|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Small Axe
(Steve McQueen, 2020)*
|
92
|
77
|
|
|
|
93
|
86
|
80
|
85,6
|
|
Vitalina Varela
(Pedro Costa, 2019)
|
|
84
|
|
92
|
|
81
|
85
|
74
|
83,2
|
|
Ema
(Pablo Larraín, 2019)
|
86
|
78
|
|
80
|
|
87
|
85
|
|
83,2
|
|
Bohnenstange
(Kantemir Balagov, 2019)
|
82
|
85
|
|
92
|
75
|
83
|
93
|
62
|
81,7
|
|
Isadoras Kinder
(Damien Manivel, 2019)
|
|
87
|
|
73
|
|
80
|
81
|
|
80,3
|
|
Zombi Child
(Bertrand Bonello, 2019)
|
|
79
|
|
80
|
75
|
76
|
93
|
77
|
80
|
|
What You Gonna Do When the World’s On Fire?
(Roberto Minervini, 2018)
|
84
|
87
|
|
78
|
71
|
83
|
85
|
70
|
79,7
|
|
The Wild Pear Tree
(Nuri Bilge Ceylan, 2018)
|
|
78
|
|
79
|
79
|
80
|
86
|
68
|
78,3
|
|
Jeanne d’Arc
(Bruno Dumont, 2019)
|
72
|
87
|
|
|
|
69
|
84
|
|
78
|
|
Spuren – Die Opfer des NSU
(Aysun Bademsoy, 2019)
|
|
|
77
|
|
|
|
79
|
72
|
76
|
|
Disclosure
(Sam Feder, 2020)*
|
|
74
|
82
|
|
80
|
74
|
|
70
|
76
|
|
Futur drei
(Faraz Shariat, 2020)
|
82
|
70
|
80
|
|
70
|
76
|
|
|
75,6
|
|
Il Traditore
(Marco Bellocchio, 2019)
|
76
|
73
|
|
82
|
72
|
68
|
76
|
78
|
75
|
|
Dark Waters
(Todd Haynes, 2019)
|
|
|
|
80
|
|
75
|
|
70
|
75
|
|
Never Rarely Sometimes Always
(Eliza Hittman, 2020)
|
82
|
68
|
|
74
|
|
81
|
84
|
60
|
74,8
|
|
Regeln am Band, bei hoher Geschwindigkeit
(Yulia Lokshina, 2020)
|
76
|
70
|
|
|
|
82
|
78
|
68
|
74,8
|
|
Little Women
(Greta Gerwig, 2019)
|
82
|
64
|
|
80
|
|
78
|
79
|
65
|
74,7
|
|
Sorry We Missed You
(Ken Loach, 2019)
|
|
|
|
72
|
|
77
|
|
|
74,5
|
|
La vérité
(Hirokazu Koreeda, 2019)
|
69
|
|
|
79
|
|
|
74
|
|
74
|
|
Als wir tanzten
(Levan Akin, 2019)
|
|
74
|
|
|
|
|
|
|
74
|
|
Uncut Gems
(Benny & Josh Safdie, 2019)*
|
84
|
|
|
90
|
38
|
|
87
|
70
|
73,8
|
|
Space Dogs
(Elsa Kremser & Levin Peter, 2019)
|
|
|
65
|
79
|
|
|
77
|
|
73,7
|
|
Jeannette, l’enfance de Jeanne d’Arc
(Bruno Dumont, 2017)
|
86
|
86
|
|
42
|
74
|
|
82
|
70
|
73,3
|
|
Exil
(Visar Morina, 2020)
|
82
|
67
|
54
|
70
|
|
81
|
86
|
|
73,3
|
|
Tommaso
(Abel Ferrara, 2019)
|
70
|
74
|
|
79
|
|
|
69
|
|
73
|
|
Die Kordillere der Träume
(Patricio Guzmán, 2019)
|
75
|
76
|
|
|
60
|
|
81
|
73
|
73
|
|
Das freiwillige Jahr
(Ulrich Köhler und Henner Winckler, 2019)
|
70
|
68
|
|
75
|
70
|
68
|
85
|
70
|
72,3
|
|
Kokon
(Leonie Krippendorff, 2019)
|
70
|
74
|
|
|
70
|
77
|
82
|
59
|
72
|
|
Die obskuren Geschichten eines Zugreisenden
(Aritz Moreno, 2019)
|
|
|
|
|
|
|
72
|
|
72
|
|
Undine
(Christian Petzold, 2020)
|
67
|
70
|
75
|
79
|
72
|
59
|
|
80
|
71,7
|
|
Richard Jewell
(Cint Eastwood, 2019)
|
73
|
|
|
|
|
|
|
69
|
71
|
|
Kajillionaire
(Miranda July, 2020)
|
68
|
|
|
82
|
|
|
76
|
58
|
71
|
|
Wasp Network
(Olivier Assayas, 2019)*
|
70
|
71
|
|
70
|
71
|
|
|
72
|
70,8
|
|
Queen & Slim
(Melina Matsoukas, 2019)
|
82
|
|
79
|
40
|
|
81
|
|
|
70,5
|
|
Emma
(Autumn de Wilde, 2020)
|
|
62
|
|
|
|
|
79
|
|
70,5
|
|
Paris Calligrammes
(Ulrike Ottinger, 2020)
|
|
|
|
|
|
73
|
68
|
|
70,5
|
|
The King of Staten Island
(Judd Apatow, 2020)
|
70
|
|
|
|
|
73
|
77
|
62
|
70,5
|
|
Tenet
(Christopher Nolan, 2020)
|
74
|
|
76
|
50
|
80
|
50
|
75
|
88
|
70,4
|
|
Kiss Me Kosher
(Shirel Peleg, 2020)
|
|
|
|
|
|
|
70
|
|
70
|
|
Schlingensief - In das Schweigen hineinschreien
(Bettina Böhler, 2020)
|
70
|
|
|
65
|
|
|
74
|
70
|
69,8
|
|
The Vast of Night
(Andrew Patterson, 2019)
|
|
|
|
42
|
80
|
|
87
|
70
|
69,8
|
|
The Lodge
(Veronika Franz & Severin Fiala, 2019)
|
78
|
|
|
50
|
|
81
|
|
|
69,7
|
|
Little Joe
(Jessica Hausner, 2019)
|
70
|
69
|
|
78
|
|
70
|
59
|
|
69,2
|
|
Hubie Halloween
(Steven Brill, 2020)*
|
|
|
|
70
|
76
|
|
|
61
|
69
|
|
Harriet
(Kasi Lemmons, 2019)
|
70
|
63
|
68
|
|
|
|
74
|
|
68,8
|
|
Auf der Couch in Tunis
(Manele Labidi, 2019)
|
64
|
|
|
|
|
|
73
|
|
68,5
|
|
Giraffe
(Anna Sofie Hartmann, 2019)
|
78
|
65
|
|
|
73
|
60
|
66
|
|
68,4
|
|
Sibyl
(Justine Triet, 2019)
|
78
|
63
|
|
45
|
74
|
80
|
|
|
68
|
|
Drei Tage und ein Leben
(Nicolas Boukhrief, 2019)
|
|
68
|
|
|
|
|
|
|
68
|
|
David Copperfield
(Armando Iannucci, 2019)
|
67
|
|
|
72
|
|
|
63
|
70
|
68
|
|
Greyhound
(Aaron Schneider, 2020)*
|
|
|
|
|
61
|
|
74
|
|
67,5
|
|
Family Romance, LLC
(Werner Herzog, 2019)*
|
|
77
|
|
|
58
|
|
|
|
67,5
|
|
Les Miserables
(Ladj Ly, 2019)
|
65
|
|
|
62
|
78
|
58
|
74
|
|
67,4
|
|
Waves
(Trey Edward Shults, 2019)
|
82
|
|
|
62
|
60
|
|
65
|
|
67,3
|
|
I’m Your Woman
(Julia Hart, 2020)*
|
70
|
70
|
|
70
|
56
|
|
69
|
|
67
|
|
Nackte Tiere
(Melanie Waelde, 2020)
|
80
|
74
|
|
52
|
67
|
|
70
|
58
|
66,8
|
|
I’m Thinking of Ending Things
(Charlie Kaufman, 2020)*
|
|
|
60
|
84
|
62
|
|
77
|
48
|
66,2
|
|
Über die Unendlichkeit
(Roy Andersson, 2019)
|
82
|
|
|
48
|
60
|
|
74
|
|
66
|
|
Pelikanblut
(Katrin Gebbe, 2019)
|
84
|
63
|
|
40
|
|
73
|
66
|
|
65,2
|
|
Vom Gießen des Zitronenbaums
(Elia Suleiman, 2019)
|
70
|
|
63
|
55
|
75
|
57
|
76
|
58
|
64,9
|
|
Das Vorspiel
(Ina Weisse, 2019)
|
60
|
|
|
|
|
|
69
|
|
64,5
|
|
Fireball: Visitors from Darker Worlds
(Werner Herzog, Clive Oppenheimer, 2020)*
|
|
|
|
|
60
|
|
|
69
|
64,5
|
|
La Gomera
(Corneliu Porumboiu, 2019)
|
76
|
63
|
|
35
|
62
|
60
|
88
|
|
64
|
|
Limbo
(Tim Dünschede, 2019)
|
|
|
|
|
|
|
64
|
|
64
|
|
Mank
(David Fincher, 2020)*
|
70
|
60
|
|
45
|
72
|
71
|
54
|
74
|
63,7
|
|
Bombshell
(Jay Roach, 2019)
|
65
|
|
68
|
58
|
|
|
67
|
59
|
63,4
|
|
The Trial of the Chicago 7
(Aaron Sorkin, 2020)*
|
70
|
|
|
55
|
55
|
69
|
|
68
|
63,4
|
|
Da 5 Bloods
(Spike Lee, 2020)*
|
67
|
68
|
|
44
|
80
|
50
|
|
65
|
62,3
|
|
Dreißig
(Simona Kostova, 2019)
|
67
|
|
|
|
|
|
57
|
|
62
|
|
Das Neue Evangelium
(Milo Rau, 2020)*
|
|
53
|
|
|
|
|
70
|
|
61,5
|
|
Berlin Alexanderplatz
(Burhan Qurbani, 2020)
|
67
|
65
|
|
40
|
|
49
|
81
|
|
60,4
|
|
Knives Out
(Rian Johnson, 2019)
|
|
|
|
59
|
|
59
|
63
|
|
60,3
|
|
Wim Wenders, Desperado
(Eric Friedler & Andreas Frege, 2020)
|
68
|
|
|
|
|
|
52
|
|
60
|
|
Der See der wilden Gänse
(Diao Yinan, 2019)
|
68
|
70
|
|
40
|
|
59
|
62
|
|
59,8
|
|
The Wrong Missy
(Tyler Spindel, 2020)*
|
|
|
|
45
|
56
|
|
|
78
|
59,7
|
|
Eurovision Song Contest: The Story of Fire Saga
(David Dobkin, 2020)*
|
68
|
|
|
45
|
|
72
|
|
53
|
59,5
|
|
Nina Wu
(Midi Z, 2019)
|
|
64
|
|
42
|
72
|
|
|
|
59,3
|
|
Irresistible
(Jon Stewart, 2020)
|
65
|
|
|
|
|
39
|
68
|
65
|
59,3
|
|
Oeconomia
(Carmen Losmann, 2020)
|
74
|
|
78
|
50
|
|
|
33
|
60
|
59
|
|
Die perfekte Kandidatin
(Haifaa al-Mansour, 2019)
|
|
|
|
42
|
|
|
75
|
|
58,5
|
|
Varda par Agnès
(Agnès Varda, 2019)
|
|
70
|
|
60
|
55
|
|
48
|
|
58,3
|
|
Corpus Christi
(Jan Komasa, 2019)
|
72
|
|
|
32
|
53
|
53
|
73
|
|
56,6
|
|
Master Cheng in Pohjanjoki
(Mika Kaurismäki, 2019)
|
|
|
|
|
|
|
55
|
|
55
|
|
Wir beide
(Filippo Menighetti, 2019)
|
|
55
|
|
|
|
|
|
|
55
|
|
Jojo Rabbit
(Taika Waititi, 2019)
|
68
|
|
|
40
|
|
65
|
84
|
10
|
53,4
|
|
Jean Seberg
(Benedict Andrews, 2019)
|
60
|
53
|
47
|
38
|
|
|
69
|
|
53,4
|
|
Milla Meets Moses
(Shannon Murphy, 2019)
|
|
61
|
|
50
|
|
48
|
|
|
53
|
|
Und morgen die ganze Welt
(Julia von Heinz, 2020)
|
|
43
|
|
|
|
65
|
44
|
|
50,7
|
|
Nightlife
(Simon Verhoeven, 2019)
|
35
|
|
|
|
|
|
62
|
|
48,5
|
|
Die Känguru-Chroniken
(Dani Levy, 2019)
|
|
|
|
|
41
|
|
55
|
|
48
|
|
A Hidden Life
(Terrence Malick, 2019)
|
86
|
69
|
|
18
|
|
82
|
5
|
23
|
47,2
|
|
Persischstunden
(Vadim Perelman, 2019)
|
|
46
|
|
|
|
|
|
|
46
|
|
Borat Subsequent Moviefilm
(Jason Woliner, 2020)*
|
45
|
|
21
|
65
|
50
|
65
|
33
|
27
|
43,7
|
|
1917
(Sam Mendes, 2019)
|
62
|
|
|
17
|
|
42
|
49
|
|
42,5
|
|
Star Wars: The Rise of Skywalker
(J.J. Abrams, 2019)
|
68
|
22
|
|
|
|
67
|
8
|
|
41,3
|
|
J’accuse
(Roman Polanski, 2019)
|
42
|
|
|
55
|
|
6
|
62
|
|
41,3
|
|
Enfant Terrible
(Oskar Roehler, 2020)
|
50
|
31
|
|
|
|
25
|
59
|
|
41,3
|
|
Siberia
(Abel Ferrara, 2020)
|
25
|
57
|
|
69
|
|
|
13
|
23
|
37,4
|
|
Hillbilly Elegy
(Ron Howard, 2020)*
|
42
|
|
|
50
|
|
19
|
|
|
37
|
|
Onward
(Dan Scanlon, 2020)
|
|
|
|
36
|
|
|
|
|
36
|
|
On the Rocks
(Sofia Coppola, 2020)*
|
35
|
|
|
46
|
|
37
|
|
21
|
34,8
|
|
Wege des Lebens
(Sally Potter, 2020)
|
20
|
|
|
|
|
32
|
|
|
26
|
|
Cortex
(Moritz Bleibtreu, 2020)
|
|
|
|
|
|
|
16
|
|
16
|
|
The Gentleman
(Guy Ritchie, 2019)
|
|
7
|
|
|
|
|
|
|
7
|