|
37
|
|
40
|
|
57
|
33
|
|
41,8
|
|
Greatest Showman
(Michael Gracey, 2017)
|
|
|
|
|
|
41
|
|
41
|
|
Wind River
(Taylor Sheridan, 2017)
|
48
|
|
30
|
|
25
|
56
|
|
39,8
|
|
A Star is Born
(Bradley Cooper, 2018)
|
25
|
|
42
|
|
19
|
73
|
|
39,8
|
|
Asphaltgorillas
(Detlev Buck, 2018)
|
47
|
|
50
|
|
|
17
|
|
38
|
|
Grenzenlos (Submergence)
(Wim Wenders, 2017)
|
57
|
|
|
|
17
|
|
|
37
|
|
Downsizing
(Alexander Payne, 2017)
|
34
|
44
|
78
|
|
12
|
36
|
10
|
35,7
|
|
Nach einer wahren Geschichte
(Roman Polanski, 2017)
|
23
|
|
35
|
|
48
|
|
|
35,3
|
|
Das Haus der geheimnisvollen Uhren
(Eli Roth, 2018)
|
|
|
34
|
|
|
|
|
34
|
|
Papillon
(Michael Noer, 2018)
|
|
|
|
|
|
33
|
|
33
|
|
Aquaman
(James Wan, 2018)
|
|
|
|
|
|
33
|
|
33
|
|
Der Vorname
(Sönke Wortmann, 2018)
|
25
|
40
|
|
|
11
|
53
|
|
32,3
|
|
The Killing of a Sacred Deer
(Yorgos Lanthimos, 2017)
|
42
|
20
|
79
|
3
|
37
|
24
|
18
|
31,9
|
|
Ballon
(Michael Herbig, 2018)
|
|
31
|
|
|
|
|
|
31
|
|
Mackie Messer – Brechts Dreigroschenfilm
(Joachim A. Lang, 2018)
|
42
|
|
|
|
18
|
33
|
|
31
|
|
Avengers: Infinity War
(Anthony & Joe Russo, 2018)
|
|
|
38
|
23
|
|
|
|
30,5
|
|
Mein Bruder heißt Robert und ist ein Idiot
(Philip Gröning, 2018)
|
45
|
3
|
|
32
|
40
|
24
|
|
28,8
|
|
Wonder Wheel
(Woody Allen, 2017)
|
34
|
37
|
12
|
|
|
32
|
|
28,8
|
|
Utoya 22. Juli
(Erik Poppe, 2018)
|
42
|
|
24
|
|
15
|
|
|
27
|
|
Mary Shelley
(Haifaa Al-Mansour, 2018)
|
|
|
25
|
|
|
|
|
25
|
|
Lomo: The Language of Many Others
(Julia Langhof, 2017)
|
|
|
|
|
24
|
|
|
24
|
|
Das schweigende Klassenzimmer
(Lars Kraume, 2017)
|
|
22
|
|
|
27
|
22
|
20
|
22,8
|
|
Venom
(Ruben Fleischer, 2018)
|
21
|
|
|
|
|
|
|
21
|
|
HERRliche Zeiten
(Oskar Roehler, 2017)
|
17
|
2
|
|
18
|
|
|
|
12,3
|
|
Werk ohne Autor
(Florian Henckel von Donnersmarck, 2018)
|
12
|
7
|
13
|
|
5
|
5
|
8
|
8,3
|