|
Andreas Busche
Tagesspiegel |
Esther Buss
Berlin |
Matthias Dell
Berlin |
Alexander Horwath
Wien |
Ekkehard Knörer
cargo |
Hannah Pilarczyk
Spiegel |
Bert Rebhandl
cargo |
Simon Rothöhler
cargo |
|
|
Pacifiction
(Albert Serra, 2022)
|
89
|
86
|
|
85
|
|
90
|
84
|
90
|
87,3
|
|
The Potemkinists
(Radu Jude, 2022)*
|
|
|
|
|
|
|
95
|
78
|
86,5
|
|
Unruh (Unrueh)
(Cyril Schäublin, 2022)
|
84
|
90
|
90
|
84
|
75
|
85
|
97
|
84
|
86,1
|
|
The Queen Mary
(Gary Shore, 2023)
|
|
|
|
|
|
|
85
|
|
85
|
|
Saint Omer
(Alice Diop, 2022)
|
88
|
91
|
87
|
78
|
75
|
82
|
90
|
84
|
84,4
|
|
Fallende Blätter (Kuolleet Lehdet)
(Aki Kaurismäki, 2023)
|
82
|
84
|
|
92
|
75
|
83
|
84
|
|
83,3
|
|
Anatomie eines Falls (Anatomie d’une chute)
(Justine Triet, 2023)
|
88
|
80
|
87
|
83
|
78
|
89
|
77
|
84
|
83,3
|
|
Trenque Lauquen
(Laura Citarella, 2022)
|
80
|
80
|
|
84
|
81
|
|
83
|
82
|
81,7
|
|
Burning Days
(Emin Alper, 2022)
|
82
|
77
|
|
|
|
84
|
83
|
|
81,5
|
|
Der Gymnasiast (Le lycéen)
(Christophe Honoré, 2022)
|
82
|
80
|
|
|
|
82
|
|
|
81,3
|
|
Die Purpursegel (L’envol)
(Pietro Marcello, 2022)
|
80
|
83
|
|
84
|
73
|
81
|
88
|
80
|
81,3
|
|
Infinity Pool
(Brandon Cronenberg, 2023)
|
73
|
|
|
|
|
80
|
90
|
|
81
|
|
Orlando, meine politische Biografie (Orlando, ma biographie politique)
(Paul B. Preciado, 2023)
|
86
|
76
|
|
|
75
|
86
|
83
|
78
|
80,7
|
|
White Angel – Das Ende von Marinka
(Arndt Ginzel, 2023)
|
|
|
|
|
|
75
|
86
|
|
80,5
|
|
Nachtkatzen (De noche los gatos son pardos)
(Valentin Merz, 2022)
|
|
80
|
|
|
|
73
|
88
|
|
80,3
|
|
Drifter (2023)
(Hannes Hirsch, 2023)
|
80
|
78
|
|
|
|
|
83
|
|
80,3
|
|
In der Nacht des 12. (La Nuit du 12)
(Dominik Moll, 2022)
|
|
|
82
|
77
|
|
|
82
|
80
|
80,3
|
|
Drei Winter (Drii Winter)
(Michael Koch, 2022)
|
82
|
77
|
|
81
|
|
83
|
77
|
|
80
|
|
Spider-Man: Across the Spider-Verse
(Kemp Powers, Joaquim Dos Santos, Justin K. Thompson, 2023)
|
78
|
|
|
79
|
|
|
82
|
|
79,7
|
|
Die Bologna-Entführung (Rapito)
(Marco Bellocchio, 2023)
|
78
|
80
|
|
|
|
80
|
|
|
79,3
|
|
Wie wilde Tiere (As bestas)
(Rodrigo Sorogoyen, 2022)
|
|
|
|
|
|
|
79
|
|
79
|
|
Das Hamlet Syndrom
(Elwira Niewra, Piotr Rosolowski, 2022)
|
79
|
76
|
|
|
|
80
|
80
|
|
78,8
|
|
Everything Everywhere All at Once
(Dan Kwan & Daniel Scheinert, 2022)
|
75
|
|
82
|
73
|
|
83
|
80
|
|
78,6
|
|
Aftersun
(Charlotte Wells, 2022)
|
79
|
74
|
|
82
|
80
|
78
|
|
|
78,6
|
|
Motherland
(Alexander Mihalkovich & Hanna Badziaka, 2023)
|
|
72
|
|
|
|
|
85
|
|
78,5
|
|
Bottoms
(Emma Seligman, 2023)*
|
77
|
|
80
|
|
|
|
|
|
78,5
|
|
Berlin JWD
(Bernhard Sallmann, 2022)
|
|
|
74
|
79
|
|
|
81
|
78
|
78
|
|
There Is a Stone (Ishi ga aru)
(Tasunari Ota, 2022)
|
74
|
82
|
|
|
|
|
|
|
78
|
|
De Humani Corporis Fabrica
(Verena Paravel, Lucien Castaing-Taylor, 2022)*
|
77
|
77
|
|
79
|
|
|
|
|
77,7
|
|
Human Flowers of Flesh
(Helena Wittmann, 2022)
|
72
|
86
|
|
|
|
68
|
84
|
|
77,5
|
|
Tagebuch einer Pariser Affäre (Chronique d’une liaison passagère)
(Emmanuel Mouret, 2022)
|
|
|
|
78
|
|
|
77
|
|
77,5
|
|
Vergiss Meyn Nicht
(Fabiana Fragale, Kilian Kuhlendahl, Jens Mühlhoff, 2023)
|
|
|
80
|
|
|
|
|
75
|
77,5
|
|
Music
(Angela Schanelec, 2023)
|
84
|
90
|
|
52
|
90
|
84
|
62
|
80
|
77,4
|
|
Mit Liebe und Entschlossenheit (Avec amour et acharnement)
(Claire Denis, 2022)
|
72
|
78
|
|
84
|
76
|
79
|
75
|
|
77,3
|
|
An einem schönen Morgen (Un beau matin)
(Mia Hansen-Løve, 2022)
|
67
|
76
|
|
83
|
|
81
|
|
|
76,8
|
|
Forever Young (Les amandiers)
(Valeria Bruni-Tedeschi, 2022)
|
|
75
|
|
84
|
|
71
|
|
|
76,7
|
|
Feminism WTF
(Katharina Mückstein, 2023)
|
|
69
|
|
|
|
|
84
|
|
76,5
|
|
Verlorene Illusionen (Illusions perdues)
(Xavier Giannoli, 2021)
|
82
|
|
|
90
|
64
|
82
|
70
|
70
|
76,3
|
|
Piaffe
(Ann Oren, 2022)
|
|
74
|
|
|
|
73
|
82
|
|
76,3
|
|
How to Have Sex
(Molly Manning Walker, 2023)
|
76
|
|
|
|
|
85
|
82
|
62
|
76,3
|
|
Anhell69
(Theo Montoya, 2022)
|
82
|
73
|
72
|
74
|
|
80
|
|
|
76,2
|
|
The Fabelmans
(Steven Spielberg, 2022)
|
68
|
|
|
78
|
87
|
80
|
86
|
58
|
76,2
|
|
Shazam! Fury of the Gods
(David F. Sandberg, 2023)
|
67
|
|
|
|
|
|
85
|
|
76
|
|
Suzume
(Makoto Shinkai, 2022)
|
76
|
79
|
|
|
73
|
76
|
|
|
76
|
|
Elemental
(Peter Sohn, 2023)
|
76
|
|
|
|
|
|
|
|
76
|
|
Tótem
(Lila Avilés, 2023)
|
69
|
70
|
|
82
|
|
69
|
90
|
|
76
|
|
Asteroid City
(Wes Anderson, 2023)
|
|
|
|
69
|
|
78
|
88
|
68
|
75,8
|
|
Guardians of the Galaxy Vol. 3
(James Gunn, 2023)
|
|
|
|
79
|
|
|
72
|
|
75,5
|
|
Der Exorzist: Bekenntnis
(David Gordon Green, 2023)
|
72
|
|
|
|
|
|
79
|
|
75,5
|
|
All the Beauty and the Bloodshed
(Nan Goldin, 2022)
|
84
|
72
|
65
|
78
|
|
77
|
|
|
75,2
|
|
Für die Vielen – Die Arbeiterkammer Wien
(Constantin Wulff, 2022)
|
78
|
76
|
72
|
78
|
73
|
74
|
79
|
69
|
74,9
|
|
Passagiere der Nacht (Les passagers de la nuit)
(Mikhaël Hers, 2022)
|
68
|
76
|
75
|
79
|
80
|
70
|
|
|
74,7
|
|
Die Frau im Nebel (Decision to Leave)
(Park Chan-wook, 2022)
|
70
|
72
|
|
75
|
|
78
|
77
|
|
74,4
|
|
Irrlicht (Fogo-Fátuo)
(Joāo Pedro Rodrigues, 2022)
|
|
71
|
|
79
|
|
73
|
|
|
74,3
|
|
Gehen und Bleiben
(Volker Koepp, 2023)
|
|
|
70
|
|
|
|
84
|
69
|
74,3
|
|
The Five Devils (Les cinq diables)
(Léa Mysius, 2022)
|
78
|
67
|
|
|
|
75
|
77
|
|
74,3
|
|
EO
(Jerzy Skolimowski, 2022)
|
78
|
70
|
51
|
83
|
|
81
|
82
|
|
74,2
|
|
Auf der Adamant (Sur l’Adamant)
(Nicolas Philibert, 2023)
|
69
|
68
|
|
|
|
|
85
|
|
74
|
|
Broker – Familie gesucht
(Hirokazu Kore-eda, 2022)
|
65
|
|
|
85
|
|
70
|
|
|
73,3
|
|
Myama, Kyoto Prefecture
(Rainer Komers, 2022)
|
|
64
|
68
|
|
|
|
86
|
|
72,7
|
|
Skinamarink
(Kyle Edward Ball, 2022)
|
|
|
|
73
|
72
|
|
|
|
72,5
|
|
Mein Falke
(Dominik Graf, 2023)*
|
|
|
|
|
75
|
|
|
70
|
72,5
|
|
Robe of Gems
(Natalia López Gallardo, 2022)*
|
74
|
63
|
|
|
|
66
|
86
|
|
72,3
|
|
Plan 75
(Chie Hayakawa, 2022)
|
|
72
|
|
|
|
|
|
|
72
|
|
Maestro
(Bradley Cooper, 2023)
|
64
|
|
|
80
|
|
71
|
73
|
|
72
|
|
Mission: Impossible – Dead Reckoning Part One
(Christopher McQuarrie, 2023)
|
68
|
|
80
|
64
|
|
67
|
|
80
|
71,8
|
|
The Creator
(Gareth Edwards, 2023)
|
65
|
|
|
71
|
|
|
79
|
|
71,7
|
|
Vamos a la playa
(Bettina Blümner, 2022)
|
|
61
|
|
|
|
|
82
|
|
71,5
|
|
Tori & Lokita
(Jean-Luc & Pierre Dardenne, 2022)
|
67
|
74
|
|
73
|
|
72
|
|
|
71,5
|
|
She Said
(Maria Schrader, 2022)
|
73
|
|
72
|
70
|
|
72
|
71
|
70
|
71,3
|
|
Aus meiner Haut
(Alex Schaad, 2022)
|
69
|
|
|
|
|
|
73
|
|
71
|
|
Medusa Deluxe
(Thomas Hardiman, 2022)
|
|
70
|
|
|
|
70
|
73
|
|
71
|
|
Das Blau des Kaftans
(Maryam Touzani, 2022)
|
|
64
|
|
|
|
73
|
75
|
|
70,7
|
|
Pearl
(Ti West, 2022)
|
57
|
|
|
72
|
|
|
83
|
|
70,7
|
|
Rodeo
(Lola Quivoron, 2022)
|
74
|
62
|
|
|
|
68
|
78
|
|
70,5
|
|
Bis ans Ende der Nacht
(Christoph Hochhäusler, 2023)
|
70
|
78
|
|
61
|
|
|
73
|
69
|
70,2
|
|
Die Kairo-Verschwörung (Boy from Heaven)
(Tarik Saleh, 2022)
|
68
|
|
|
|
|
62
|
80
|
|
70
|
|
Roter Himmel
(Christian Petzold, 2023)
|
70
|
63
|
65
|
89
|
73
|
61
|
|
68
|
69,9
|
|
The Banshees of Inisherin
(Martin McDonagh, 2022)
|
78
|
|
58
|
72
|
52
|
80
|
79
|
|
69,8
|
|
Das Tier im Dschungel
(Patric Chiha, 2023)
|
78
|
78
|
|
50
|
|
74
|
67
|
|
69,4
|
|
Air – Der große Wurf
(Ben Affleck, 2023)
|
72
|
|
|
62
|
|
|
74
|
|
69,3
|
|
Der Fuchs
(Adrian Goiginger, 2022)
|
|
|
|
60
|
|
|
78
|
|
69
|
|
How to Blow Up a Pipeline
(Daniel Goldhaber, 2022)
|
|
|
|
|
|
|
|
69
|
69
|
|
20.000 Arten von Bienen
(Estibaliz Urresola Solaguren, 2023)
|
72
|
61
|
|
|
|
58
|
85
|
|
69
|
|
Cocaine Bear
(Elizabeth Banks, 2023)
|
70
|
75
|
70
|
45
|
|
|
81
|
72
|
68,8
|
|
Leave the World Behind
(Sam Esmail, 2023)*
|
67
|
|
|
|
|
|
|
70
|
68,5
|
|
Nostalgia
(Mario Martone, 2022)
|
|
|
|
79
|
|
57
|
|
|
68
|
|
Die einfachen Dinge
(Éric Besnard, 2023)
|
|
|
|
|
|
|
68
|
|
68
|
|
Die Tribute von Panem – The Ballad of Songbirds & Snakes
(Francis Lawrence, 2023)
|
65
|
|
|
|
|
71
|
|
|
68
|
|
Das Lehrerzimmer
(Ilker Çatak, 2023)
|
78
|
|
71
|
45
|
|
59
|
85
|
68
|
67,7
|
|
Diese Sendung ist kein Spiel – Die unheimliche Welt des Eduard Zimmermann
(Regina Schilling, 2023)*
|
|
|
65
|
|
|
|
75
|
63
|
67,7
|
|
Lola (2022)
(Andrew Legge, 2022)
|
73
|
|
|
40
|
|
84
|
73
|
|
67,5
|
|
Tár
(Todd Field, 2022)
|
70
|
59
|
|
78
|
75
|
52
|
|
70
|
67,3
|
|
Eileen
(William Oldroyd, 2023)
|
71
|
69
|
|
55
|
|
|
74
|
|
67,3
|
|
Tara
(Volker Sattel, Francesca Bertini, 2022)
|
|
70
|
48
|
|
|
69
|
81
|
|
67
|
|
The Inspection
(Elegance Bratton, 2022)
|
|
|
|
|
|
70
|
64
|
|
67
|
|
BlackBerry
(Matt Johnson, 2023)
|
68
|
|
|
68
|
|
|
|
65
|
67
|
|
Falling Into Place
(Aylin Tezel, 2023)
|
|
|
|
|
|
|
67
|
|
67
|
|
Old Oak
(Ken Loach, 2023)
|
72
|
|
|
68
|
|
60
|
|
|
66,7
|
|
Dumb Money
(Craig Gillespie, 2023)
|
69
|
|
67
|
|
|
62
|
67
|
68
|
66,6
|
|
Killers of the Flower Moon
(Martin Scorsese, 2023)
|
60
|
73
|
35
|
99
|
|
59
|
67
|
72
|
66,4
|
|
Die Linie
(Ursula Meier, 2022)
|
63
|
65
|
|
64
|
|
62
|
78
|
|
66,4
|
|
Final Cut of the Dead
(Michel Hazanavicius, 2022)
|
67
|
|
|
|
|
58
|
74
|
|
66,3
|
|
Wonka
(Paul King, 2023)
|
70
|
|
47
|
|
|
82
|
|
|
66,3
|
|
Die Aussprache (Women Talking)
(Sarah Polley, 2022)
|
80
|
49
|
|
55
|
|
80
|
|
|
66
|
|
Catch the Killer
(Damián Szifron, 2023)
|
67
|
|
|
|
|
|
65
|
|
66
|
|
Annie Ernaux – Die Super 8-Jahre (Les années super-8)
(Annie Ernaux, David Ernaux-Briot, 2022)
|
72
|
64
|
|
59
|
|
68
|
|
|
65,8
|
|
Oppenheimer
(Christopher Nolan, 2023)
|
67
|
64
|
55
|
79
|
41
|
62
|
87
|
66
|
65,1
|
|
Passages
(Ira Sachs, 2023)
|
|
70
|
24
|
84
|
|
|
82
|
|
65
|
|
Mein Sohn, der Soldat
(Mathieu Vadepied, 2022)
|
65
|
|
|
|
|
|
65
|
|
65
|
|
Black Box
(Asli Özge, 2023)
|
71
|
47
|
|
|
|
62
|
79
|
|
64,8
|
|
Acht Berge (Le otto montagne )
(Felix van Groeningen & Charlotte Vandermeersch, 2022)
|
|
56
|
|
81
|
|
57
|
|
|
64,7
|
|
Schlachthäuser der Moderne
(Heinz Emigholz, 2022)
|
|
|
53
|
|
57
|
|
84
|
|
64,7
|
|
Before, Now and Then
(Kamila Andini, 2022)
|
|
65
|
|
|
|
63
|
|
|
64
|
|
Dead Girls Dancing
(Anna Roller, 2023)
|
|
56
|
|
|
|
|
72
|
|
64
|
|
The Iron Claw
(Sean Durkin, 2023)
|
|
64
|
|
|
|
|
|
|
64
|
|
Beau is Afraid
(Ari Aster, 2023)
|
52
|
63
|
|
|
|
72
|
68
|
|
63,8
|
|
Saltburn
(Emerald Fennell, 2023)
|
75
|
|
41
|
|
|
73
|
79
|
50
|
63,6
|
|
The Lost King
(Stephen Frears, 2022)
|
|
|
49
|
|
|
|
78
|
|
63,5
|
|
Close
(Lukas Dhont, 2022)
|
57
|
|
70
|
52
|
|
53
|
82
|
|
62,8
|
|
Im Herzen jung (Les jeunes amants)
(Carine Tardieu, 2021)
|
57
|
61
|
|
|
|
|
69
|
|
62,3
|
|
Barbie
(Greta Gerwig, 2023)
|
65
|
50
|
55
|
75
|
51
|
50
|
91
|
59
|
62
|
|
Glass Onion A Knives Out Mystery
(Rian Johnson, 2022)*
|
|
|
|
69
|
|
55
|
62
|
59
|
61,3
|
|
Munch
(Henrik Martin Dahlsbakken, 2023)
|
66
|
56
|
|
|
|
|
|
|
61
|
|
Past Lives
(Celine Song, 2023)
|
|
65
|
18
|
64
|
|
79
|
78
|
|
60,8
|
|
Hypnotic
(Robert Rodriguez, 2023)
|
52
|
|
|
60
|
|
|
69
|
|
60,3
|
|
Irgendwann werden wir uns alles erzählen
(Emily Atef, 2023)
|
66
|
|
|
|
61
|
59
|
81
|
31
|
59,6
|
|
Transformers – Rise of the Beasts
(Steven Caple Jr., 2023)
|
50
|
|
|
|
|
|
68
|
|
59
|
|
Holy Spider
(Ali Abbasi, 2022)
|
|
|
|
40
|
|
59
|
76
|
|
58,3
|
|
You People
(Kenya Barris, 2023)*
|
|
|
|
45
|
|
|
|
70
|
57,5
|
|
Jeder schreibt für sich allein
(Dominik Graf, 2023)
|
|
71
|
|
|
|
29
|
74
|
55
|
57,3
|
|
Die Theorie von Allem
(Timm Kröger, 2023)
|
65
|
54
|
9
|
48
|
71
|
59
|
89
|
|
56,4
|
|
Sisi & ich
(Frauke Finsterwalder, 2023)
|
|
|
68
|
66
|
|
|
43
|
48
|
56,3
|
|
The Marvels
(Nia DaCosta, 2023)
|
|
|
|
|
|
|
56
|
|
56
|
|
Black Friday for Future
(Olivier Nakache & Eric Toledano, 2023)
|
|
|
|
45
|
|
|
67
|
|
56
|
|
Gesicht der Erinnerung
(Dominik Graf, 2023)*
|
|
|
|
50
|
65
|
|
|
52
|
55,7
|
|
Eismayer
(David Wagner, 2022)
|
|
60
|
|
50
|
|
|
|
|
55
|
|
DogMan
(Luc Besson, 2023)
|
34
|
67
|
|
64
|
|
|
|
|
55
|
|
Auf dem Weg (Sur les chemins noirs)
(Denis Imbert, 2023)
|
|
|
|
|
|
|
55
|
|
55
|
|
No Hard Feelings
(Gene Stupnitsky, 2023)
|
45
|
|
62
|
|
|
|
|
|
53,5
|
|
The Ordinaries
(Sophie Linnenbaum, 2022)
|
72
|
|
17
|
70
|
|
|
|
|
53
|
|
Sparta
(Ulrich Seidl, 2022)
|
|
|
|
78
|
|
3
|
74
|
|
51,7
|
|
Seneca
(Robert Schwentke, 2023)
|
68
|
|
13
|
|
|
39
|
84
|
|
51
|
|
The Whale
(Darren Aronofsky, 2022)
|
42
|
|
|
34
|
|
|
77
|
|
51
|
|
Avatar: The Way of Water
(James Cameron, 2022)
|
65
|
|
|
39
|
|
48
|
|
|
50,7
|
|
Maigret
(Patrice Leconte, 2022)
|
|
|
|
50
|
51
|
|
|
|
50,5
|
|
Jeanne du Barry
(Maïwenn, 2023)
|
|
|
|
|
|
34
|
67
|
|
50,5
|
|
Indiana Jones and the Dial of Destiny
(James Mangold, 2023)
|
58
|
|
|
|
|
39
|
|
|
48,5
|
|
Babylon
(Damien Chazelle, 2022)
|
|
|
|
42
|
|
46
|
55
|
|
47,7
|
|
Luftkrieg – Die Naturgeschichte der Zerstörung
(Sergei Loznitsa, 2022)
|
47
|
|
|
|
|
50
|
44
|
|
47
|
|
Napoleon
(Ridley Scott, 2023)
|
27
|
|
|
|
|
18
|
67
|
72
|
46
|
|
Perfect Days
(Wim Wenders, 2023)
|
70
|
41
|
1
|
|
|
72
|
|
|
46
|
|
The Killer
(David Fincher, 2023)
|
37
|
|
54
|
55
|
45
|
35
|
37
|
50
|
44,7
|
|
Mein fabelhaftes Verbrechen (Mon Crime)
(Francois Ozon, 2023)
|
45
|
54
|
|
|
|
|
33
|
|
44
|
|
Girl You Know It's True
(Simon Verhoeven, 2023)
|
54
|
|
30
|
|
|
50
|
33
|
|
41,8
|
|
Arena 196
(Wolfgang & Yvonne Andrä, 2023)
|
|
|
25
|
|
|
|
67
|
30
|
40,7
|
|
Ingeborg Bachmann – Reise in die Wüste
(Margarethe von Trotta, 2023)
|
52
|
|
13
|
|
58
|
42
|
32
|
|
39,4
|
|
L’immensità
(Emanuele Crialese, 2022)
|
|
|
32
|
|
|
|
|
|
32
|
|
Anselm – Das Rauschen der Zeit
(Wim Wenders, 2023)
|
25
|
|
2
|
|
|
14
|
72
|
|
28,3
|
|
Rehragout-Rendezvous
(Kerstin Schmidbauer, 2023)
|
|
|
28
|
|
|
|
|
|
28
|
|
Die Unschärferelation der Liebe
(Lars Kraume, 2023)
|
|
|
12
|
|
|
12
|
55
|
|
26,3
|
|
Der vermessene Mensch
(Lars Kraume, 2023)
|
18
|
|
8
|
|
|
28
|
17
|
|
17,8
|
|
Ein ganzes Leben
(Hans Steinbichler, 2023)
|
|
|
25
|
|
|
|
1
|
|
13
|
|
791km
(Tobi Baumann, 2023)
|
|
|
|
|
|
|
13
|
|
13
|