|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Axiom
(Jöns Jönsson, 2022)
|
82
|
76
|
|
|
73
|
79
|
90
|
85
|
80,8
|
|
Corsage
(Marie Kreutzer, 2022)
|
80
|
61
|
69
|
72
|
|
79
|
80
|
|
73,5
|
|
Der beste Film aller Zeiten
(Gaston Duprat, Mariano Cohn, 2021)
|
65
|
|
|
74
|
|
|
76
|
|
71,7
|
|
Gladbeck
(Volker Heise, 2022)*
|
73
|
|
62
|
|
|
|
|
75
|
70
|
|
Elvis
(Baz Luhrmann, 2022)
|
68
|
|
|
|
|
67
|
69
|
|
68
|
|
Wie im echten Leben (Ouistreham)
(Emmanuel Carrère, 2021)
|
|
62
|
61
|
|
62
|
|
72
|
|
64,3
|
|
Hustle
(Jeremiah Zagar, 2022)*
|
70
|
|
|
79
|
|
|
36
|
68
|
63,3
|
|
AEIOU – Das schnelle Alphabet der Liebe
(Nicolette Krebitz, 2022)
|
65
|
65
|
|
|
54
|
59
|
68
|
|
62,2
|
|
Thor: Love and Thunder
(Taika Waititi, 2022)
|
68
|
|
|
|
55
|
57
|
|
|
60
|
|
Rifkin's Festival
(Woody Allen, 2020)
|
37
|
|
|
|
|
|
33
|
|
35
|
|
Liebesdings
(Anika Decker, 2022)
|
45
|
|
|
|
|
|
11
|
|
28
|