|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Amsterdam
(David O. Russell, 2022)
|
82
|
|
|
|
78
|
74
|
83
|
69
|
77,2
|
|
Rhino
(Oleh Senzow, 2021)
|
73
|
|
|
|
|
|
|
|
73
|
|
Bros
(Nicholas Stoller, 2022)
|
76
|
|
|
|
|
69
|
73
|
|
72,7
|
|
Bodies Bodies Bodies
(Halina Reijn, 2022)
|
72
|
|
|
|
|
|
|
|
72
|
|
Triangle of Sadness
(Ruben Östlund, 2022)
|
67
|
63
|
72
|
74
|
|
69
|
85
|
65
|
70,7
|
|
Rebellinen. Fotografie. Underground. DDR
(Pamela Meyer-Arndt, 2022)
|
|
|
67
|
|
|
|
|
65
|
66
|
|
Wir sind dann wohl die Angehörigen
(Hans-Christian Schmid, 2022)
|
70
|
|
60
|
|
|
|
|
|
65
|
|
Werner Herzog – Radical Dreamer
(Thomas von Steinaecker, 2022)
|
63
|
62
|
|
|
|
|
|
|
62,5
|
|
Die Frau des Dichters
(Heike Misselwitz, 2022)
|
|
|
62
|
|
|
|
|
|
62
|
|
Black Adam
(Jaume Collet-Serra, 2022)
|
15
|
|
|
|
|
12
|
|
|
13,5
|